Spinning Platters – Page 168 – Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds

Film Review: How to Be Single

A modern romantic comedy with its heart and mind (and humor) in the right place.

50 Shades of Singledom — Fifty Shades of Singledom

It’s rare that I’m this nervous to write a film review! Perhaps it’s the fact that How to Be Single surpassed all my expectations. Or maybe its that I feel that by accidentally omitting any aspect that I loved about the film, I’d be doing the film a disservice. Maybe I’m nervous because I feel that my excitement for the film is a byproduct of being caught off guard by its hilarious yet sensitive handling of serious topics, and therefore maybe I’m overhyping it? The fact of the matter is that How to Be Single is one of the best romantic comedies in a long while, and does more than just continue the recent (wonderful) surge in female-led rated-R comedies. How to Be Single balances awkward conversational humor with crude humor exceptionally well and doesn’t let up even when its time for the story to enter ’emotional climax’ mode, all the while sending strong messages about dating through adulthood.

Continue reading “Film Review: How to Be Single”

Film Feature: 2016 Sundance Film Festival Spotlights #2

Spinning Platters continues its coverage of the 2016 Sundance Film Festival, which ended last Saturday, Jan. 30^th with its evening awards presentation (all the winners can be found here).

We’re highlighting 18 of the nearly 200 films shown at the Fest, so you can know what to look for in the coming year – and what to avoid – as many of these titles are purchased and widely distributed.

As a reminder, we are using our patented Viewing Priority Level (VPL) Guide to advise you accordingly:

Continue reading “Film Feature: 2016 Sundance Film Festival Spotlights #2”

Film Review: Hail, Caesar!

A silly, subversive, colorful day in the life of a 1950s Hollywood studio fixer — as only the Coens can envision.

Channing Tatum the singing, dancing sailor.

Expectations were high for Hail, Caesar! the new film from the modern great American filmmakers, Joel and Ethan Coen. Three years after their award-winning triple play of 2009’s A Serious Man, 2010’s True Grit, and 2013’s Inside Llewyn Davis, the sparkling musical trailers for Hail, Caesar! began hitting the web, and suddenly Coen fever began spreading again. However, unlike the washed-out colors and quiet dramatic quality of the former titles, Hail, Caesar! seemed to promise bright colors, outlandish musical numbers, and an unbridled sense of fun. The question I found myself asking was — would Hail, Caesar! embrace the darkly comic bizarreness of early Coen films such as Raising Arizona and The Hudsucker Proxy, or the cynical chastisement of Hollywood in Barton Fink? Well, the answer is really ‘no’ to both. The most wonderful thing about Hail, Caesar! is that it has its own new brand of Coen humor, one of PG-13 lightweight, sarcastic and playful tones, but still filled to the brim with the filmmakers’ unparalleled attention to detail and love of subtle and not-so-subtle references.

Continue reading “Film Review: Hail, Caesar!”

Film Review: Pride & Prejudice and Zombies

Zombie-slaying Bennet sisters worth cheering for. Zombies, not so much.

More influenced by 2005’s Pride & Prejudice starring Keira Knightley than the classic piece of literature by Jane Austen or the works of George A. Romero, Pride & Prejudice and Zombies, based on the novel by Seth Grahame-Smith, is a mediocre popcorn flick. It’s not as campy or cheeky as I’d had hoped, nor as serious and emotional as it could be if it avoided being the former. Despite the PG-13 rating, there’s enough genre blending jokes and tame action to make the first hour an enjoyable piece of escapism. Unfortuantely, an apparent inability to conclude the story whilst providing a non-anticlimactic finish makes the last 30 min a bore — an uninspired CGI-filled bore. Yet PPZ can be taken in its entirety as a relative success. The failings don’t take away from what most folks will expect from a sci-fi period piece romance (not sure the appropriate genre?) based on a popular piece of spoof fiction.

Continue reading “Film Review: Pride & Prejudice and Zombies”

SF Sketchfest Review: Mortified (The Extra Dirty Version), 1/23/16 at Swedish American Hall

Makes me wish I’d kept journals & the like.

That Mortified has been selling out shows for the past decade shouldn’t surprise me. What should is that this year was my first time getting to find out why. It was Sketchfest 2016’s final weekend (Saturday, 1/23, to be exact), and while I had booked myself back-to-back shows for the evening, I wasn’t concerned since both were taking place in the same venue (Swedish American Hall). The only minor caveat was that I got so excited about this fact (and that I have been to the former venue next door so many times I know the area well), that I forgot to take what a bitch it is to find parking in the neighborhood. Making matters worse, I stood in a line of people wanting to buy tickets for at least five minutes before I realized I could bypass them all and go find a spot in what was now standing-room-only. And yet, it was absolutely worth it! (The only thing I’d do differently is give myself an exorbitant amount of time for parking next time…) Continue reading “SF Sketchfest Review: Mortified (The Extra Dirty Version), 1/23/16 at Swedish American Hall”

Film Feature: 2016 Sundance Film Festival Spotlights #1

Marking its closing with its annual awards ceremony, the 2016 Sundance Film Festival ended this past Saturday evening; you can see all the winners here.

