Spinning Platters – Page 169 – Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds

Film Review: The Finest Hours

The dullest hours are spent with this rote seafaring rescue tale

Is Chris Pine screaming because of the CGI wave he’s encountering? Or because he’s in this dismal movie? We’ll never know for sure.

T.S. Eliot famously wrote that “April is the cruelest month,” but, for the movie-going public, January is the harshest. The embarrassment of riches that is the late fall quality Oscar contender rush is now just a faint memory, and theaters are filled instead with middling fare that studios don’t know what to do with. Case in point is director Craig Gillespie’s The Finest Hours, which had two previously scheduled release dates before finally opening nationally today – never a good sign. A dull, paint-by-numbers mess, the picture’s suitability as a January wasteland offering makes perfect sense, but the fact that it boasts a wealth of talent both in front of and behind the camera is both puzzling and disappointing.

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SF Sketchfest Review: Tribute to Sally Field, ‘Hello, My Name is Doris’ Screening and Q&A with Sally Field and Michael Showalter, 1/22/16 at Alamo Drafthouse

12509650_10153829363552667_6511806589562874559_n — How can you not enjoy these two? (Photo thanks to Tommy Lau.)

Okay, it’s taken me almost a week and I still haven’t been able to decide: do I want to call Sally Field “radiant,” or is “luminous” the right word? I swear, that’s a big part of the reason it’s taken me five days to publish my review. (It also doesn’t help that I’ve been as lazy as my crazed-grad-school lifestyle will allow…) And here I am, I still haven’t decided. Suffice it to say, Ms. Field is all that and more. Anyway, so when SF Sketchfest announced this year’s schedule, I immediately zeroed in on this chance to attend the tribute to Sally Field and screening of her quirky new comedy, Hello, My Name is Doris last Friday night at the amazing Alamo Drafthouse. (Bonus: the Q&A after the film also featured the film’s director/co-writer, Michael Showalter!) Continue reading “SF Sketchfest Review: Tribute to Sally Field, ‘Hello, My Name is Doris’ Screening and Q&A with Sally Field and Michael Showalter, 1/22/16 at Alamo Drafthouse”

SF Sketchfest Review: The Dork Forest at the Punchline, 1/23/16

Dork_Forest

Reviewing Podcasts is weird, especially when it’s one you’ve been listening to off and on for six years and have never seen live. There’s just a certain amount of fandom that keeps you from doing an impartial review, so I’m mostly going to tell you want happened. Obviously I loved it. The host of The Dork Forest, Jackie Kashian, is my favorite person in comedy and her enthusiasm to hear and learn about other people’s dorkdoms is often catching. In person it is even stronger and funnier because there is so much more going on with the expressions and gestures of the guests. It’s that special something that always makes it worth it to pay to see a free podcast live. Continue reading “SF Sketchfest Review: The Dork Forest at the Punchline, 1/23/16”

SF Sketchfest Review: Porchlight, a Storytelling Series at Swedish American Hall, 1/22/16

Arline Klatte and Beth Lisick, your Porch Light hosts

I decided to attend Porch Light Storytelling Series on a whim, as often happens with me and Sketchfest. If I see more than one comedian I really like, in this case Moshe Kasher and Jackie Kashian, I’m pretty happy to try it out. I was also curious about Beth Lisick who wrote a couple of her short story collections I’ve read. The format also seemed like it would be generally likeable – two hosts and six people telling true life stories, what’s not to like about that? Continue reading “SF Sketchfest Review: Porchlight, a Storytelling Series at Swedish American Hall, 1/22/16”

Spinning Platters Interview: Amy Miller

Amy Miller is an old friend of Spinning Platters. She’s also the funniest person in Portland, OR, and was on the final season of Last Comic Standing. She was one of the earliest fans of the site and, despite her continued fame, she still managed to squeeze out some time to talk to us.

She’s going to be headlining at Punchline in SF this Wednesday, January 27th. Tickets are available here!

