Author: Carrie Kahn

Moving from the arthouse to the multiplex with grace, ease, and only the occasional eye roll. Proud member of the San Francisco Bay Area Film Critics Circle.

Film Review: A Simple Favor

Feig’s Favor to you: A twisty, stylish picture with a sly sense of humor

Suburban moms Stephanie (Anna Kendrick, l.) and Emily (Blake Lively) become fast friends over martinis.

“Secrets are like margarine: easy to spread; bad for the heart,” muses perky mommy vlogger Stephanie (Anna Kendrick) in director Paul Feig’s new film A Simple Favor, and does that ever prove to be a prophetic understatement. Feig, best known for helming the comedies Bridesmaids and The Heat, brings a breezy, stylized light touch to the film adaptation of Darcey Bell’s 2017 debut mystery thriller of the same name. The result is a mostly successful mash up of black comedy and icy noir that, despite similarities to better films, still manages to be a wickedly fun good time.

Continue reading “Film Review: A Simple Favor“

Film Review: The Wife

Close’s powerhouse performance elevates marital melodrama 

Joan (Glenn Close) reacts as her husband Joe (Jonathan Pryce) receives some good news.

What sacrifices are acceptable for the sake of art? For marriage? Swedish director Björn Runge explores these questions in his new film The Wife, which, if nothing else, may become the film most remembered for netting six-time Academy Award nominee Glenn Close her first Oscar. Close’s performance is the best reason to see the picture, which manages to thoughtfully present serious themes while teetering on the edge of melodrama.

Continue reading “Film Review: The Wife“

Film Review: BlacKkKlansman

Lee’s tonally uneven picture diminishes impact of relevant, astonishing true story  

Colorado Springs detective Ron Stallworth (John David Washington) infiltrates the local chapter of the Ku Klux Klan. 

Released just two days before the one year anniversary of the deadly Charlottesville, VA white nationalist rally and this Sunday’s “Unite the Right” white nationalist DC march, and coming on the heels of the recent Proud Boys/Patriot Prayer “Western chauvinist” gatherings in Portland and Berkeley, director Spike Lee’s polemical new film BlacKkKlansman is both relevant and disheartening in the way it reveals how little has changed in the 40+ years since the based-on-a-true story takes place. That the film’s message remains topical and necessary is indisputable; that it’s executed so poorly, then, is a disappointment.

Continue reading “Film Review: BlacKkKlansman“

SFJFF38 Spotlights #2: To Dust/The Last Suit/Simon and Théodore/Wajib/The Devil We Know

The 38th San Francisco Jewish Film Festival is going strong; it entered its second week today, and we’ve got five more spotlights for you (you can find our first round of coverage here). Below we profile four more feature films and one documentary. Complete programming and ticket information can be found here; now get out there and see some films before the Festival ends on August 5th!

Continue reading “SFJFF38 Spotlights #2: To Dust/The Last Suit/Simon and Théodore/Wajib/The Devil We Know“

Film Review: Eighth Grade

The agony and the adolescence of middle school

8th grader Kayla (Elsie Fisher) spends much of her free time on her smart phone. 

Regular readers of Spinning Platters may have noticed that I’m partial to coming of age films; The Way, Way Back is a personal favorite, and I had both The Edge of Seventeen and Me and Earl and the Dying Girl on my Top 10 lists for their respective years. But all three of those have now been pushed aside in favor of a new genre champion: writer/director Bo Burnham’s feature debut Eighth Grade sets a new standard for all future coming of age pictures. Filmmakers may as well concede now, because no other film will ever come close to measuring up to this exquisite masterpiece.

Continue reading “Film Review: Eighth Grade“

Film Review: Blindspotting

Local boys make good in masterful look at their changing city

Longtime Oakland friends Collin (Daveed Diggs, l.) and Miles (Rafael Casal) assess their changing city. 

