Spinning Platters – Page 179 – Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds

Outside Lands 2015: Eight Quick Questions with Jen Kirkman

Jen Kirkman is one of the funniest people out there right now. She’s also incredibly hard working… Her first book, I Can Barely Take Care Of Myself is a work of epic genius, and she seems to be the MVP of Comedy Central’s @midnight. She just premiered a special on Netflix called I’m Going To Die Alone (And I Feel Fine), which you can view the trailer to here.

Or, if you prefer to view people without a screen, she’s performing a stand up set at Outside Lands on Friday, as well as participating in Friday’s Uptown Showdown and Saturday’s ASSSCAT. (Click here for her Outside Lands schedule) If you aren’t coming out to the park, you can catch her on the road, as well. Those dates can be found here.

Spinning Platters had the pleasure of chatting with her recently. Continue reading “Outside Lands 2015: Eight Quick Questions with Jen Kirkman”

Film Review: Mission: Impossible – Rogue Nation

Rogue Nation keeps the pedal to the metal to deliver exhilarating action, while losing some of its franchise identity.

Basically a much better version of Mission:Impossible 2.

‘Ready or not, here I come.’ No, I’m not just quoting the classic song by The Fugees remixed for the M:I5 trailer. I’m saying this because its how the near 20 year old franchise is approaching audiences today, July 31st 2015. With so many action films coming out these days (many of which are quite sub-par), it’s hard to get super excited for another one, nevermind a fifth entry in a franchise. But here’s the thing—the folks behind Mission:Impossible-Rogue Nation know they’re delivering something better than the rest (or most of the rest). After the first ten minutes of Rogue Nation, you’ll realize how much the marketing of the movie has duped you, but in the best way possible. Director Christopher McQuarrie has created a smart action flick so loud and ridiculous that it’s hard to catch your breath. But although Rogue Nation delivers the smarts and the thrills, it doesn’t stick to the formula that has separated (and benefited) the Mission:Impossible franchise from the rest of the spy pack. While no one was saying that the Mission:Impossible franchise was dead, especially after a $209 mil domestic box office take with 2011’s Ghost Protocol, each new installment is met with speculation whether this will be the final outing or not. Rogue Nation all but directly acknowledges this speculation when Jeremy Renner’s William Brandt says, “This may very well be our last mission. Let’s make it count…” Ha! We all know you’ll be back! I’ll put all the speculation to rest—it’s not the final outing. Rogue Nation is as energetic and exhilarating as the franchise has ever been while at the top of its game.

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Spinning Platters Guide to Bay Area Concerts: 7/30/15 – 8/5/15

Summer is past its halfway point. It’s getting really hot, so if you are looking for a reason to spend your evening indoors, here are a few good ones: Continue reading “Spinning Platters Guide to Bay Area Concerts: 7/30/15 — 8/5/15”

Burger Booglaoo 2015: The Best Show Around

When I visited Gonpachi, the restaurant that inspired Quentin Tarantino’s Kill Bill Vol. 1, I watched as a teenage bus boy, carrying a tub of dirty dishes, tripped on the second floor landing, sending a cascade of water on two well-suited Japanese business men at the bar below. Resulting in a flash and flury of apologies, towels, and more apologies, I waited for something to happen.

In all honesty, I hoped this was the open action sequence to a movie – the bus boy, who would *really* be an bus GIRL would be a high-stakes arms dealer attempting to get far undercover into mob headquarters to take out the mob boss who’d killed her father. Amid the building tension and suspicion, Mr. Mob, realizing his restaurant would now be the scene for said revenge, The 5, 6, 7, 8’s would loudly tear into: “I’m Blue.” Brilliantly choreographed knife and fist fights (imagine Kill Bill meets The Raid) between our starring underdog crime fighter lady and the mob’s henchmen would ensue. And above the nash of fists, faces, and katana swords and the interlude of “Bomb the Twist”, John Waters would quietly take the open seat next to me: “Soooo, hmm, yakitori?” he would ask calmly, coyly peeking at me through delighted eyes.

