Spinning Platters Interview: Félix de Givry and Sven Hansen-Løve, ‘EDEN’

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During SFIFF58 a few months ago, I was able to catch Mia Hansen-Løve’s new musical drama, Eden. Despite not knowing much about French touch and the electronic music movement of the 90s in Paris, I lost myself in the euphoric and tragic journey of the film’s central DJ character. Eden is a movie that will etch its aura into your mind, and its 4 hr. soundtrack plays like a history of house music. I was fortunate enough to arrange an interview with writer Sven Hansen-Løve, on whose life the story is loosely based, and Félix de Givry, who plays Paul, the central character of the film. At The Social Study, I sat down with the two French gentlemen to discuss Eden:

Félix, how much did you know about French touch and the electronic music movement before signing onto this project?

Félix: I think I knew a little bit more than normal people know in France. Even more than Americans. But still I was not expert, especially of garage underground scene. I knew about French touch. ‘French touch’ the expression represents so much success that almost everybody knows about the people involved. The most interesting thing for me was to really dig into the scene and the beginning of the scene and the fact that there was so few people, say 200 or 300 people. It was kind of a black hole. It wasn’t documented by the big media at the time and there was not internet yet. Thanks to Sven, I learned a lot about it.

Sven: Yes, the fact that we had the chance to see each other many times. With my sister, too (the film’s director, Mia). It was a good thing for Félix because he could get direct documentation, in a way <<laughs>>.

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Show Review: An Evening with Steven Wilson at The Warfield, 6/14/2015

Steven Wilson
Steven Wilson

There’s never been any debate over the fact that English new-prog, Pink-Floyd-meets-metal band Porcupine Tree is Steven Wilson, in both part and in whole. While comprised of a core set of musicians that have contributed to the writing, recording, and touring of the many records forged over its career, Porcupine Tree started as a project for Wilson alone to craft music; in fact, at its very beginning, it was a made-up legendary rock band with its own fake history and discography that Wilson had penned with a colleague back in the late 1980s. Twenty years later, Wilson has put his primary project on a shelf (Porcupine Tree has been on hiatus since 2010) and shifted the attention to his own “solo work”. Lest the reader shy away from the often-wary prospect of a frontman deciding to carve out his own path, Wilson’s output has been nothing short of spectacular, now spanning the length of four albums which demonstrate a remarkable leap in creativity, songwriting, and production with each successive release. Hot off the heels of his recently-released Hand. Cannot. Erase., Wilson returned to the Bay Area on Sunday night for a live performance with his new touring band, and the result was a gorgeous, stunning display of musicianship and sonic texture that shook the walls of the Warfield for over two hours.

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Film Review: Live from New York!

A variety show on acid: Imperfect but fun documentary considers Saturday Night Live

The official movie poster for Bao Nguyen’s new documentary.

In 1975, a new variety show premiered on NBC that was unlike anything that had come before it; it was, according to Laraine Newman, one of the show’s original cast members, a cross between 60 Minutes and Monty Python. Despite its ups and downs, after 40 years on the air, Saturday Night Live (or SNL, as it’s more commonly known in the pop culture lexicon), shows no sign of slowing down, and continues to both reflect and influence American culture. Director Bao Nguyen’s new film, Live from New York!, which takes its title from the show’s opening introduction, explores the history and impact of the storied comedy program in a documentary that is both highly entertaining and slightly frustrating.

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Show Review: An Evening with Laibach at The Fillmore, 5/30/2015

Laibach
Laibach

Industrial music is best known for a few constants that keep it as resilient as it has been during its several-decade lifespan: machine-driven precision, a dramatic-but-highly-attentive sense of dress, and a sense of dark, churning menace which is never quite as brutal, nor direct as hardcore punk, but punishing all the same in its intensity. As time has passed and the technological world of music has shifted and changed, so, too, has the palate of instrumentation that industrial music uses to craft their tunes, as well as the method of presentation, but the attitude has always remained, allowing acts to return again and again to the stage, still maintaining legions of devoted fans. The Slovenian performance-art-cum-industrial-rock collective known as Laibach are no strangers to these phenomena. As members of a group that operates with a deep sense of groupthink and nihilism, rarely acknowledging individual members or allowing classic pieces to stay stagnant behind the technological trappings of yesteryear, their performances nonetheless bear the same unyielding, unflinching attitude that has kept their music so potent, and 35 years after their inception, they’re still as powerful as ever. Continue reading “Show Review: An Evening with Laibach at The Fillmore, 5/30/2015”

Photo Set: Highlights from BottleRock Napa, 2015

Robert Plant headlined Saturday night and played some of Led Zeppelin's greatest hits alongside some from his collaborations with Jimmy Page.
Robert Plant headlined Saturday night and played some of Led Zeppelin’s greatest hits alongside some from his collaborations with Jimmy Page.

The third annual BottleRock Napa festival was a blast and went smoothly…well, for the most part. The same elements that made the festival so appealing to attend, to begin with, including a generally laid-back, down-to-earth crowd, top-notch food from local high-end establishments, and reasonable lines, made the three-day event well worth the trip (as if there aren’t enough excuses to head to Napa already).

The biggest crowd pleasers were, unsurprisingly, Robert Plant, Snoop Dogg, and No Doubt who had massive crowds singing along to every word of familiar hits from their expansive catalogues. The unexpected highlight came in the form of Silent Disco, a service that provides wireless headphones that stream a band or DJs music. The silence enhances the energy within the crowd and it created a unique, transcendent experience for the participants. Each night people could be found dancing blissfully to sounds only they could hear.

Enough about my experience, here are the photos you want to see.

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Spinning Platters Weekly Guide to Bay Area Concerts, 6/4/15-6/10/15

Snarky Puppy is playing Miner Auditorium
Snarky Puppy is playing Miner Auditorium

Summer is ready when you are! And so is the first proper bay area outdoor music festival!

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SXSW 2015: Cool? Yeah, Cool

Charles Bradley Shows us How it's Done
Charles Bradley Shows us How it’s Done

Chris Farley is my spirit animal. Not in a tears of a clown kind-of-way, or a Patrick Swayze dance-off kind-of-way. But in the way where I would be the perfect sidekick to Chris in “The Chris Farley Show”. I’d agree with him and all his qualifiers – yes, when Sir Paul McCartney was in the Beatles, that was definitely “cool.” I could have taken the show on the road with Chris, maybe even done some local interviews:

“Remember that time that you played Treasure Island. And it was, like, really cold?”

“Remember that time you brought that guy on stage to rap ‘Protect Yo Neck? Yeah. That was cool”. Continue reading “SXSW 2015: Cool? Yeah, Cool”

Interview with the Handsome Family’s Rennie Sparks

The Handsome Family

Husband-and-wife duo, Brett and Rennie Sparks, the core of goth Americana outfit the Handsome Family, have been releasing albums for the past twenty years. Their unique, eccentric tales of ghosts and folklore deftly weave through dark, highly unpredictable ballads. This fierce dedication to constantly challenging the listener has earned them a slow-and-steady cult following. However, they didn’t receive mainstream recognition until the track “Far From Any Road,” from their 2003 release Singing Bones, was commissioned as the main theme song for HBO’s hit crime drama, True Detective.

The Handsome Family has been touring extensively in support of their latest release, Wilderness, these past few months, and while I missed the opportunity to meet them in person, at San Francisco’s The Chapel, Rennie was nice enough to answer a few of my questions virtually.

Here are her thoughts on modern music distribution, why crowdfunding is wrong, and where she and her husband want to settle next.

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