The Punk Singer is a documentary about the life of Kathleen Hanna, the feminist icon best known for being the frontperson for two of the most innovative bands of the last twenty years: Bikini Kill and Le Tigre. Spinning Platters had the honor of getting to sit down and talk with the director of this film, Sini Anderson. The film covers nearly all of Hanna’s life, and is a fantastic document. The movie opens Friday, December 6th at The Roxie in SF!
Hailing from Essex, England, The Prodigy have attacked the electronic music universe for over twenty years, successfully blending punk, reggae, and dance music into sounds that have been constantly reinvented over time, all while driving their fans mad all over the world with their notoriously bone crushing live performances. This I can personally attest to, being witness to gigs at The Fillmore and The Warfield, the only moments in my concert going history where I felt concerned for my safety, losing 10 lb. of sweat in the process. At the forefront of this rebellion is longtime Prodigy MC, Maxim. He has recently branched out into the DJ scene and in anticipation of his first ever tour, which includes a local appearance at 1015 Folsom on Friday, 10/25, I caught up with him during a busy schedule for a few questions.
This Saturday night, a ridiculously fun show is coming to The Independent in San Francisco. Marky Ramone, former drummer of New York punk legends The Ramones, has tapped Andrew W.K., professional partier, to sing Ramones classics with his band. Because this might be the most incredible concept in the history of fun, we decided we needed to talk to Andrew W.K. about it. Our conversation touches on the brilliance of simplicity, and I also ask him for some marriage advice.
Gordon: Are you just preparing for the tour right now? Are you in rehearsals?
Joseph Gordon-Levitt has exactly the air about him that you’d expect — polite, well-dressed, and charming as heck. His latest film, Don Jon, which marks his debut as a writer and director, also stars Gordon-Levitt as a womanizing, body building, porn addict who begins a romantic relationship with a romantic, traditional, sexy young woman played by Scarlett Johansson. It’s a romantic comedy about unhealthy expectations, but Gordon-Levitt expects that it’ll resonate well with audiences. Along with a few other journalists, I sat down with the actor/writer/director (or “Joe” as he introduced himself) and asked about his experience making Don Jon…
What inspired you to choose this particular story for your directorial and writing debut?
Well, I’ve been working as an actor since I was young. Probably because of that, I’ve always paid a lot of attention to the way that TV and movies and all kinds of media affect how we see the world. I think, sometimes, the things we see in the media give us certain unrealistic expectations for life, and especially for love and sex and relationships. I wanted to tell a story about that. I thought a good way to do it would be to have a comedy about a boyfriend and a girlfriend where the guy watches too much pornography and the girl watches too many romantic Hollywood movies. They both have these unrealistic expectations and keep missing each other.
Eli Conley suggests I order the breakfast burrito. With a wide grin, he tells me that it’s a great vegan dish. The Virginia native, now an East Bay resident, has a lot to smile about. He’s finished his first full-length album, At the Seams, to be released on September 28th. He’s setting west coast tour dates for the fall and lovin’ life at the moment. At our small table at Herbivore, I could easily tell that Eli, the queer folk singer-songwriter with a powerful passion for music and an equally powerful voice, was anxious to unleash his music unto the world…
Your album, At the Seams, is done and about to be released. How do you feel?
I’m super excited. I actually got the physical CDs two months ago. I know many musicians who had to rush at the end, not having time to master it or not having them in time for a CD release show. So I’m like, ok, I’m recording in April and I should have them in hand by June so I have time to send them out to press. Then I was thinking when to release it in September, and just figured ‘why not just do it on my birthday!?’
For the first time, a David Sedaris work has been adapted for the big screen. Kyle Patrick Alvarez, the young filmmaker that helmed the acclaimed indie, Easier With Practice (2010), received the great (and very first) honor of a green light from Sedaris and co. to move forward on an adaptation of the short story, C.O.G. I met up with Mr. Alvarez at Luca in West Hollywood to discuss C.O.G.’s journey to the big screen. After some tea and pleasantries, and some friendly banter about other summer flicks like The To Do List and Kings of Summer, we dove in…
How has the festival circuit been treating you?
It’s been good. It’s been different. My first movie didn’t get into any major festivals at all. We really had to fight for it to get into festivals and fight for people to see it. And this time around, getting into Sundance just set a precedent and made it a little easier. The festivals that are going to be interested in your movie will seek you out. Not to say I haven’t inquired about some festivals I’ve wanted to be a part of, but, it does take a little bit of the leg work out of it. So it’s been good. It’s been weird too, a lot of young filmmakers think ‘well you know, it’s a movie so it should play at festivals’ but they don’t ever ask themselves, which festivals and why. Having sold our film out of Sundance, it became about making sure we’re playing the right cities, where we’ll open the movie later down the line, so that people can see it there and be aware of it. It’s just a different strategy, but it’s been great!
Social Studies have had an amazing year… They are currently gigging in support of last year’s excellent Developer, and have played high profile gigs at Noise Pop, Phono del Sol, Converse Represent, and most recently opening the Twin Peaks stage at Outside Lands. We recently had the opportunity to chat with Natalia Rogovin, Michael Jirovsky, Tom Smith, Ben McClintock, and Jesse Hudson about the past year’s experiences and the plan for the future. Special thanks to Raffi Youssoufian for helping me out with this interview. Social Studies are playing Bottom Of The Hill on Saturday, September 21st
Cody ChesnuTT is a mysterious figure. In 2002, he put out a record called The Headphone Masterpiece, which caught the attention of The Roots, prompting them to re-record the song “The Seed” as “The Seed 2.0,” creating The Roots first hit single on the rock charts. Then he disappeared for a decade, only to return last year with a whole new record of modern day soul music called Landing On A Hundred. He will be performing at The Independent on Saturday, September 7th. Tickets available here.
Tomorrow sees the U.S. release of The World’s End, the third film in a so-called trilogy of films from Edgar Wright, Simon Pegg and Nick Frost. A few weeks ago, I had the pleasure of sitting around a table with a group of San Francisco film writers to talk with them for a few minutes. Those few minutes became a lot more minutes, as once they started talking, they had a lot to say. Part one of this two-part interview will touch on subjects such as traveling to England, Raising Arizona, and putting peanuts in a log. Come back tomorrow for part two of this interview, and a review of the movie as well.
You mentioned during a post-film Q&A that you wanted to show parts of England that weren’t London, but then these parts of England that aren’t London have zombies, they have murderers, they have what we see in this movie …
As San Francisco’s Outside Lands Festival made a seemingly bold move by including Trent Reznor’s freshly reunited band of heavy hitters in Nine Inch Nails to its weekend roster, some wondered if this was the right decision considering a historically safe trend of artists who provide the soundtrack for having a good time in the park. It ended up working out brilliantly – Nine Inch Nails’ Saturday night closing performance will go down as one of the greatest since the festival started in 2008. Not bad for having to follow Sir Paul McCartney’s nearly three-hour rock ‘n’ roll extravaganza the previous evening. We were lucky enough to catch up with touring guitarist and longest standing live member, Robin Finck, for a few questions just before the musical onslaught. Continue reading “Spinning Platters Interview: Robin Finck of Nine Inch Nails”