Call in a 999 on this picture: Talented cast can’t save derivative crime story
Atlanta cops Chris (Casey Affleck, l.) and Marcus (Anthony Mackie, r.) are ready for action.
If you’re a fan of dark, atmospheric, incomprehensible crime thrillers, then wow, is today ever your lucky day. With Triple 9, Australian director John Hillcoat (The Road; Lawless) and first-time feature film screenwriter Matt Cook have crafted one of the darkest, moodiest, and totally nonsensical crime dramas in recent memory. As an added bonus, the film boasts a terrific cast, although they are mostly wasted as they gamely try to make their way through this puzzling, often dull, inchoate picture.
Eddie the Eagle soars to near fallible emotional heights.
I can fly as high, as an EAGLE!
The beauty of watching athleticism en masse is that, in theory, everyone is brought together. The Olympics are the ultimate testament to this; it seems the whole world turns whatever devices possible to follow the games and share victory or cringe in defeat with fellow fans. I have never been a sports person and have therefore never really followed any athletic event, but I do enjoy physical comedy and a good underdog tale. Eddie the Eagle simultaneously fulfills the need for mass athletic fandom with (seemingly painful) pratfalls and unstoppable optimism.
Film critics Carrie and Chad on who will – and who should – win the 88th Academy Awards
The 88th Academy Awards air this Sunday, February 28th on ABC at 5:30pm PST (as always, red carpet coverage begins much earlier, if you want to dish on fashion highs and lows). Spinning Platters film critics Carrie Kahn and Chad Liffmann share their predictions – and hopes – for the major categories. Follow along and see how we – and you – do on the big night! Continue reading “Film Feature: Carrie and Chad Pick the 2016 Oscars”
A record like Dookie, the magnum opus from the Bay Area’s arguably-most-popular punk band, Green Day, was not so much another album in the shop as it was a sonic bombshell going off, whose waves were felt in scenes across the Earth. The raw energy and youthful vigor had rarely been presented in so straightforward and familiar a manner, especially in a format and at a time that it was almost universally accessible to everyone looking for something refreshing and powerful in the current world. Dookie, by scene purists, may be remembered as the record that shoved one of the loudest, wildest dimensions of the music world into the spotlight, and while they may revile this fact, Dookie’s influence and impact on all music that came after it is undeniable. It still stands tall as one of the greatest records of its age, and one of the most famous to come from the East Bay of Northern California. It was fitting, therefore, that the Bay Area collective UnderCover culled together a collection of local players, all passionate fans of the effect this record had on them in their younger years, to kick off this year’s UnderCover Presents series with a 15-band tribute to one of the seminal works of 90s punk rock.
With so much to cover, I’ll be doing this in the style of the show: 15 mini-reviews of all of the songs, with photos for each, and a wrap-up at the end. Read on!
Before the beginning, before ‘The Last Poets’, was a genius toaster whose natural conversation always had rhythm and rhyme. Jalal Mansur Nuriddin was the influence of our influences on rap. He is a storyteller with flare and purpose using intrinsic linguistic connections with a purpose beyond what is considered ‘dope’ today. The documentary is an authentic perspective of Jalal and how his work influenced our current music influences. The film itself has a poetic flow driven to inspire future artists by referencing his work and the revolution that followed.. Jalal’s last album ‘Hustler’s Convention’ was pressed and release 1973 world wide. It was a time when poets were the educators. Jalal, aka Lightn’ Rod, as most influential people, spoke on untouchable topics. Ideas and Events that were known but never to be discussed. It was the use of words as bullets and his mouth as a gun with style and purpose that generated a spark. The spark that created an artist revolution. And even to this day, Jalal remains a timeless influential lyrical inspiration.
The first Noise Pop Festival was in 1993. It was one show for $5 at The Kennel Club, and it was headlined by The Fastbacks — who are amazing, if you don’t already know them. 26 years later, we have a multitude of bands crossing over dozens of genres, and a festival that spans a week! Spinning Platters recently had a chance to speak to their music booker, Chad Heimann, about this year’s fest.
With this third and final post, Spinning Platters completes its coverage of the 2016 Sundance Film Festival, which ended on Jan. 30th. All the winners can be found here (and our other two posts about this year’s Festival can be found here and here).
Korla Pandit, Godfather of Exotica Music (which you can see on February 20th during this year’s Noise Pop Festival!)
This is a really big year for Noise Pop, one of the most long-standing and widely-genred music festivals in the Bay Area. For the first time ever, the festival is running 10 days — double its usual duration. They’ve expanded the film portion of the event, featuring 22 films in addition to the usual assortment of bands covering the entire gamut of “noise pop,” including hardcore punk, bubblegum pop, hip-hop, jazz, garage, twee — everything, basically! Of course, with such a huge variety of entertainment taking over the town for nearly two weeks, you’ll need some help deciding on what to go to. That’s what we’re here for — letting you know our picks for the best things to see and hear at this year’s Noise Pop Festival! Continue reading “Spinning Platters Guide to Noise Pop 2016”
The Mad Libs of comic book movies. This one’s for the fans.
Ryan Reynolds in costume as Deadpool. No feet. Apparently this is important.
The journey to theaters for Deadpool has been a long one. Ryan Reynolds played the titular character in X-Men Origins: Wolverine as a silent but deadly killer, which misses the entire thrust of the character. This character is a wisecracking, violent character known as “The Merc With a Mouth.” After the utter failure of Green Lantern, a Deadpool movie with Ryan Reynolds seemed as far from reality as possible, but some test footage of a possible movie “leaked,” became a viral hit, and the movie was greenlit. Would this movie be the crass, irreverent, R-rated film that the fans want?
Yet another piece of evidence that comedy sequels don’t work.
Ben Stiller and Owen Wilson telling it like it is in Zoolander 2.
Zoolander 2 (also seen in some advertising as 2oolander or Zoolander No. 2) starts with an exciting chase scene. Some mysterious figures on motorcycles are chasing a man in a hooded sweatshirt. They catch up to him in an alleyway, and riddle him with bullets. As he takes bullet after bullet in a shot that continues for 10-15 seconds, the audience goes from laughter to applause. Why? Because it’s Justin Bieber. That’s the comedic currency of this entire movie: celebrity cameos as punch lines.
