Show Review: Re-TROS, Liars, and Flacid Mojo at The Novo (DTLA), 04-04-2024

I think the last time I saw a show in the LA Live complex in Downtown Los Angeles was when Steven Wilson was touring Hand.Cannot.Erase. It’s a surreal place. High end chain restaurants, shops, and live concert venues all pieced together in a way to showcase itself as a gathering center for food, art, and media, but really it just comes off as an attempt at a capitalist utopia. The Novo is the current iteration of what used to be Club Nokia, the more affordable venue in the complex, especially when compared to The Crypto Arena or the Staples Center. It was still Club Nokia when I saw Steven Wilson, Mindless Self Indulgence, Reel Big Fish, and a number of other bands back in the early 2010s. Nowadays, it is home primarily to hip-hop and pop artists, as a bartender shared with me, so it was going to be a very different night and a different crowd than usual as Re-TROS, Liars, and Flaccid Mojo took the place over.

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Film Review: “Civil War”

Civil War is bravura filmmaking with humanity at its core

Alex Garland directed Ex Machina in 2014, Annihilation in 2018, Men in 2022, and now, Civil War. That’s four definite or near masterpieces, in my humble opinion. Each film in his directorial oeuvre has served as a cinematic discussion about the impact an ever-changing issue has had on humanity, sometimes overt and other times metaphorical: artificial intelligence, environmental degradation, toxic masculinity, and now, divisive American political idealism. It would be easy to criticize Civil War as “teaching us nothing new,” but that would be missing the point. The film is not intended to be a blaring warning siren. Instead, Civil War is a disturbing sensory vision of the future, featuring a distinct set of strong characters to help ground its grand-scale and daring filmmaking, meant to elicit a potent sense of current anxieties. Continue reading “Film Review: “Civil War””

Mosswood Meltdown Daily Lineups!

Our good friends at Mosswood Meltdown have gifted us with their daily lineups for Mosswood Meltdown 2024! Coming to you July 6th & 7th, and featuring a headlining set by The legendary B-52’s, the return of The Mummies (who in the past have made their entrance on the toy motorbikes, riding on top of a vintage ambulance, and even after setting up on the mainstage, tricked everyone by playing in the middle of a grove of trees instead!), a very rare appearance from Pure Hell, an even MORE rare appearance by Go Sailor!, and even more rare appearance from the Bush Tetras, to name a few. 

2 – Day and single-day tickets are available here—daily breakdowns below the jump. 

MOSSWOOD MELTDOWN 2024 DAILY LINEUPS
SATURDAY JULY 6TH
The B-52s
Redd Kross
Hunx & His Punx
Peaches Christ Drag Show
Pansy Division
Go Sailor
Wifey
Trap Girl
Hot Laundry

SUNDAY JULY 7TH
The Mummies
Pure Hell
Big Freedia
Egyptian Lover
Gibby Haynes & the Paul Green Rock Academy
Bush Tetras
Die Spitz
Space Lady
Gumby’s Junk

GOLDEN GATE PARK CONCERT SET FOR WEEKEND AFTER OUTSIDE LANDS

While we patiently await the Outside Lands lineup to be presented to our eager eyeballs, the good folks at Another Planet have treated us to probably the most insane single-day lineup of heavy music I could imagine. We’ve got Australian goth duo VOWWS, Swedish punk troublemakers Viagra Boys, and the legendary The Mars Volta. Coheadlining are Sac’s finest exports, Deftones and System Of A Down, playing one of only two shows in 2024!

Tickets are on sale Friday, April 12th at 10 am RIGHT HERE! Continue reading “GOLDEN GATE PARK CONCERT SET FOR WEEKEND AFTER OUTSIDE LANDS”

Show Review: Sleater-Kinney, Palehound, and Rachel Dispenza at The Belasco, 03-29-2024

It’s been a while since I got to see Sleater-Kinney. I was fortunate enough to score some tickets to the acclaimed and mostly sold-out return tour of No New Cities To Love, and let me tell you that it was a hell of an experience to watch the band back in action as if they hadn’t disappeared for ten years following 2005s The Woods. So, with great pleasure, I threw my camera bag over my shoulder and made my way to Downtown LA, The Belasco Theater, my concert home away from home to watch one of the coolest bands ever.

