SFIFF58 Spotlights #5: Me and Earl and the Dying Girl/Steve Jobs: The Man in the Machine/The New Girlfriend/Time Out of Mind

We’re midway through the 58th San Francisco International Film Festival (SFIFF), and we’ve got more spotlights for you! There’s still a week of films and events left to go, so it’s not too late to get in on the fun; the Festival closes May 7th. Tickets and more information can be found here, and keep checking Spinning Platters for more coverage. In the meantime, here are four more Festival titles to check out:

Me and Earl and the Dying Girl
(USA, 2015, 104 min, Added Programs)

Greg (Thomas Mann) and Rachel (Olivia Cooke) prepare to face the chaos of their high school cafeteria.

Mostly known for his TV work (Glee, American Horror Story), director Alfonso Gomez-Rejon was the darling of Sundance this January, deservedly winning both the Grand Jury Prize and the Audience Award for this outstanding, off-beat picture based on the popular novel of the same name. Funny, sweet, and sad without being maudlin, Gomez’s film has all the classic quirky charm of a Sundance hit, combined with the refreshing honesty of the best recent coming of age films like The Perks of Being a Wallflower and The Way Way Back. When awkward Greg (Thomas Mann) is forced by his Mom (Connie Britton) to befriend Rachel (Olivia Cooke), a classmate with leukemia, he and his best friend Earl (RJ Cyler) embark on a project to make a film for her (their movies are short, altered, and hilarious versions of classics; A Clockwork Orange become A Sockwork Orange, for example, filmed with sock puppets). With terrific supporting turns by Nick Offerman as Greg’s dad and Molly Shannon as Rachel’s mom, the entire cast is first-rate. Gomez has made 2015’s first absolute-must-see film. Don’t miss it.

Screenings:

  • Will open widely on June 12th; check your local theater listings.

Continue reading “SFIFF58 Spotlights #5: Me and Earl and the Dying Girl/Steve Jobs: The Man in the Machine/The New Girlfriend/Time Out of Mind”

Spinning Platters Weekly Guide to Bay Area Concerts: 4/30/15-5/6/15

Give me a chance. Now we can dance.
Give me a chance. Now we can dance.

Yup. Two Sleater-Kinney shows this week. You’ve waited almost a decade for this. Other stuff is happening, too, but none of that actually matters. Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts: 4/30/15-5/6/15”

Film Review: Adult Beginners

No more and no less than a solid middling comedy.

Bobby Cannavale, Rose Byrne, and Nick Kroll are 'Adult Beginners'
Bobby Cannavale, Rose Byrne, and Nick Kroll are ‘Adult Beginners’

In the age of the coming-of-age comedy, nothing is more prevalent than indie music montages and sad sap protagonists with remarkably expensive looking hipster clothing. Thankfully, Adult Beginners really has neither of these characteristics. The characters in Adult Beginners are past the point of coming-of-age, and therein lies the point. It may be formulaic and glossy in its ultra quick stereotypical depictions of IPOs, swim classes, successful entrepreneurs, awkward home town reunions, etc., but judging the film on these miscues is to miss the (aforementioned) point. What Adult Beginners does well is allow its very talented cast to execute a cute story featuring very familiar circumstances and themes.

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SFIFF58 Spotlights #4: Mr. Holmes/Luna/The Editor/The Taking of Tiger Mountain

The 58th San Francisco International Film Festival has just about reached the halfway point, and there are still so many films to discuss. Be sure to take a look at the program and ticket info here. Here are a few more titles (some that have unfortunately already had their final festival screening) to put on your radar:

Mr. Holmes
(UK, 2015, 105 min, Marquee Presentations)

MR. HOLMES
MR. HOLMES

In director Bill Condon’s new drama, Mr. Holmes, Sir Ian McKellen plays an old, retired Sherlock Holmes, who is trying to battle memory loss while attempting to add some facts and closure to his otherwise inventive, fantastical legacy curated by the writings of Dr. Watson, in particular the unsolved details of the former’s final case. McKellen is extraordinary, displaying the weathered wit and fragility of a dying icon who has been locked into a secluded lifestyle as a result of his investigatory prowess. Even a fire alarm at the Kabuki resulting in the evacuation of the theater 20 minutes in couldn’t steal away the emotional impact of Mr. Holmes’ rumination on fact vs. fiction.

Screenings:

  • May 5 – 2:00pm at Sundance Kabuki Cinemas

Tickets for Mr. Holmes available here.

Continue reading “SFIFF58 Spotlights #4: Mr. Holmes/Luna/The Editor/The Taking of Tiger Mountain”

SFIFF58 Interview: ‘Aria for a Cow’ writer/director Dan Lund & Crew

Amos, (Me), Siddhartha, Elizabeth, and Dan of 'Aria for a Cow'
Amos, Me, Siddhartha, Stephanie, and Dan talking ‘Aria for a Cow’

The shorts programs at SFIFF58 have been increasing in popularity the last few years, and Shorts 5: Family Films is no exception. One film from the group, the colorful and magnificent musical Aria for a Cow, is appropriately quite the showstopper. I sat down with Disney animator and Aria for a Cow writer/director Dan Lund, art director and co-producer Amos Sussigan, background designer and painter Stephanie Dominguez, and production manager Siddhartha Maganti at the Hotel Majestic, a few blocks from where their short would premiere the next day and a few hours before their premiere party. The camaraderie within the group is infectious, and they had no trouble jumping right into the nitty gritty of their film: 

Where did the idea for Aria for a Cow originate?