Berkeley High grads and old friends Daveed Diggs (of Broadway’s Hamilton fame) and local slam poet and artist Rafael Casal join Ryan Coogler (Fruitvale Station; Black Panther) and Boots Riley (Sorry to Bother You) in bringing Oakland to the big screen, in a timely and powerful picture that should be required viewing not only for all Bay Area residents, but also for those who want to understand the ever shifting cultural and economic landscape of a Bay Area in flux. Diggs and Casal both wrote and star in Blindspotting, under the direction of their TV and short film director friend Carlos López Estrada, who makes his extraordinary feature film debut here, and was rewarded with a Sundance Grand Jury Prize nomination for his efforts.

Continue reading “Film Review: Blindspotting“

SFJFF38 Spotlights #1: Budapest Noir/Memoir of War/Murer–Anatomy of a Murder/The Interpreter/Promise at Dawn

The 38th San Francisco Jewish Film Festival, showcasing over 65 films from more than twenty countries, opens this Thursday, July 19th, and runs for two and a half weeks, concluding on Sunday, Aug. 5th. Films will be shown at venues in San Francisco, Palo Alto, Albany, Oakland, and San Rafael, so there is plenty of time and opportunity to see a lot of quality films. Below we spotlight five Festival movies that you may want to check out. Complete schedule, tickets, and more information are available here. And be sure and follow Spinning Platters for more coverage during the Festival!

Continue reading “SFJFF38 Spotlights #1: Budapest Noir/Memoir of War/Murer–Anatomy of a Murder/The Interpreter/Promise at Dawn“

Film Review: Sicario: Day of the Soldado

Border drama sequel lacks depth, insight 

Covert operative Alejandro Gillick (Benicio Del Toro) and CIA agent Matt Graver (Josh Brolin) discuss strategy.

The makers of Sicario: Day of the Soldado probably couldn’t have predicted just how relevant their film would be today back when it was greenlit to follow its 2015 precursor Sicario. But those hoping for a searing dramatization of the inner workings of the U.S./Mexico border patrol and its operators will be sorely disappointed with this sequel, which offers plenty of gore and violence, but little in the way of prescient or urgent social commentary.

Continue reading “Film Review: Sicario: Day of the Soldado“

Film Review: Ocean’s 8

Old-fashioned fun is the real mark in latest Ocean’s film

Debbie Ocean (Sandra Bullock, l.)  assembles a crack team of eight (from l., Cate Blanchett, Mindy Kaling, Sarah Paulson, Awkwafina, Anne Hathaway, Rihanna, and Helena Bohman Carter) to plan a foolproof heist.

You don’t need to have seen the previous three Ocean’s movies (that would be 11, 12, and 13 for the uninitiated) to enjoy Ocean’s 8, the female-helmed companion film that opens today; it stands alone as a highly enjoyable, old-fashioned heist movie. But those who are loyal fans of the original series will be rewarded with a few nods to the previous films, as well as a couple of cameos that I won’t reveal here, but which will no doubt please the films’ devotees. Breezy and fun, writer/director Gary Ross’s entry into the Ocean’s universe retains the brisk confidence of the original pictures, while providing a welcome freshness by changing the stories’ traditional casting.

Continue reading “Film Review: Ocean’s 8“

Film Review: Adrift

A nice day for a sail? Not quite.

Richard (Sam Claflin) and Tami (Shailene Woodley) are adrift in the Pacific after a fierce hurricane throws them off course.

Icelandic director Baltasar Kormákur is no stranger to the survival story genre; he directed 2015’s mountain-expedition-gone-bad thriller Everest, and 2012’s Icelandic-language The Deep, about a fisherman who capsizes before being rescued after six days in the water. That film probably planted the seed for Kormákur to take on Adrift, the film adaptation of Red Sky in Mourning: A True Story of Love, Loss, and Survival at Sea, Tami Oldham Ashcroft and Susea McGearhart’s 2002 book about the dire consequences of Hurricane Raymond on a sailing adventure undertaken by Tami and her fiancé Richard Sharp in 1983. Kormákur, working from a screenplay by twin brothers Aaron and Jordan Kandell (Moana) and David Branson Smith (Ingrid Goes West), has succeeded in creating a nerve-wracking, what-would-you-do, visceral sea faring adventure that rises to the top of a fairly crowded field.

Continue reading “Film Review: Adrift“