Show Review: alt-j, Portugal. The Man, Cherry Glazerr at Bill Graham Civic Auditorium, 4.1.22

As an alt-j fan celebrating The Dream release and larger venue openings in the bay area the joke was on me when it came to the night of the show and what happened vs what I expected from this sold-out venue and bill.

The Bill Grahm Civic Auditorium might as well be the venue that “Band Aid” Penny Lane spins around to Cat Steven’s (Yusuf Islam’s) “The Wind” in Almost Famous. An iconic movie scene where a super fan relishes the empty room after an incendiary performance of their fav band. If this venue could talk. Continue reading “Show Review: alt-j, Portugal. The Man, Cherry Glazerr at Bill Graham Civic Auditorium, 4.1.22”

A Love Letter to Nightlife, and Plans for an Oral History

 

Nightlife is a sacred pursuit, especially when the world is bleak. Lately, the clubs and the bars feel emptier, and it’s harder to find our people there. In the 80’s and early 90s, we had a similarly dark moment, but it felt like it was easier to be with other people. They matter, for so many reasons. A dark bar or club can be the heart of a community. I’m on a journey to collect and share stories of what happened in these venues. Continue reading “A Love Letter to Nightlife, and Plans for an Oral History”

Show Review: Wet Leg at Bimbo’s 365 Club, 3/29/22

If you’re reading this on Spinning Platters, chances are this isn’t the first time you’re heard of Wet Leg. I’ll spare you the lengthy gushing and simply say that Rhian Teasdale speaks in plain terms about modern life with idiosyncratic idioms with a deceptively blasé elocution. Continue reading “Show Review: Wet Leg at Bimbo’s 365 Club, 3/29/22”

Show Review: Perfume Genius with Hand Habits at The Fillmore, 3.21.22

Photos by Tiffany Black-Darquea
 
For one night, as Perfume Genius (Michael Alden Hadreas) brought the second show of their tour to the bay, The Fillmore had a spectacular mirror ball swinging across its stage, all graceful arcs and delicate reflections.
Continue reading “Show Review: Perfume Genius with Hand Habits at The Fillmore, 3.21.22”

Show Review: John Mayer with Yebba at Chase Center, 3/18/2022

Holy hell, it’s been a while. It’s been more than two years, in fact, since I last saw a show. For a music nerd like me who considers live music vital to her mental health, that’s saying a lot. But as things slowly seem to be moving closer and closer to what we considered “normal” pre-pandemic, I’ve been missing the whole concert experience more and more. Fortunately, the arrival of John Mayer‘s Sob Rock Tour at San Francisco’s Chase Center arrived just in time – last Friday night, to be exact… Continue reading “Show Review: John Mayer with Yebba at Chase Center, 3/18/2022”

Show Review: Shinedown, The Warfield, 01/26/2022

Photos and review by: Alan Ralph @ARPhotoSF

Live hard rock music seems difficult to come by within the city limits of San Francisco.  Music fans here seem to mainly gravitate to EDM, thrash metal, or anything that resembles the types of artists that play at Outside Lands (indie / alternative) or Hardly Strictly Bluegrass.  Therefore, it is not impossible to believe that a hard rock band who has sold 10 million albums worldwide (and were recently named #1 on Billboard’s Greatest of All Time Mainstream Rock Artists Chart) has not performed in San Francisco city proper in 10 years (since March 2012).  On January 26, 2022, multi-platinum rock band Shinedown decided to finally visit us once again, this time with the very first show of their 2022 tour cycle at The Warfield in support of their upcoming new album, Planet Zero

Show Review: Wet Leg with Fake Fruit and DJ Aaron Axelson at Rickshaw Stop, 12.15.21

It was the middle of June in the year 2021. This decade has been pretty terrible, but that single month may have been the most optimistic month of the hellscape we are living in. That’s when employers started hiring again en masse. Biden was hitting a solid stride in the White House. COVID was actually looking like it was about to turn a corner. And, for what felt like the first time years, the world was gifted a song born during the darkness that had killer hooks and lyrics that are purely silly. That song was “Chaise Longue,” and for me, it represented hope. Something that had been missing for far too long. 

In the months since that blissful song entered our lives, the world has gotten darker. Yet, more and more people were quickly embracing Wet Leg. A second single, “Wet Leg,” came as things started to really subside again, and, somehow, it helped boost my mood again. That single was accompanied by news of a short winter tour- three cities in three nights. With the pangs of Delta uncertainty knocking at the door, I still decided to buy tickets. It was a good thing I did because those three shows sold out fast and quickly turned into a dozen. And as the news grew darker and more sour, I knew Wet Leg was coming to America. I made sure to get my booster and some well-fitted N95s in order to stay safe because I wasn’t missing this show.  Continue reading “Show Review: Wet Leg with Fake Fruit and DJ Aaron Axelson at Rickshaw Stop, 12.15.21”

Show Review: Idles with Gustaf at The Warfield, 11/6/2021

                                                          Idles loves us and we love them too.

After two long years, the mighty Idles finally made their appearance at the Warfield Thursday night as part of their “Beauty From Ashes” tour. While mainly a celebration of being able to tour again, it’s now also a de facto album tour for their upcoming album Crawler, which drops this Friday, November 12. Arriving at the Warfield with singer Joe Tablot proclaiming his foot to be “fucked,” how would the band and crowd celebrate being together after such a long break? Continue reading “Show Review: Idles with Gustaf at The Warfield, 11/6/2021”

Outside Lands 2021 Diary

A special thanks to Paige Parsons for providing us with so many lovely photos this year. You should follow her on Instagram, as her feed will bring you many bursts of joy. 

Outside Lands was the first concert I remember going on sale in the dark days of SIP. It sold out in two minutes, and my husband and I looked into our souls and wallets and sprung for VIP. And then, I wound up getting a press pass. Anyway! I was very very excited to go, and it’s been a long time since I reviewed anything.  Continue reading “Outside Lands 2021 Diary”

Noise Pop Phase 1 Line Up Announced / Tickets On Sale TODAY at 10am!!

I always think of Noise Pop 2020 as the “last” festival… They managed to finish up just *barely* before the pandemic began to take a grip on society and pretty much end fun as we know it. So, seeing them announce their return today left me feeling a little bit of… Dare I say hope? Ages 5-11 are now able to get vaccinated. California is still doing fantastic at keeping both infections and hospitalizations down. I’ve spoken to a few venue managers in the Bay, and people are surprised by how few infections seem to be happening in the live events community, at least locally. So maybe, just maybe, Noise Pop 2022 (running Feb 21-27) *might* end up being our first time to safely and collectively “let loose” in two whole years. 

And there is SO MUCH HOPE in this line-up! The first thing that caught my eye was noticing Quasi is back! This would be drum master Janet Weiss’ first Bay Area performance since her near-fatal car accident in 2019, as well as her first visit since leaving Sleater-Kinney. There are also comeback sets by Spinning Platters’ favorites Papercuts, The Drums (performing Portamento), and The Microphones. We also have a performance by Faith No More keyboardist Roddy Bottum’s quarantine protect Man On Man. Yes, I’m old, but I like new things, too. And I’m particularly stoked to see Hunny, King Princess, Hand Habits, and Ian Sweet all on the bill. AND THIS IS ONLY THE FIRST WAVE!!! I’m already exhausted trying to figure out what I’m going to go to.  Schedule and tickets for individual shows can be found here. Don’t like making decisions in advance? There are still a few badges available at Phase 1 prices! $159 for “all you can eat” live music for a whole week? You can’t beat that!