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Film Review: “Wicked Little Letters”

Buckley, Colman shine in sharply observant period mystery

Rose (Jessie Buckley, l.) defends herself against Edith’s (Olivia Colman) accusations.

Based on a true story, Wicked Little Letters is a charming period piece that reunites the terrific actresses Jessie Buckley and Olivia Colman, both of whom played the same character at different ages in 2021’s The Lost Daughter. While they share no scenes in that film, their new movie provides a welcome vehicle for showcasing their spirited chemistry.

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Single of the Week: “The Kids” by Victoria Bigelow

I’ve listened to “The Kids” about 20 times in the last week. This song is SO GOOD! It’s like shoegaze meets country, but not in a 4AD kind of way. It’s such a timeless piece of music telling an incredibly modern story. I also appreciate any time someone tells Pete Townsend that he’s wrong. 

“The Kids” is available in all the places you enjoy things. And, on May 20th, her next EP, Songs For No One Vol 2, will be available to you. 

Show Review: Sleater-Kinney, Palehound, Rachel Dispenza at The Regency, 3/28/24

There really are few events as glorious and cathartic as a Sleater-Kinney concert. I recently attended a Bruce Springsteen & The E Street Band show, and that was close. (Oddly enough, I probably would’ve never paid to see The Boss if not for Sleater-Kinney covering “This Promised Land” in the early 00s). From my first show, when my boss at the time convinced me to go with him to see them on The Hot Rock tour in 1999, the power and dynamics of that show became a permanent part of my life. That’s when they became “my band,” and for the last 25 years, this band has been the primary thing that has helped me navigate my life. And just over 300 months later, here I am, 44 years old, seeing my favorite band again, and nothing could be better. Continue reading “Show Review: Sleater-Kinney, Palehound, Rachel Dispenza at The Regency, 3/28/24”

Film Review: “Monkey Man”

Monkey Man is a thrilling and stylistic revenge tale

It’s been sixteen years since audiences were introduced to Dev Patel in the Best Picture Oscar-winning Slumdog Millionaire, and he’s finally getting his due, but not the traditional way. Born in England to Indian parents and ancestry, Patel often plays second string to older (white) actors, until recently when he headlined both Armando Iannucci’s The Personal History of David Copperfield (2019) and David Lowery’s The Green Knight (2021), the latter proving that maybe the underappreciated actor has more to offer. Taking it upon himself to show audiences his skillful range as an artist, Dev Patel is making his writing and directing debut with Monkey Man, a brutal action flick in purposeful and self-aware John Wick-styled tone and plotting. The film is a triumphant piece of stylistic filmmaking and action choreography, and an extremely promising launch to a thrilling new chapter in Patel’s belatedly blossoming career. Continue reading “Film Review: “Monkey Man””

Album Review: Vampire Weekend, “Only God Was Above Us”

“Ice Cream Piano” begins with a healthy dose of guitar feedback and pronounced strumming, and then the first few lines of the album soothingly unfold, “‘Fuck the world’ / You said it quiet / No one could hear you / No one but me / Cynical, you can’t deny it.” It’s a surprising, but no less strong, sequence of phrases on which to launch Vampire Weekend’s fifth studio album, Only God Was Above Us. The album explores the status quo, including international conflicts, generational attitudes, and society’s unrelenting grip on historical traumas. And yet, Only God Was Above Us, named after a headline quote in the Daily News from a real-life Aloha Airlines flight incident in 1988, is not overtly political. Rather, it’s a musical commentary about fatalism and disillusionment, punctuated by an ultimate yearning for hope and progress. It’s the most cohesively inspired Vampire Weekend album yet, with the band diving head-first into a (mostly) New York City urban soundscape of grunge and grit (see the album cover image above) while not abandoning their gleeful chamber pop origins.  Continue reading “Album Review: Vampire Weekend, “Only God Was Above Us””