Continue reading “Show Review: The The, Agnes Obel at The Masonic, 9/27/18”
Show Review: The The, Agnes Obel at The Masonic, 9/27/18
Category: Show Reviews
Show Review: Johnny Marr, the Belle Game at the Fillmore, 9/26/18
A night of nostalgia for all, Johnny Marr and the Belle Game gave a 4-apple performance at the Fillmore.
First up was the perfect support for Johnny Marr—and the perfect complement to my Parallels T-shirt—the Vancouver-based Belle Game, who have been synthing it up for nearly 10 years. And, they’ve never sounded better. Even their banter was on point, asking “How many people have already seen a show this week?” Many of us raised our hands, of course. Continue reading “Show Review: Johnny Marr, the Belle Game at the Fillmore, 9/26/18”
Show Review: Liz Phair, Speedy Ortiz at The Fillmore, 9/20/18
The year is 1995. I’m a 15 year-old that was just starting to figure out my musical tastes. I learned that MTV had a two hour-long program at midnight early Monday mornings, that aired “underground” music videos. (Underground is in quotes because, as a grown up, I’m aware that you couldn’t be that far underground to be shown on corporate television). Due to school getting in the way, I would set the VCR to record these videos to watch later. The music from these programs became the primary thing that encoded my tastes for the rest of my life. Two videos that I would rewind and re-watch incessantly, were Liz Phair’s “Never Said” and “Supernova.” 23 years later, I am finally fulfilling that dream of getting to experience this musician, who’s had such an intense effect on my development, perform a full-length concert. Continue reading “Show Review: Liz Phair, Speedy Ortiz at The Fillmore, 9/20/18”
Show Review: The National, Cat Power at The Greek Theater – UC Berkeley, 9/25/18
With two sets of talented brothers rocking the band, the soulful vocals of charismatic Matt Beninger, and a dynamic visual display, The National brought an evening of sensual delights to Berkeley’s Hearst Greek Theater last night. Continue reading “Show Review: The National, Cat Power at The Greek Theater — UC Berkeley, 9/25/18”
Show Review: Future Islands, Ed Schrader’s Music Beat at Gundlach Bundschu Winery, 9/14/18
If you haven’t had the opportunity to acquaint yourself with the picturesque Gundlach Bundschu
The venue’s main stage is a cozy, dark, and ambient-lit renovated
Gundlach’s second stage features exquisite views of sprawling vineyard property. It is intimate but comfortably open and spacious for moving about during the show.
The opener, Ed Schrader’s Music Beat (ESMB), sauntered out anxiously, compensating with awkward stand up and 90s references. But the folks on the hill stood to attention when ESMB drilled forward at a fast pace into their avant garde post-punk set. Continue reading “Show Review: Future Islands, Ed Schrader’s Music Beat at Gundlach Bundschu Winery, 9/14/18”
Show Review: Korn: Follow the Leader 20 Years! at The Masonic, 9/12/18
Photos and review by: Alan Ralph @ARPhotoSF
For the whole month of October in 2015, KoRn embarked on their 20th Anniversary tour and performed their debut album in its entirety. The local show at Fox Theater in Oakland was the final show of that tour, on the night before Halloween, and for which the band dressed appropriately for the occasion. It doesn’t get much better than that, and this show was one of their best.
Continue reading “Show Review: Korn: Follow the Leader 20 Years! at The Masonic, 9/12/18”
Show Review: The Final U.S. Slayer Show! (of this Leg of the Tour)
Photos and review by: Alan Ralph @ARPhotoSF
January 22, 2018. Slayer announced their “farewell” tour. After over 35 years of yelling “Die By the Sword”, singer and bass player Tom Araya wants to scream no more. As much as the fans would want Slayer to keep performing forever, Tom and the only other original member, guitar player Kerry King, deserve to go out on top and begin collecting their 401k. Gary Holt, the 2nd guitar player, will always have his primary band Exodus, and certainly bands will be lining up for drummer Paul Bostaph’s services once he becomes available again. In the meanwhile, though, according to a press release issued the morning after The. Final. U.S. Slayer. Show., this “farewell” tour still has another year to go!
Continue reading “Show Review: The Final U.S. Slayer Show! (of this Leg of the Tour)”
Show Review: Melvins, Boris, We Are The Asteroid at Echoplex 08/16/2018
It’s gonna get loud…
It’s been a good bit of time since I’ve made it out to a show at one of my favorite venues in Los Angeles: Echoplex. While the lightning has never been the greatest for photography, the atmosphere and sound mixes have always made up for it and I’ve consistently had the most fun at pretty much every show I’ve seen behind their doors. Though, I’ll definitely admit that it’s sometimes hard to decipher their door times from show starting times and in this case I misread and ended up arriving FAR earlier than I ever have, but that’s just me griping. Even being in line about an hour and a half before opening couldn’t wreck my spirits. I was about to thrust myself into the noisiest room in Los Angeles. I was about to see Boris and the Melvins.
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Outside Lands 2018: 27 Instant Gig Reviews
Ate a lot of food. Got a lot of steps. But it was mostly Janet Jackson.
Outside Lands reached its 11th birthday this year. I’ve been to ten of those eleven installments. This year, the folks booking the festival decided it was time to take some risks… They added an extra stage for acoustic sets and magic, called “Cocktail Magic.” They added a whole pot awareness area (not that folks at a music festival need to be *more* aware of weed). Continue reading “Outside Lands 2018: 27 Instant Gig Reviews”
Show Review: Peter Cetera with Richard Marx at Thunder Valley Casino Amphitheatre, 7/13/18
Like many children of the 80s, I still harbor a strong sentimental attachment to some of the tunes that might make others groan. Before I was old enough to start developing musical tastes of my own, my mom raised me on a steady diet of light rock, less talk. (No, you just sang the KOIT jingle in your head!) I think my personal trifecta from those days is (in no particular order): Billy Joel, Lionel Richie (with The Commodores and solo), and Peter Cetera (with Chicago but especially solo). At least for me, there is something about the music I loved as a kid that can have the power to invoke a true sense of joy that can be hard to find anywhere else.
Last month, my mom won a pair of tickets to see REO Speedwagon and Chicago, and she asked me to go with her. I thought it would be a blast, but I admit I was disappointed at the prospect of seeing Chicago sans Cetera. Between sets, I decided I should look to see if he was touring on his own. Much to my delight, not only was he currently touring, but I found tickets that were a mere two weeks away, in San Jose. Before I could buy them, though, Chicago took the stage, and I put my phone away to enjoy what turned out to be a truly fantastic performance.
The next day, I returned to my ticketing site of choice to buy tickets, and discovered I’d overlooked a second date the night before: this one was a month away, rather than two weeks, and I’d have to schlep out to the Sacramento area in the dead of the summer, but instead of just being Cetera solo, it also boasted Richard Marx on the bill. Though this is an artist my mother enjoys as much as I do, he wasn’t an heirloom: Richard Marx is an artist I learned to love all on my own, from the late 80s on. I bought tickets in a matter of moments and then started counting down the days until I could get myself out to Thunder Valley Casino on Friday the 13th (of July). Continue reading “Show Review: Peter Cetera with Richard Marx at Thunder Valley Casino Amphitheatre, 7/13/18”