Dan Lund: I’ve always had a pretty healthy ‘outside-of-Disney’ project type thing going. I was a PA in 1989 at Disney and was working with people who were working with Howard (Ashman). I had kept hearing about this passion project of his called ‘Fatty of the Opera’. Right before we started working on Frozen I had this period where I didn’t have an outside project to work on and it kinda freaked me out. I was in New York and I had mentioned to a friend, ‘I wonder what ever happened to Howard’s “Fatty of the Opera” project’ and my friend knew Sarah (Howard’s sister) peripherally and he said, ‘You should email her.’ So I did and she graciously agreed to give me all the information I needed on this passion project if I listened to her favorite song that no one has ever heard by him, called Aria for a Cow.” I really just did it to get the other thing I wanted, but the other thing I wanted turned out to be a little odder than I thought. And I just fell in love with the cow song. She let me turn it into an animated thing. Originally she was thinking of it being a children’s book but I don’t know that world at all. The song was just lyrics on a page. I wrote the wraparound. I didn’t just want to make a music video. I wanted the song to have a home that was as story-driven as the song.

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Show Review: Two Nights with Faith No More at The Warfield, 4/19/15-4/20/15

Mike Patton of Faith No More
Mike Patton of Faith No More

In 2010, Faith No More returned to their hometown of San Francisco to play three ferocious, wildly-anticipated concerts that marked their first appearance in the Bay Area since their disbandment in the late 90s. The general reaction, from the most hardcore fans to the relatively casual listeners, was extremely positive, albeit with the lingering curiosity of “…but what’s next?” After a handful of tours, a smattering of festival appearances, and two years of almost total silence — during which the prolific band members worked on some of their other projects, as well — something more official surfaced in the latter half of 2014, in the form of two new songs: the slow-stalking “Motherfucker” and the chugging, anthemic “Superhero”, both of which showed up in their live sets that year. Now, with their seventh album Sol Invictus soon to arrive in record stores, and a mountain of tour dates taking up their schedule this year (paired with everyone from ANTEMASQUE to Refused), it seemed like the perfect time for Faith No More to return to the Warfield — this time with two shows, instead of three — and their transformation in the last five years is not only palpable, but an utter delight to witness.

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SFIFF58 Spotlights #3: Shorts — Youth Works / Family Films / Animation

'A Single Life' short from the Animated Shorts Program.
‘A Single Life’ short from the Animated Shorts Program.

SFIFF58 is underway, and we’re here to bring you all the goodies! Here’s a quick look at a few selections from three of the MANY amazing shorts programs, all of which are worth checking out at this year’s San Francisco International Film Festival (April 23-May 7):

Shorts 6: Youth Works
April 25, 11:00am – Tickets & Info
Created by amazing young talent, this collection of narrative, documentary, and animated films is astounding and just a taste of the strong pool of future filmmakers we can expect to see more of down the line.

Kers
(Alexia Salingaros, USA 2014, 5 min)

KERS
KERS

Steadily shot and succinctly edited, Kers is a quick portrait of a female graffiti artist. Challenging the notions of gender roles and respected art forms, the subject reveals the struggles and lifestyle her passion has created for herself.

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10 Quick Questions with Polaris

 

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Polaris was a fake band that comprised of real musicians in the 90’s kids show, The Adventures Of Pete & Pete. Now, 19 years after the show’s cancellation, we have the first vinyl pressing of the shows’ soundtrack, and they are also doing their first full scale US tour! They will be coming to The Chapel on April 24th. Tickets are available here!

We had a chance to ask 10 questions to Muggy Polaris (Mark Mulcahy), Harris Polaris (Scott Boutier), and Jersey Polaris (Dave McCaffrey). Here’s what these guys had to say!

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SFIFF58 Preview and Spotlights #2: The Postman’s White Nights/The Kindergarten Teacher/Fidelio: Alice’s Odyssey/The Wonders

58SFIFF

Spinning Platters continues its coverage of the upcoming 58th San Francisco International Film Festival (SFIFF) with a spotlight on four more films. The Festival opens next Thursday, April 23rd, and runs until May 7th.  Tickets and more information can be found here.

Today’s post looks at one film from the Masters section and three from the Global Visions section. Keep checking back for more coverage throughout the Fest!

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SFIFF58 Preview & Spotlights #1: Vincent / 7 Chinese Brothers / H. / Sunday Ball / A Few Cubic Meters of Love

SFIFF logo
The 58th San Francisco International Film Festival

 

Welcome film lovers and moviegoers to the Spinning Platters coverage of the 58th San Francisco International Film Festival (SFIFF). Bookmark this site because we’ll be bringing you tons of SFIFF coverage: previews, film spotlights, interviews, and special events coverage. Per usual, our spotlights will cover the films that you’re already excited to see, as well as many titles that you haven’t heard of. SFIFF program notes and tickets are available here.

We’ll be continuing our coverage this week and throughout the Festival. Without further ado, let’s take a look at some of the special events in store and then five of the festival films:

Continue reading “SFIFF58 Preview & Spotlights #1: Vincent / 7 Chinese Brothers / H. / Sunday Ball / A Few Cubic Meters of Love”