Film Review: “The Little Mermaid”

Halle Bailey is a shining star in this mostly successful and worthwhile remake

“It’s a dinglehopper!” Disney has been churning out live-action remakes of their classic animated films since the mid-1990s. The velocity increased exponentially with Cinderella (2015), The Jungle Book and Pete’s Dragon (2016), and Beauty and the Beast (2017). There have been six (!) direct live-action remakes since then, not including numerous character origin stories, sequels, and spin-offs. Over seven titles are in the pipeline. With few exceptions, most of these have been lackluster cash grabs, devoid of the groundbreaking nature and pizzazz of the originals, and unable to modernize themes and storylines without stumbling hard. Thus, The Little Mermaid is the latest entry into Disney’s live-action remake collection, an adaptation of the 1989 animated classic. Directed by Rob Marshall (Chicago; Mary Poppins Returns), the new The Little Mermaid succeeds in ways that previous Disney remakes failed, but at times the film trips over its own feet, err, fins.

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Film Review: The Book of Henry

Several different movies, crashing together; in other words, it’s a multi-car pile-up

                                    The Book of Henry is not a Wes Anderson movie.

What if veteran comic book writer Gregg Hurwitz wrote a superhero origin story about a single mom, combined it with a treacly family drama about a cancer-stricken kid, and crossed that with a darkly comedic satire about cinematic depictions of gifted children? Well, you don’t have to guess what if, because this movie is playing in movie theaters now, although I’m guessing not for long. It may, however, play forever in the rotation of classic film fiascos. 

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