Labor Day weekend is filled with musical adventures in the Bay Area… Including two of the very, very few worthwhile summer shed shows that seem to be timed out perfectly for the weather getting good. Here are the highlights:
While waiting in line to see Billy Idol last night at the Fillmore, I was talking to a friend on the phone that was rather disappointed to learn that his show was sold out, and the asking price on the streets was about $160. We were talking about Idol’s history, and I was informed that Idol was once a member of Siouxsie & The Banshees, but left the band because he felt that they weren’t taking music seriously enough. My immediate response was, of course, to chuckle, but I thought about Idol’s place in our society and realized that there is nobody else out there quite like him. He is part of the new wave era, the punk era, and the hair metal era, and managed to escape all of those trends with dignity & credibility. There is a reason that he is still able to sell out The Fillmore on a Tuesday night 30 years after his first record.
Pigeons hate beard rock. Love the Outer Richmond. Let's see what happens to Kings Of Leon this time!
This is Outside Lands weekend, and a surprising number of excellent non-Outside Lands related gigs are happening concurrently. So, if you don’t feel like watching Kings Of Leon getting pooped on (although who wouldn’t love to see that!), you’ve got some crazy good options. Read On!
I’m gonna go see the Old 97’s in 45 minutes… I actually am borrowing David Price‘s computer to do this, just so I get to the show on time! Peace out, yo!
Photo by David Price, taken at Hotel Utah, 7.27.10
Kelli Scarr is a native of Folsom, CA. She has spent many years playing in different bands, before ending up as a collaborator on Moby’s 2009 release Wait For Me, as well as playing in his band on his corresponding world tour. She’s recently released her debut full-length solo record, Piece, which as an absolutely stunning piece of work. Spinning Platters had a chance to speak with her before playing the intimate confines of the Hotel Utah Saloon.
Photo by Kara Murphy, who also assisted with this interview
Shortly before he wowed the crowds at Mezzanine, we had the honor to sit and talk to Dan Black at a creepy dive bar on 6th St. We enjoyed club soda with lime, and talked about touring, musical genres, and what happens when your band spontaneously combusts on stage. Here’s a transcription of that conversation:
Seen Here: Toad. Not Pictured: Wet Sprocket. Also Missing: The part of my brain that would tell me not to make that joke
I have a live music bucket list. That is, I have a list of performers and bands that I would like to see before I or they die. This week has been pretty good for me, in terms of knocking things off that list, but I was really excited about the opportunity to see the first band to make that list. I believe I was 12 when I first heard “All I Want.” I was watching VH-1, as I did sometimes at that age, and thought that it was one of the coolest songs that I have ever heard. At that point, I decided that I needed to see them live, yet it somehow became a difficult task. They played often throughout my high school years, but broke up before I was able to see them. When they reunited, they local shows tended to be either very intimate (selling out super fast), at wineries that are unreachable by public transit, or opening for other bands (Counting Crows, Big Head Todd & The Monsters), and it just wasn’t plausible for me. But, with everything working out just right, I’ve finally accomplished this goal, nearly 18 years later.
You can color in your own Bear In Heaven on the way to the Rickshaw Stop on Monday Night!
The last week of July is looking pretty crazy… Tons of amazing shows going on this week, including two very rare 4-band shows that are worth arriving early and staying late. Time to buy some Red Bull!