Originally, I was 100% on board with making the single off Andre 3000’s instrumental flute record by single of the week. BUT- He didn’t drop a single by press time. So how do we one up a record where all the leads are flute? How about this fire of an exotica jam from Molly Lewis, where the primary instrument is… WHISTLING! Holy crap! This song is genius, and I don’t want to stop listening to it!
“Lounge Lizard” is the first single from On The Lips, coming your way on February 16th! You can always learn more about professional whistler Molly Lewis here. (No snark there. I legitimately think this is super rad) And, of course, if you need some wind TODAY, Andre 3000’s New Blue Sun is available to you immediately.
It’s been 15 years since Mary Timony last graced our ears with a solo record. In that time, she’s been very busy, showing off her mad guitar skills in her own band, Ex Hex, as well as out-shining fellow guitar heroes Carrie Brownstein in Wild Flag and Mark Cisneros in Hammered Hulls. The fascinating thing about “Dominoes,” the lead single from her upcoming Untame The Tiger? It’s a tight, catchy, pop-rock song. There isn’t a blazing guitar solo. It’s warm and catchy and, dare I say, hit-worthy? It’s a great song.
Untame The Tiger is due to hit your eardrums on February 23rd. Preorders are available here! She also puts on an amazing show, and tour dates can be found here!
My first thought, before I even took a chance with an artist called “King Isis,” was, “That’s an awfully brave name!” Digging deeper and learning that King Isis is named after the ancient Egyptian goddess and adding the gender play to that would definitely deeply offend that other organization that ruined the word. So, yeah, I’m already impressed. And the song? It’s a guitar-driven, slightly sludgy, yet incredibly catchy song that doesn’t remind me of anything, and it’s great. And the video is dark and weird and clearly filmed in Oakland, so it’s a bonafide win all around.
“Make It Up” is available in all the usual places. More to come, of course… And you can find all that out here!
Somehow, in the many years I’ve been doing this column, we haven’t awarded IDLES with the Single Of The Week prize. THAT CHANGES THIS WEEK! Amazingly, the politically charged UK punk band gives us a song that’s just plain fun? I genuinely appreciate music and dancing, and it’s warm and fuzzy and fills me with great joy.
“DANCER” is the first single off IDLES’ upcoming full-length record, TANGK, coming to you on February 16th. Preorders and such can be found here.
Chicago’s poet/singer/rapper Jamila Woods is very quickly becoming one of those rare artists that I’d buy anything from blind. Her latest record, Water Made Us, keeps dropping great singles. “Practice” is a sexy, romantic, and genuinely happy track. It’s such a nice relief from the exceptionally stressful news week we’ve had to listen to a song that’s such a joy. It’s also a rare video where every single person is naked, yet it’s somehow not NSFW?
Water Made Us is available to stream wherever you pay your monthly streaming dues to. The physical version of the record is coming October 24th, just a few days before my birthday, so if you feel like buying me this on vinyl, I’ll gladly accept it! Woods is also touring, and I’m pretty excited to see this show live. Tickets went on sale today! Continue reading “Single of the Week: “Practice” by Jamila Woods featuring Saba”
I guess we are getting a raunchy, musical adult update on The Parent Trap. And it’s called Dicks and it stars Nathan Lane, Megan Mullaly, and Megan Thee Stallion, and it seems pretty absurd. What isn’t absurd is how I’ve spent most of 2023 learning that Megan Thee Stallion is really, really talented. This piece is just chock-full of witty braggadocio, and I’m sure within the context of the film, it’s even wittier, but she is just a beast on the microphone.
Dicks is in theaters on October 20th, and the soundtrack is out NOW!
Good news! The *actual* greatest rock band in America has gifted us a new single, “Hell,” and it’s a cathartic piece of anxious psychedelic darkness. This is probably the biggest song to come from Sleater-Kinney- in a short 3:22, we are taken on a cinematic roller coaster that builds and releases and contracts and I haven’t even started on the video. Miranda July is making her third appearance in a Sleater-Kinney video, and, really, she is so good at expressing a wide array of emotions with just her eyes. Brilliant.
2024 marks the 30th Anniversary of the band’s first release, “You Ain’t It.” To mark this momentous occasion, they are releasing their 11th studio album, Little Rope, on January 19th. And, of course, they are going on a Spring North American tour! Dates are here, and tickets go on sale at 10 a.m. local time on October 6th!
I keep trying to figure out what the story of “Lenny” actually is, which maybe why I’ve listened to it so much. Atka says, “This is a song about how one man’s tunnel-visioned obsession with finding meaning turns everything around him into a swamp of meaninglessness that also sucks in everyone around him. It’s witnessing empty repetition right in front of your eyes and the helplessness and all-limbs-dropping-to-the-floor exhaustion felt as a result, when caring for someone who is depressed. And ultimately it’s about the absence of being perceived by that person and one’s drift into a ghost-like state. When no one is watching or sees me – do I even exist? Lenny is about “reverse-paranoia” if you want it.” The song itself is heavy on the analog electronics, with a Kraftwerkian anxiety that somehow doesn’t sound like The Postal Service. All I know is I both really want to know Lenny, but I also don’t want Lenny to get dragged down by my own mental health.
Anyways, you can also dig deep into the inner workings of “Lenny” and reading your own struggles with your own psyche into the song by streaming it here! Atka has plenty more coming your way, including an EP called The Eye Against The Ashen Sky, due out November 3rd!
Modern shoegazers Crumb and Psych’s reigning chanteuse Melody’s Echo Chamber have never come to mind as a collaboration that felt like the world needed. Both bands are fantastic, but their similarities never really gelled to me. And then I heard “Le Temple Volant.” What an airy, breezy groove of a song! I can listen to a song like this endlessly… I speak no French, and it doesn’t matter. This one-off single screams for a full-length collaboration of goodness like this.
You can enjoy “Le Temple Volant” in all the usual places. Both Crumb and Melody’s Echo Chamber are currently on the road, sadly separately. Tour dates after the jump, and maybe enough streams of this track will get a clever booker to put the two bands together for a Spring package run? Please?
Country music is a messy, messy place these days. The narrative seems to always be dominated by the Jason Aldeans and Toby Keiths, and Morgan Wallens, folks that dominate the mainstream not because they make good music but because they speak to the petty grievances of right-wing America. (I’m not putting Oliver Anthony in this boat, and someday I’ll write a real blog post about that song, but I don’t think he’s saying what people think he’s saying with that song.) Anyway, I’ve already said too much about despicable white men who are deathly afraid of losing power and control. I’m much more interested in the people looking to speak the truth, unafraid of losing power. Maren Morris’ new EP, The Bridge, does just that. It’s a direct rebuttal of “Try That In A Small Town,” two singles about the crushing weight of hate in this country and how to navigate it. Neither of the tracks are actually political anthems. She’s managed to hit that specific feeling of being overwhelmed by the hell we are in, and sometimes it feels like we are just doomed, but we’ve gotta take a step out and rest and then get back to work, because we are all humans and need to treat each other as such.
Anyways… I’m also on Day 12 of testing positive for my first ever COVID-19 infection (and hoping hard to test negative tomorrow and finally leave my room) and feeling SUPER angry about how we don’t have any sufficient ways to protect ourselves while still existing and such. So, yeah, I’m feeling raw and Maren Morris is like a nice weighted blanket telling me that I’m not alone, and maybe, just maybe, we will get through this. The Bridgeis out now and is available on all your DSPs. Hopefully, we will see a physical release, too!
