Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
There’s a scene in The Mummy, Universal Pictures’s latest movie with this much-used title, where zombie Knights Templar are swimming furiously at Tom Cruise. If this sounds like the kind of movie you would like, you might like this one. You would, however, not be me. This scene, like most of what occurs in this film, is utter nonsense.
If you find yourself left edgy and itchy when the film you’re watching doesn’t wrap up nice and neat and tidy, then you’d do well to avoid My Cousin Rachel, a period drama that raises more questions than it answers, and leaves its viewers in a state of ambiguity. Of course if you find such a state more intriguing than frustrating, then you’ll definitely want to add this picture to your summer viewing list. In fact, you’ll want to give it the number one spot.
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After witnessing the total failure that was Zack Snyder’s bloated Batman v Superman last year, fans and critics alike have been understandably skeptical about the future of the DC comics’ film franchise. The one bright spot in Snyder’s otherwise paint-by-numbers action flick, was, of course, the brief introduction of Gal Gadot’s Wonder Woman. DC Universe die-hards and the movie-going public at large can now breathe a sigh of relief, however. With Wonder Woman, the next installment in the DC cinematic series, director Patty Jenkins has created a thoroughly entertaining, thoughtful, and just plain fun film that should please both DC comics purists as well as those totally new to the Wonder Woman story.
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In Churchill, opening in Bay Area theaters today, we’re asked to see the old English bulldog in a new and unflattering light as he attempts to bend the tide of history to his will. The film suffers from too narrow a focus, and an approach to story that is as simplistic as the former British prime minister was complex.
Reuniting for the first time since their excellent 2013 Oscar-nominated picture The Hunt, the Danish directing/writing team of Thomas Vinterberg and Tobias Lindholm have collaborated again on The Commune, a smart, sensitive, and well-acted picture based on Vinterberg’s 2011 play of the same name. While the duo share writing credit on the screenplay, Vinterberg alone takes the director’s reins. Here he returns to a Dogme 95-styled tight focus on story and character that successfully bypasses the trappings of melodrama to offer viewers an emotionally layered and thought provoking look at marriage and family in its many forms.
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Alien: Covenant, the eighth of the Alien series of films, feels like an old friend from whom you’ve long since grown apart, but with whom you’ll still grab a beer and listen to the same stories and jokes. The film checks all the series boxes, and delivers all the same jolts, but ultimately cannot break out of its own constraints.
Legendary comedienne Goldie Hawn has not been seen on the big screen since 2002’s The Banger Sisters, so it’s a shame that her return from a 15-year absence is in a mediocre film unworthy of her talents. On paper, the premise for Hawn’s revival movie probably sounded great: an adventure comedy that would pair her with Amy Schumer, the current generation’s hip young blonde comic actress (can a remake of Private Benjamin with Schumer in the lead be far behind?). But the genius of casting the legend as mother to the edgy newcomer only works if the material is fresh, sharp, and funny, and, unfortunately for Hawn and Schumer, Snatched falls short on that front.
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The Lovers is an odd movie. That’s not to say that it’s not worth seeing; it’s just that tonally, strange is the best word to describe it. A virtual pas de deux between heavy hitters Tracy Letts and Debra Winger, the picture focuses on their characters Michael and Mary, a long-married husband and wife, each of whom is having an affair and plotting to leave the other. In the midst of this mendacity, however, a spark rekindles between the couple, jeopardizing their extracurricular relationships.
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Guardians of the Galaxy Vol. 2, the highly anticipated follow-up to the surprise superhero blockbuster from Marvel Studios, opens with a credit sequence set to Baby Groot dancing around a space station platform while the rest of the gang fight an intergalactic squid monster. Of course, Baby Groot is dancing to the late ’70s jolly tune “Mr. Blue Sky” by Electric Light Orchestra. If that isn’t a welcome return to the colorful, soundtrack-propelled, fun tone of the Guardians franchise, then I don’t know what is. From the first moments to the very end of the closing credits, Guardians of the Galaxy Vol. 2 is a fun ride with all the elements that made the first such a glowing success, and, even if it doesn’t feel quite as fresh and employs a few unorthodox plot maneuvers, it still delivers a ton of laughs and top notch visuals.
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To a teenager, the world is a boundless sea of experiences and hopes and fears and people and possibilities. But when the confines of a public high school, with its endless days of tedium, unquestionable authority, and worst of all – other teenagers – impose arbitrary bounds, the dramatic possibilities are endless, and have tempted artists of just about every medium, style, and approach.
My Entire High School Sinking into the Sea, the first feature written and directed by graphic novelist and animator Dash Shaw, manages to jolt the venerable high school film genre with new life from some surprising places, and suggests that nothing short of disaster can save those between thirteen and eighteen years old.
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