Outside Lands 2019: Top 10 from the Bottom Half of the Poster

The bottom half of the 2019 Outside Lands Music and Arts Festival poster is rich with amazing acts. This might be the strongest “undercard” assortment Outside Lands has ever had, with a little something for pretty much everyone. One could probably wander aimlessly during the early part of the day and not be disappointed. However, since you are reading this, I suspect you are like me and tend to plan out every moment of your day when you head out to a music festival. So here’s the early stuff I’d jump on!

TICKETS ON SALE NOW!!!

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Sleater-Kinney’s Social Media Profiles Are All Black?

UPDATE?: Spin may have uncovered an album name and a blurb from Carrie

It seems that Sleater-Kinney have set their Facebook, Twitter, and Instagram profile pics to the color black. Now it’s time to speculate wildly as to what that means… Is the new album coming sooner than expected? Or does it mean something else? I’m just really excited about this and needed to tell the world.

In the meantime, they also have a contest running to win a signed Stratocaster and a Sleater-Kinney Prize Pack! You can enter that here!

Film Feature: SFFILM 2019 Spotlights #2

Wrap up: 62nd annual San Francisco International Film Festival

The San Francisco Film Festival wrapped up last week, concluding with the announcement of its Golden Gate Awards and its two Audience Awards. Olivia Wilde’s directorial debut comedy feature Booksmart earned the Audience Award for Best Narrative Feature. Show Me the Picture: The Story of Jim Marshall, Alfred George Bailey’s study of Bay Area photographer Jim Marshall, took the Audience Award for Best Documentary Feature. If you didn’t get a chance to catch as many films as you would have liked, never fear: many of the Fest’s offerings will be widely released in the months to come. Below we take a look at four films that you’ll be able to see very soon at a theater near you (and you can also check out our previous Fest spotlights post here).

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Film Feature: SFFILM 2019 Spotlights #1

62nd annual San Francisco International Film Festival opens today, Wednesday, April 10th

The 62nd annual San Francisco International Film Festival begins today, Wednesday, April 10th, and runs almost two weeks, until Tuesday, April 23rd. This year’s Festival boasts 163 films from over 50 countries in 36 languages, and will include twelve world premieres and five North American premieres. The Festival is proud that this year close to 45% of its films are directed by women. More information, complete program listings, and online tickets can be found here.

With so many offerings, figuring out your Fest schedule can be tricky. But never fear! As always, Spinning Platters has your back. We’ll get you started by sharing five Festival film spotlights (two narrative features and three documentaries). And of course be sure to check back here throughout the Festival for more spotlights and updates. 

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Outside Lands 2019 Line Up HAS BEEN UNLEASHED

PSSST! Outside Lands has released their line up a little bit early… Like, um, 9am PST on Tuesday, March 26th early. And it’s pretty exciting! As usual, we are going to deep dive into the best acts from the bottom half of the calendar closer to the event. But, first, the headliners: both Paul Simon and Childish Gambino are postponing their retirements to visit us in Golden Gate Park. And, if you missed last year’s farewell shows at Oracle Arena from either of them, both were practically religious experiences. (I cried twice at that Childish Gambino show) Those two are pretty universally loved acts. The third headliner is twenty øne piløts, and, well, the moment I read that, I could see the Reddit page explode! That being said, just because a band sells a lot of records and crossed over to Top 40 radio, doesn’t devalue them. This duo first played early on the day in the 2013 Outside Lands Fest, and has taken their dissonant, tribal brand of dark pop rock, and continued to experiment with it while crossing over to the mainstream.

Other highlights include gospel legend Mavis Staples, R&B avant gardist Santigold, the most aggressive hip hop performer I’ve ever seen, Denzel Curry, 2018 Grammy winners Anderson .Paak & The Free Nationals and Kacey Muscgraves, LA rock n roll heroes Cherry Glazerr, and SO MANY MORE! GA, VIP, and the brand new “Golden Gate Pass” with special elevated viewing area, a clear bag for your things, and much, much more. Tickets can be purchased starting Thursday, March 28th here!

