George Chen is one of the founders of Cinecave, one of San Francisco’s best kept secrets. It’s a comedy club in the basement of Lost Weekend Video. It’s also one of the best rooms for comedy in this town. Cinecave is teaming up with Sketchfest for several shows during the festival, as well as shows every Friday and Saturday night! Chen is also one of the funniest comics in his own right, and you can catch him throughout the festival. His schedule is here.
When I ponder my favorite singer-songwriters, I think about musicians that are authentic, honest, and speak from the inside out. Catchy hooks don’t hurt, either. Local musician Briget Boyle (www.brigetboyle.com) exemplifies these characteristics in her debut solo album, The Parts Interior. After many years spent performing in an assortment of music groups within multiple musical genres, Briget has now broken out as an individual songwriter and the result is an album both emotionally resonant and beautifully harmonious! I spoke with Briget about The Parts Interior and her journey to this point…
You’ve been on a long musical journey involving various groups and projects. What made now the right time for your solo debut?
Well, I had carved out a lot of space for myself creatively. Brass Menažeri is no longer together and I left Kitka a few years ago, and that space has given me the time to start writing again and really dig into myself as a songwriter. There was something holding me back for a long time. I wasn’t writing for a while. It’s hard to say exactly what it was, but I’ve been doing a lot of work on myself over the last couple of years and through that work, both emotionally and spiritually, I realized that I needed to let my songwriter shine. I had a lot of support from my partner, Harlow, and my community. I was able to raise money to do this and it all just fell into place really nicely.
Is it too early to call it? Sleater-Kinney’s latest may be 2015’s best.
Don’t call it a comeback. It’s just worth acknowledging that years have passed since the forecast for upcoming releases has been this bright. Here’s hoping it doesn’t amount to an audio equivalent of the anticipation and subsequent let down one might experience on New Year’s Eve. Giorgio Moroder (who really made Daft Punk’s latest album a worthwhile listen), The Juliana Hatfield Three, and Sleater-Kinney are just a few of the sorely-missed acts making triumphant, long-awaited returns in 2015.
This list may have grown by twenty additional albums compared to last year, but that doesn’t mean every last major release was included. Sorry to inform you, in advance, that you won’t find the likes of Papa Roach, Marilyn Manson, Fall Out Boy, Fergie Ferg, or Canada’s *pride*/current Calvin Klein cover boy, Justin Bieber listed. Even Mumford & Sons will not be mentioned beyond this sentence. That’s just Spinning Platters allowing me and my subjective musical tastes to run amok. However, there is something here for every musical taste imaginable and as I mentioned at the conclusion, if there was something we must all know about that was overlooked, let it be known in the comments.
Read on, discover some new gems, and get an overview of what to expect this coming year. I’ve even included links to lead-off tracks where they’re available and, of course, my own witless banter when absolutely necessary. Happy New Year of listening.
Weird. Beautiful. Funny. Convoluted. Meandering. Forget it Jake, it’s Pynchon.
Joaquin Phoenix and Katherine Waterston in P.T. Anderson’s Inherent Vice
Paul Thomas Anderson has made his name with movies that feel very important, and are chock full of big ideas about life. If you come looking for that in Inherent Vice, you’re going to leave disappointed. This movie is essentially a comedy, full of visual gags and walk-o- length comedic performances by a series of excellent actors. The story isn’t much to hang your hat on, but the cast, the dialog and gorgeous images should keep you entertained, as long as you keep your expectations in check.
2015 is starting to find its footing, and before the crush of Sketchfest, Noise Pop and Fauxchella hit the Bay Area, find your own musical footing with this collection of winter warmer shows.
One of the many great records that Spinning Platters Writers enjoyed in 2014
2014 was a good year for music — you just had to lose yourself in something unsafe. – Staff Writer Jonathan Pirro.
A lot of people seemed mighty nonplussed by 2014’s recorded music output. Sure, there was a lot of somewhat generic, unimpressive stuff. However, if you did some real hunting, you’ll find that there was some incredibly impressive stuff out there. Here are Spinning Platter’s Staff’s individual lists of favorite records of 2014, starting with my own list:
Spinning Platters film critics present their top 10 films of 2014
Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2014. Here is Chad’s list, presented in reverse order of greatness; you can also see Carrie’s list here.
10.) Snowpiercer
Chris Evans rises to the occassion.
Snowpiercer, Bong Joon-ho’s masterful post-apocalyptic thriller, was forced to fly beneath the radar since it was released on the same day as the horrific yet unfortunately box office dominating Transformers: Age of Extinction. Set in a human-created ice age in which the last survivors on the planet ride around on a crazy-long bullet train, Snowpiercer uses its science-fiction fantasy premise to punctuate some terrifying reflections on the socio-political tensions of modern day society. Chris Evans turns in another solid action hero performance (duh, Captain America) and Tilda Swinton is wicked good as the cruel and quirky “voice”/messenger of the upper class.
Spinning Platters film critics present their top 10 films of 2014
Spinning Platters film critics Carrie Kahn and Chad Liffmann each share their ten favorite films of 2014. Here is Carrie’s list, presented in alphabetical order. And you can see Chad’s list here.
1.) Boyhood
Patricia Arquette and Ellar Coltrane are outstanding as a mother and son who grow and change together.
Filmed intermittently over 12 years, Richard Linklater’s film chronicling a boy named Mason (Ellar Coltrane) from ages six to 18 in real time is both a technical marvel and a cinematic masterpiece. There has been nothing like it before on screen, and there will no doubt be nothing like it again. Utterly unique in scope and vision, the film lets us watch a life develop in front of our very eyes, with all of its attendant hopes, dreams, achievements, and disappointments. Patricia Arquette and Ethan Hawke play Mason’s parents, changing and growing right alongside him and his older sister (Lorelei Linklater). An absolutely dazzling achievement that will leave you breathless and awed, Linklater’s picture is sure to be the one to beat for Best Picture come Oscar time. (You can also read Gordon’s full-length review here).
Picking a list of our Top 10 albums has become quite the task here at Spinning Platters. Every year, we share a gigantic playlist with each other, made up of albums nominated by our entire staff. For 4-6 weeks, it’s the only thing I listen to. Sometimes we find a new favorite album, and other times we find ones we actively root against. But in the end, the votes are tallied up, and we get our Official List. We’ll start this one off with number 10. Continue reading “The Official List of the Best Albums of 2014”
The cast is great/The film is good/Into the woods/To go to the movies!
The Baker (James Corden) and his Wife (Emily Blunt) venture Into the Woods.
Director Rob Marshall, who was nominated for an Oscar for his film version of the musical “Chicago” back in 2003, returns this holiday season with another big screen adaptation of a Broadway hit musical. This time he takes on Steven Sondheim’s storied (pun intended) 1987 mega-hit Into the Woods, an extraordinarily entertaining mishmash of several of the Grimm Brothers classic fairy tales. Produced by Disney, the film had been the subject of widespread speculation that the darker edges of the Sondheim/James Lapine fantasy might be smoothed too much. Purists need not worry, however; Marshall’s version retains the mature themes and disquieting tone of the original, and has the added benefit of a terrific cast.
