Films – Page 33 – Spinning Platters

Film Review: 47 Meters Down

Imperfect shark tale still has some bite

Cage diving with sharks is fun… until the rope breaks and the cage plummets.

Spinning Platters recently hosted its first music trivia event at SOMA StrEat Food Park, but if you missed it, have no fear – others are on the horizon. And to (ahem) tide you over, here’s a brief little summer movie quiz: match the tagline with its corresponding shark attack movie:

TAGLINES MOVIES

1.) Don’t go in the water a.) Sharknado 2: The Second One (2014)

2.) Pray that you drown first b.) The Shallows (2016)

3.) Stay out of the water c.) Jaws (1975)

4.) Shark happens! d.) The Reef (2010)

5.) Who will save you? e.) 47 Meters Down (2017)

6.) Not just another day at the beach f.) Open Water (2003)

Answers are at the bottom of the review*, but, in the meantime, let’s take a look at letter “e”, the newest shark movie on our list. In the pantheon of shark movies, British horror director Johannes Roberts’s 47 Meters Down ranks somewhere above Sharknado 2 and last year’s Blake Lively-Talks-to-A-Seagull picture (AKA The Shallows), but well below the 1975 standard bearer Jaws and the chilling Sundance indie hit Open Water. Continue reading “Film Review: 47 Meters Down“

Film Review: The Mummy

It’s a tale full of idiots, told with sound and fury, signifying nothing

There’s a scene in The Mummy, Universal Pictures’s latest movie with this much-used title, where zombie Knights Templar are swimming furiously at Tom Cruise. If this sounds like the kind of movie you would like, you might like this one. You would, however, not be me. This scene, like most of what occurs in this film, is utter nonsense.

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Film Review: My Cousin Rachel

Hitchcockian thriller will leave you guessing

Philip (Sam Claflin) is unsure what to make of his Cousin Rachel (Rachel Weisz) when she comes to stay.

If you find yourself left edgy and itchy when the film you’re watching doesn’t wrap up nice and neat and tidy, then you’d do well to avoid My Cousin Rachel, a period drama that raises more questions than it answers, and leaves its viewers in a state of ambiguity. Of course if you find such a state more intriguing than frustrating, then you’ll definitely want to add this picture to your summer viewing list. In fact, you’ll want to give it the number one spot.
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Film Review: Wonder Woman

Wonder no more: It’s really good

Brave, fierce, and mighty, Wonder Woman (Gal Gadot) is on a mission to rid the world of war and evil.

After witnessing the total failure that was Zack Snyder’s bloated Batman v Superman last year, fans and critics alike have been understandably skeptical about the future of the DC comics’ film franchise. The one bright spot in Snyder’s otherwise paint-by-numbers action flick, was, of course, the brief introduction of Gal Gadot’s Wonder Woman. DC Universe die-hards and the movie-going public at large can now breathe a sigh of relief, however. With Wonder Woman, the next installment in the DC cinematic series, director Patty Jenkins has created a thoroughly entertaining, thoughtful, and just plain fun film that should please both DC comics purists as well as those totally new to the Wonder Woman story.
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Film Review: Churchill

It’s never too late to grow up

Winston Churchill wrestles with a difficult decision.

In Churchill, opening in Bay Area theaters today, we’re asked to see the old English bulldog in a new and unflattering light as he attempts to bend the tide of history to his will. The film suffers from too narrow a focus, and an approach to story that is as simplistic as the former British prime minister was complex.

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Film Review: The Commune

Come on and join together: Communal living, for better or worse

Anna (Trine Dyrholm) and Erik (Ulrich Thomsen) face marital strains.

Reuniting for the first time since their excellent 2013 Oscar-nominated picture The Hunt, the Danish directing/writing team of Thomas Vinterberg and Tobias Lindholm have collaborated again on The Commune, a smart, sensitive, and well-acted picture based on Vinterberg’s 2011 play of the same name. While the duo share writing credit on the screenplay, Vinterberg alone takes the director’s reins. Here he returns to a Dogme 95-styled tight focus on story and character that successfully bypasses the trappings of melodrama to offer viewers an emotionally layered and thought provoking look at marriage and family in its many forms.
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Film Review: Alien: Covenant

In space, simply scary beats too much talking

The crew of the Covenant, in better times.

Alien: Covenant, the eighth of the Alien series of films, feels like an old friend from whom you’ve long since grown apart, but with whom you’ll still grab a beer and listen to the same stories and jokes. The film checks all the series boxes, and delivers all the same jolts, but ultimately cannot break out of its own constraints.

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Film Review: Snatched

Hawn, Schumer deserve better than middling comedy

Emily (Amy Schumer, l.) and her mom Linda (Goldie Hawn) find themselves in a bit of a predicament when their Ecuador vacation goes awry.

Legendary comedienne Goldie Hawn has not been seen on the big screen since 2002’s The Banger Sisters, so it’s a shame that her return from a 15-year absence is in a mediocre film unworthy of her talents. On paper, the premise for Hawn’s revival movie probably sounded great: an adventure comedy that would pair her with Amy Schumer, the current generation’s hip young blonde comic actress (can a remake of Private Benjamin with Schumer in the lead be far behind?). But the genius of casting the legend as mother to the edgy newcomer only works if the material is fresh, sharp, and funny, and, unfortunately for Hawn and Schumer, Snatched falls short on that front.
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Film Review: The Lovers

Powerhouse actors make tonally odd picture worth watching

Married couple Mary (Debra Winger) and Michael (Tracy Letts) are both having affairs, unbeknownst to the other.

The Lovers is an odd movie. That’s not to say that it’s not worth seeing; it’s just that tonally, strange is the best word to describe it. A virtual pas de deux between heavy hitters Tracy Letts and Debra Winger, the picture focuses on their characters Michael and Mary, a long-married husband and wife, each of whom is having an affair and plotting to leave the other. In the midst of this mendacity, however, a spark rekindles between the couple, jeopardizing their extracurricular relationships.
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Film Review: Guardians of the Galaxy Vol. 2

Dazzling, vibrant fun with a classy set list

Guardians of the Galaxy Vol. 2, the highly anticipated follow-up to the surprise superhero blockbuster from Marvel Studios, opens with a credit sequence set to Baby Groot dancing around a space station platform while the rest of the gang fight an intergalactic squid monster. Of course, Baby Groot is dancing to the late ’70s jolly tune “Mr. Blue Sky” by Electric Light Orchestra. If that isn’t a welcome return to the colorful, soundtrack-propelled, fun tone of the Guardians franchise, then I don’t know what is. From the first moments to the very end of the closing credits, Guardians of the Galaxy Vol. 2 is a fun ride with all the elements that made the first such a glowing success, and, even if it doesn’t feel quite as fresh and employs a few unorthodox plot maneuvers, it still delivers a ton of laughs and top notch visuals.

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