Full line up below: Continue reading “Outside Lands 2019 Line Up HAS BEEN UNLEASHED”

Noise Pop Review: Anemone, Sugar Candy Mountain, Li Xi at Bottom Of The Hill, 2/27/19

The night’s NoisePop lineup at the always intimate and enjoyable Bottom of The Hill was an inspired collection of complementary bands, each unique but playing through similar sugary grooves. We just caught the tail end of the first act, Agouti, but as first acts go, they were delivering capably. The crowd was good and warm by our arrival. Continue reading “Noise Pop Review: Anemone, Sugar Candy Mountain, Li Xi at Bottom Of The Hill, 2/27/19”

Spinning Platters Interview: Niki Bodemann of Noise Pop

This year marks the 26th year that the Noise Pop Festival debuted at The Kennel Club (now The Independent). Since then, it’s grown to become one of the primary tastemaking music festivals in the world! Past performers that have broken shortly after their Noise Pop debut have included The White Stripes, Death Cab for Cutie, Tash Sultana, Vince Staples, and many, many more. Spinning Platters recently got to speak to Niki Bodemann, one of the bookers of the festival to talk about what it takes to make a week of music that even frustrates the most decisive music fan.

Festival badges, single show tickets, and a full schedule can be found here!

Spinning Platters: How long have you been booking for Noise Pop?

Niki Bodemann: So, I have been a full-time talent buyer at Noise Pop for like a year and three months now. Then before that, I was an assistant talent buyer. So, I would like help with the support bookings like all the openers on our shows and stuff um, but like booking actual headliners and stuff. Uh, it’s been a little over a year, yeah. Continue reading “Spinning Platters Interview: Niki Bodemann of Noise Pop”

Film Feature: Carrie and Chris Pick the 2019 Oscars

Film critics Carrie and Chris on who will – and who should – win the 91st Academy Awards

The 91st Academy Awards air this Sunday, February 24th, on ABC at 5:00 pm PST (with the requisite pre-show fashion assessments starting hours before). As they did last year, Spinning Platters film critics Carrie Kahn and Chris Piper share their predictions – and hopes – for the major categories.  Guild awards – often harbingers of Oscars to come – have been all over the map this year, so there may actually be some genuine surprises. Tune in on Sunday to see how things play out, and to find out if we correctly read the minds of Academy voters.

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Film Feature: Highs and Lows from the 2019 Sundance Film Festival

After almost two weeks of screenings that ran daily from 8:30 am to midnight, the Sundance Film Festival wrapped up last weekend with its awards presentation. All the winners can be found here, but below I present my personal highlights from my week exploring the Fest’s good, bad, and downright weird. Some of these may be widely released during the year, so I offer my advice on the films you should SEE or SKIP.

1.) Most Over the Top Rip Off of The Office that Feels Like it Was Written At 3:00 am After Smoking Way Too Many Joints: Corporate Animals (Category: Midnight)

Corporate Animals.

Not only does director Patrick Brice (who also directed the much better Sundance offering The Overnight) use a corporate retreat setting for his horror satire, replete with a who’s who of standard office types (Demi Moore as the hard driving boss; Jessica Williams as the dispirited protégée; and Callum Worthy as the eager to please intern, to name a few), but he even casts Office alum Ed Helms as a guide who leads the team on a caving expedition that goes awry, to put it mildly. Trapped deep in a collapsed New Mexico cave (the scenery at least holds its own), the cast is forced to deliver too many stereotypical jokes, especially at the expense of Moore, whose cutthroat boss is little more than a caricature. The group’s descent into cannibalism is played for laughs, but the film isn’t half as edgy as it thinks it is, and the entire exercise feels like writer Sam Bain somehow managed to get his snickering Office fan-fiction greenlit. — SKIP Continue reading “Film Feature: Highs and Lows from the 2019 Sundance Film Festival”