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SF Sketchfest Review: A Tribute to Patton Oswalt: In Conversation with Boots Riley at the Marines’ Memorial Theatre, 1/16/16

Boots Riley and Patton Oswalt (photo by Steve Agee)

Patton Oswalt, comedian and actor extraordinaire, isn’t sure why he’s getting a “tribute” from SF Sketchfest. Sure, he’s been touring the comedy circuit since ’88, has amassed millions of fans, exudes a remarkably conscious presence on social media, and generally is utterly recognizable in voice, manner, and his own creative palate — but is that really the sort of thing to have a “tribute” for? This, more or less, was the way he asked the question that kicked off the afternoon show, which saw Oswalt discussing his history, perception of comedy in decades gone by and in the modern age, and the vastly-deepening social awareness that exists to meld the worlds of comedy and reality together in (hopefully) wonderful ways. Despite the fact that the tribute was for him, and Boots Riley — the frontman of Oakland’s own hip-hop masterminds The Coup — was the one he was “in conversation” with, Oswalt was the first onstage, and introduced both the show and his guest, and remained the driving force for the conversation for the rest of the afternoon.

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SF Sketchfest Review: We Got This With Mark and Hal

MarkHal

The podcast, “We Got This With Mark and Hal,” has a very simple concept. Mark Gagliardi (Drunk History, Thrilling Adventure Hour) and Hal Lublin (Welcome to Night Vale, Thrilling Adventure Hour) get on the microphone and settle the most important disputes of our times, and some other ones. Episodes include “Sweet or Sour pickles,” “Worst Christmas Song” and most importantly, “Socks: Fold or Roll?” While I hardly ever agree with their conclusions, listening is always a pleasure, and I wouldn’t miss the chance to see them settle a VERY important debate, live at SF Sketchfest: “Star Wars or Star Trek?” Continue reading “SF Sketchfest Review: We Got This With Mark and Hal”

SF Sketchfest Review: Fresh Out with Emily Heller and Adam Conover at The Eureka Theater, 1/16/16

fresh out

Now we are two thirds of the way through SF Sketchfest and so far, I’m going to say this is the year of the stand up showcase. At least, that’s what won my weekend last week, and now Fresh Out won this weekend by a landslide. It was funny, diverse, and even had some serious moments. Usually it’s a good panel that leaves me with all the feels as I head home, but this time it was the comedians performing at Fresh Out. Continue reading “SF Sketchfest Review: Fresh Out with Emily Heller and Adam Conover at The Eureka Theater, 1/16/16”

Film Review: 13 Hours

A loud, intense disappointment from director Michael Bay-nghazi

I have a feeling we're not in Scranton anymore. — I have a feeling we’re not in Scranton anymore.

I’ll start with what impressed me about Michael Bay’s 13 Hours: The Secret Soldiers of Benghazi. First (yes there is more than one thing), the story follows the real life sequence of events, at least based on what is publicly known about the attack. Second, Bay still knows how to capture intensive explosive action on screen. The firefights are, indeed, very effective. Despite knowing how the events played out, the chaotic gunfire and threat of technicals kept me on the edge of my seat. But those moments come and go, and the remaining minutes of the film completely misfire on all cylinders. The dialogue, comprised of 95% stupid one-liners, is an embarrassment. The stereotyped supporting characters are cringe-worthy. And the message Bay is trying to get across is confusing. 13 Hours shows some directorial maturation from Bay, but the film fails to properly honor the real life heroes due to the same annoyances that we’ve come to expect from Bay’s everlasting churn of slightly entertaining blockbuster garbage.

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SF Sketchfest Review: The Great Collaborators Tribute: Billy Crystal & Alan Zweibel In Conversation with Ron Bostwick

There is no shortage of great talent that graces our SF stages during Sketchfest. Tonight, however, we got not one, but two, of the most important comic minds ever. Everyone knows Billy Crystal, star of Soap, Saturday Night Live, When Harry Met Sally, etc., and, although you may not know Alan Zweibel by name, you may have more of his words memorized than Billy Crystal’s. He was one of the main writers during the first few years of Saturday Night Live, as well as It’s Gary Shandling’s Show, Curb Your Enthusiasm, Monk, and many, many more.

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