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Film Review: Irrational Man

Irrational movie goer: Watch Woody Allen contemplate the meaning of life. Again.

Abe (Joaquin Phoenix) and Jill (Emma Stone) overhear a conversation that will change both their lives.

Your interest in seeing Irrational Man, Woody Allen’s newest film, will largely depend on your level of interest in existential philosophy. Allen does give us fair warning as to what he’s up to, though; his chosen title shares the same name as William Barrett’s seminal 1958 book Irrational Man: A Study in Existential Philosophy, an introduction to the philosophy’s basic concepts and major thinkers. So if you were on the edge of your seat during your Philosophy 101 days, then this film’s for you; if not, then you might want to skip this class – er, film.

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Film Review: Southpaw

Southpaw throws a flurry of clichéd punches

Southpaw was not what I expected. I believed and hoped that I was walking into a Rocky type fable, or maybe a modern day Raging Bull. There have been a few strong entries into the sport fighting genre in recent years, including Rocky Balboa (2006), Warrior (2011), and hopefully the upcoming Creed (2015). Sure, there are twice as many sub-par entries between the aforementioned titles, but with a superb cast headlined by limitless Jake Gyllenhaal and under the consistently solid (if not above average) direction of Antoine Fuqua (Training Day, The Equalizer), Southpaw seemed destined to be the strong sports drama entry that comes along every handful of years. Alas, it is not. The sure bets going into the final product still shine—Gyllenhaal is superb and Fuqua’s direction is effective—but the story is formulaic and surprisingly, subtly, unnervingly, kinda racist.

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Show Review: ‘Star Trek’ Live in Concert with the SF Symphony

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No less than 10 bursts of applause, the loudest for the opening title and the reveal of the late Leonard Nimoy. That was the atmosphere at last night’s Star Trek in concert event at the San Francisco Symphony, where the live orchestra provided the score to a screening of J.J. Abrams’ 2009 feature film reboot of the nearly 50 year old franchise. There were Starfleet uniforms a plenty in the audience, a themed “red matter” cocktail at the symphony bars, display cases with props from the film, and a pervading admiration and respect for everyone’s own personal connection to Star Trek. What better show of respect than for conductor Sarah Hicks to hold up her hand in the iconic ‘live long and prosper’ gesture before launching into the prologue.

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Film Review: Trainwreck

Schumer/Apatow collaboration delivers lots of laughs

Sports medicine doctor Aaron (Bill Hader) is intrigued by magazine writer Amy (Amy Schumer).

Amy Schumer, who in the past year has become comedy’s reigning it girl, breaks on to the big screen today with Trainwreck, the Judd Apatow-directed film that she both wrote and stars in. The Apatow-Schumer combination is as powerful as comedy fans would hope; the film is filled with Schumer’s no-holds-barred, brilliantly edgy funny bits, tempered by the same down-to-earth sweetness Apatow brought to pictures like The 40-Year-Old Virgin. The result is a refreshing, raw romantic comedy that will charm and delight even the most jaded rom-com fans.

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Film Review: Boulevard

Williams makes unimaginative picture worth seeing

Leo (Roberto Aguire) accepts a ride from Nolan (Robin Williams).

Boulevard is a tough movie to review, and an even tougher movie to watch, and not because it’s exceptionally good or exceptionally bad; it’s neither of those, but is a decent, if somewhat unoriginal, follow up by director Dito Montiel to his much lauded 2006 picture A Guide To Recognizing Your Saints. What makes the film hard to look at objectively is that it features Robin Williams in his last dramatic role, and it’s very difficult to see Williams’s performance here and not think about what he was going through when this film was made, only a year or so before his tragic suicide.

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Preview: Pitchfork Music Festival, 2015

This Friday, July 17th, through Sunday, the 19th, 45+ bands will descend upon Chicago’s Union Park to perform at the 10th annual Pitchfork Music Festival. Tickets are officially sold out and that’s hardly a surprise. The stellar line-up consisting of the most iconic underground acts includes Wilco, Run the Jewels, Sleater-Kinney, Jamie XX, Future Islands, Perfume Genius, The Julie Ruin, Caribou, and Shamir.

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