Spinning Platters – Page 121 – Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds

Show Review: Amanda Palmer & Edward Ka-Spel at The Troubadour, 5/24/2017

An auspicious night of revelry and musical joy!

Amanda Palmer frees Edward Ka-spel from the bonds of his “artist” wrist band.

Sometimes, even though it seems like the odds are stacked against you, problems invariably sort themselves. At least, this is what I was telling myself to keep calm after discovering that a number of unforeseen circumstances were possibly going to have ended my night before it could begin. Luckily, as I waited in the increasingly cold and increasingly dark evening, this little mantra proved to be true, and all the tribulation was made worthwhile by an absolutely stunning performance that followed.

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Spinning Platters’ Guide to Colossal Clusterfest

Colossal Clusterfest, for the few of you who have managed to miss any of the billboards, radio spots, or blog posts, is a three day comedy and music festival coming to Civic Center Plaza. It’s being put on by Superfly & Another Planet, the same folks who bring us Outside Lands, which would be a three day music and comedy festival. This is the very first year of this event, which is bringing comedy legends Jerry Seinfeld and Kevin Hart to the Bay, alongside plenty of other very special performances. This also being the first year, it’s not easy for us to really “know” how to optimize your experience. However, after scouring the FAQ’s and analyzing the map, I think we can help guide you to maximum fun.
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Film Review: The Commune

Come on and join together: Communal living, for better or worse

Anna (Trine Dyrholm) and Erik (Ulrich Thomsen) face marital strains.

Reuniting for the first time since their excellent 2013 Oscar-nominated picture The Hunt, the Danish directing/writing team of Thomas Vinterberg and Tobias Lindholm have collaborated again on The Commune, a smart, sensitive, and well-acted picture based on Vinterberg’s 2011 play of the same name. While the duo share writing credit on the screenplay, Vinterberg alone takes the director’s reins. Here he returns to a Dogme 95-styled tight focus on story and character that successfully bypasses the trappings of melodrama to offer viewers an emotionally layered and thought provoking look at marriage and family in its many forms.
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Spinning Platters Interview: Spike Slawson of Me First & The Gimme Gimmes

Me First & The Gimme Gimmes have been the most successful cover band in America for well over 20 years. What started out as a joke has turned into a successful career of rearranging classic pop, soul, and showtunes as pop punk. Spinning Platters had an opportunity to chat with their lead vocalist, Spike Slawson.

Me First & The Gimme Gimmes will be playing Punk Rock Bowling in Las Vegas May 26th-28th. Continue reading “Spinning Platters Interview: Spike Slawson of Me First & The Gimme Gimmes”

Film Review: Alien: Covenant

In space, simply scary beats too much talking

The crew of the Covenant, in better times.

Alien: Covenant, the eighth of the Alien series of films, feels like an old friend from whom you’ve long since grown apart, but with whom you’ll still grab a beer and listen to the same stories and jokes. The film checks all the series boxes, and delivers all the same jolts, but ultimately cannot break out of its own constraints.

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Film Review: Snatched

Hawn, Schumer deserve better than middling comedy

Emily (Amy Schumer, l.) and her mom Linda (Goldie Hawn) find themselves in a bit of a predicament when their Ecuador vacation goes awry.

Legendary comedienne Goldie Hawn has not been seen on the big screen since 2002’s The Banger Sisters, so it’s a shame that her return from a 15-year absence is in a mediocre film unworthy of her talents. On paper, the premise for Hawn’s revival movie probably sounded great: an adventure comedy that would pair her with Amy Schumer, the current generation’s hip young blonde comic actress (can a remake of Private Benjamin with Schumer in the lead be far behind?). But the genius of casting the legend as mother to the edgy newcomer only works if the material is fresh, sharp, and funny, and, unfortunately for Hawn and Schumer, Snatched falls short on that front.
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Film Review: The Lovers

Powerhouse actors make tonally odd picture worth watching

Married couple Mary (Debra Winger) and Michael (Tracy Letts) are both having affairs, unbeknownst to the other.

The Lovers is an odd movie. That’s not to say that it’s not worth seeing; it’s just that tonally, strange is the best word to describe it. A virtual pas de deux between heavy hitters Tracy Letts and Debra Winger, the picture focuses on their characters Michael and Mary, a long-married husband and wife, each of whom is having an affair and plotting to leave the other. In the midst of this mendacity, however, a spark rekindles between the couple, jeopardizing their extracurricular relationships.
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Show Review: The Magnetic Fields: 50 Song Memoir at the Fox Oakland, 4/30-5/1/2017

Two nights of intimacy and storytelling with the man who plays a hundred instruments

The Magnetic Fields are an extremely strange phenomenon: a group that is wildly talented, successful, and fiercely loved by their fans, despite staying relatively far from the radio-friendly limelight. The songwriting of creative leader Stephin Merritt evokes memories of both Sondheim-esque theatrical compositions and shimmering 80s pop ballads; his lyrics range from whimsically poetic to wickedly tongue-in-cheek; and most of their records are complete conceptual pieces, collected in the space of an entire singular work. Despite his dozens of works ranging on anything from 69 songs about love to country-style tunes about the open road, Merritt has seldom penned works that speak specifically about his own life, which is where his new record 50 Song Memoir comes in. Comprised of one song for each of the years in his own life, starting in 1965 and ending in 2015 (when the recording for the album began), the work takes up five discs and two and a half hours of playing time — making it the perfect piece to play across the span of two nights.

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Film Review: Guardians of the Galaxy Vol. 2

Dazzling, vibrant fun with a classy set list

Guardians of the Galaxy Vol. 2, the highly anticipated follow-up to the surprise superhero blockbuster from Marvel Studios, opens with a credit sequence set to Baby Groot dancing around a space station platform while the rest of the gang fight an intergalactic squid monster. Of course, Baby Groot is dancing to the late ’70s jolly tune “Mr. Blue Sky” by Electric Light Orchestra. If that isn’t a welcome return to the colorful, soundtrack-propelled, fun tone of the Guardians franchise, then I don’t know what is. From the first moments to the very end of the closing credits, Guardians of the Galaxy Vol. 2 is a fun ride with all the elements that made the first such a glowing success, and, even if it doesn’t feel quite as fresh and employs a few unorthodox plot maneuvers, it still delivers a ton of laughs and top notch visuals.

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Show Review: deadmau5 w/Feed Me at the Fox Oakland, 4/25/2017

In a now-relatively-infamous Tumblr post, Canadian electronic wunderkind deadmau5 (aka Joel Zimmerman) called out the DJ world for the lack of ingenuity and overall simplicity of their live shows. Ever since, he’s worked to keep pushing the envelope of his own performances, adding layer after layer of lights and screens that are all triggered by his own available controls, and his popularity continues to ride high even as the EDM scene itself shifts and changes. As a pretty popular act, it’s rare to see the synth mastermind outside of massive festivals or arena tours, so his Lots Of Shows In A Row tour was a treat to see — particularly at Oakland’s Fox Theater, a venue which has lately proven rather popular with the electronic music scene.

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