For the second year in a row, I braved the Park City cold, snow, and the ubiquitous Los Angeles UGG-wearing throngs to bring you spotlights of a fraction of the films that played the Fest. With nearly 200 offerings, the Fest featured way more than this reviewer could see. While I sadly missed the big winner and much lauded The Birth of a Nation (you’ll have to stay tuned to Spinning Platters later in the year for a full review upon its wide release), I nevertheless managed to knock out a respectable 18 films in five days. Many of these may receive distribution deals (if they haven’t already), so you can study up now with these capsule reviews, which use our trademark Sundance Viewing Priority Level (VPL) Guide:

Continue reading “Film Feature: 2016 Sundance Film Festival Spotlights #1”

SF Sketchfest Review: Bring the Rock with Greg Behrendt and guests Dana Gould, Andy Kindler, Kate Micucci and Janet Varney, 1/23/16 at Swedish American Hall

tommy lau2 — Bring the Rock ALWAYS brings the fun(ny). (Photo thanks to Tommy Lau.)

Sketchfest is always fun. It’s even better, though, when I get to see Greg Behrendt, and most of all when it’s for Bring the Rock, as was the case for the final weekend of Sketchfest 2016 at Swedish American Hall. It’s even sweeter than usual, though, because it marks my fifth anniversary with Spinning Platters: I first met editor-in-chief Gordon Elgart at a similar event in 2011. It was called Maximum Volume, but the premise was the same, and any chance I have to be there when an event like this takes place, I’m not gonna miss it. Continue reading “SF Sketchfest Review: Bring the Rock with Greg Behrendt and guests Dana Gould, Andy Kindler, Kate Micucci and Janet Varney, 1/23/16 at Swedish American Hall”

SF Sketchfest Review: Hound Tall with Moshe Kasher at Stage Werx, 1/23/16

hound tall

Hound Tall is one of my favorite podcasts, even if it can be hit or miss, I listen excitedly to every episode. The idea is an expert is there to discuss a topic and Moshe Kasher interviews them while three comedian guests do everything they can to get attention and create laughs. At its best it is an entertaining show where you learn a little and get a lot of laughs. At its worst it is a bunch of comedians completely derailing an otherwise intelligent conversation with dick jokes. When I found out the topic for this episode was the rise of electronic music and Rave culture I was pretty worried. Seemed like there might be a lot of opportunity for dick jokes there. Continue reading “SF Sketchfest Review: Hound Tall with Moshe Kasher at Stage Werx, 1/23/16”

Album Review: Gardens & Villa: Music for Dogs

There’s something about the 70s that has gripped so many facets of artistic expression across the board. Be it the New Hollywood filmmakers adding a gritty realism to a stagnant studio sound stage system, or the embellishment of fusing musical genres, the 70s were an exciting decade to be an artist. Lately, many musicians have been revisiting the great albums of the 70s for inspiration. Some of the results have been outstanding, some abysmal, and quite a few have landed in the middle. Gardens & Villa’s new release, Music for Dogs, falls somewhere in the middle. This is not to say that the album doesn’t have something; to the contrary, I have the distinct feeling that whatever their follow-up may be will knock Music for Dogs out of the water.

Continue reading “Album Review: Gardens & Villa: Music for Dogs“

Show Review: Josh Ritter and The Royal City Band at the Fillmore, 1/20/2016

Josh Ritter and The Royal City Band with Bob Weir

Josh Ritter is as gifted a storyteller as any other in today’s music scene, drawing from notes the likes of Springsteen, Cash, Dylan, and Tom Petty to create pictures of today’s America. If you’re under 45 and liberal, it’s likely you’ve felt frustrated by the lack of opportunity, by the creeping religious hypocrisy that poisons the political landscape, and the dreadful knowledge that the American dream was stolen from you before you and your peers could even walk. Ritter has his pulse on the angst and struggles of his generation, tackling themes of loneliness, disappointment, and isolation with humor and curiosity, always driving you forward to the next adventure.

Continue reading “Show Review: Josh Ritter and The Royal City Band at the Fillmore, 1/20/2016”