Single of the Week: “The Kids” by Victoria Bigelow

I’ve listened to “The Kids” about 20 times in the last week. This song is SO GOOD! It’s like shoegaze meets country, but not in a 4AD kind of way. It’s such a timeless piece of music telling an incredibly modern story. I also appreciate any time someone tells Pete Townsend that he’s wrong. 

The Kids” is available in all the places you enjoy things. And, on May 20th, her next EP, Songs For No One Vol 2, will be available to you. 

Single of the Week: “Love The Sinner” by Griefcat

I’m a sucker for good political satire. Griefcat has managed to hit basically everything that frustrates me about conservative culture in a concise, hooky 3 minutes. The emotional journey, surprise punchlines, everything is lovely with “Love The Sinner.” They’ve essentially picked up where the great Garfunkel & Oates left off nearly a decade ago. 

“Love The Sinner” is the latest single from their upcoming full length Late Stage Capitalism, which you’ll be able to enjoy on April 19th. 

BONUS SINGLE: “Docket” by Blondshell featuring Bully

Well, holy shit. Sabrina Teitelbaum, aka Blondshell, put out the best debut record of last year… Maybe even the decade? There’s no way she’s going to one-up that perfect LP, is she? Well, her gift for characters and storytelling seems only to be getting better. Such a darkly honest and pure and risky piece of lyric! If “Docket” is a glimmer of what her sophomore record will be like… Well, we probably don’t deserve that record. 

Docket” is available in all the usual places. She’s also on the road for, well, a very long time. Hopefully, she will grace our presence in the Bay Area again soon, too. Until then, there are plenty of places for you to visit: 

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Single Of The Week: “NVR RLLY” by King Isis

Jesus Christ, this song is heavy. I’m not quite sure how else to describe it. This song is one blistering blend of drop D-tuned guitars combined with vocals so emotionally volatile that King Isis sounds like they are singing through their heart, which they’ve ripped out of their own chest and smashed in your face. And seriously. They are so intense and heavy that they are the polar opposite of what the terrorist group ISIS stands for, reclaiming it with a guttural thunder. A reminder that Oakland, CA, is where all the best people on Earth are from. 

“NVR RLLY” is the latest single from Shed and the latest EP from King Isis, and it just so happens to be out TODAY

Single of the Week: “Decoy” by Bree-on-uh

I’ll admit that the single of the week rarely finds itself on the darker end of the pop spectrum. But “Decoy” by the joyfully named Bree-on-uh is equal parts dark and warm and has been sticking to my soul for a full week now. This song definitely makes me feel bright, in all its minor key glory and is likely to do the same for you. 

“Decoy” can be enjoyed in all the usual places. I expect good things to come from her, so follow her on the socials, too! 

Single of the Week: “Strange World” by La Luz

If you didn’t know Bay Area psych mastermind Spacemoth. had joined La Luz already, you’d know within a few notes of “Strange World.” It really is a perfect union- La Luz’s dreamscapes getting punched up by Spacemoth.’s trademark warmth and danceability. It’s the strongest song in what’s a very, very strong combined catalog of the two acts, and I can’t wait to hear more of this very, very holy union. 

“Strange World” is the first single off News Of The Universe, coming May 24th. Preorders are happening now! The band will also be on the road for, well, what looks like ever! Dates can be found here

Single Of The Week: “Moving” by Torrey

Sometimes disparate elements can come together and make something more beautiful than you’d ever expect. “Moving” by Bay Area-based dream-popsters Torrey is equal parts dreamy and loud in all the right ways, making for a perfectly head swimmy 3:39 that will satisfy your need to disconnect from the horrors of reality while still helping you thrive within those horrors. 

Torrey’s self-titled full-length is out March 8th on Slumberland Records. Preordering can be done here. They are also playing the stacked Oakland Weekender at Thee Stork Club, happening June 6th – 8th, alongside twee legends #poundsign#, All Girl Summer Fun Band, Seablite, Kids On A Crime Spree, and many, many more. 

Single of the Week: “4316” by Isobel Campbell

Isobel Campbell’s first release since the passing of her longtime collaborator, Mark Lanegan, is really surprising. It’s an immensely bright and sunny single, and it just feels good to listen to. It might be the single most energetic release of Campbell’s career, and I am ALL IN. This is an exciting release, and I’m eager to hear the rest of this record. 

“4316” is the first single from Bow To Love, coming your way on May 17th. Preorders are happening here

Single of the Week: “Kudzu” by Brennan Wedl

OMG! This song is so heavy that I need extra creatine to listen to it. Brennan Wedl, a recent addition to the Kill Rock Stars roster, has brought “Kudzu,” named for the invasive vine that destroys native plants. And this song is so blistering, it’s almost dangerous. Lyrically, it’s a reflection on religion and what it’s like to be raised in something you don’t believe in, which is also infinitely relatable. 

I can’t wait to hear more from Wedl. This track can be found in all the usual places

Single of the Week: “head” by claire rousay

The first few notes of “head” caused a difficult reaction. The extreme autotune over folksy guitars had me on edge- waiting for it to devolve into the worst of what we experienced in the 00’s. But I caught the lyrics, and that made me stay. And the song didn’t turn into what I expected it to. Instead, it’s something beautiful, anxious, and a little weird. The deeply processed vocals were balanced out with lush, acoustic guitar and strings washing the singing. Don’t understand what I mean? Just listen. This one is a masterpiece. 

“head” is the first single off rousay’s debut album “sentiment,” due out April 19th. Yes, the same day as the new Taylor Swift. Anyways, you can preorder it here from Bandcamp! Tour dates below, as I can’t begin to imagine how she pulls this off live: