CSS and Getting A Second Chance

There’s a LOT of music out there. I try to take as much of it as possible and be present with whatever is going on right now. BUT- sometimes you miss something. I really loved the dance-punk movement of the ’00s and saw Peaches and Gossip and Lovemakers many times over, like my fellow Xennials did during the Bush years. However, with all my nights logged at Popscene, I never actually sunk into the joys of Brazil’s CSS. And I certainly never got to see them live. Luckily, I can finally live my 20s the way I wish I did and get to see CSS live. North American tour dates begin a week from today in Washington, DC! And, yes, I will see you at The Independent on May 14th—tickets for all dates at cssmusic.club.

Please remember to wear sensible shoes and drink plenty of water. 

Show Review: K.Flay with Cam Kahin at The Independent, 3/27/24

We, the music nerds of Spinning Platters, love K.Flay (aka Kristine Flaherty). So much so that after I submitted Mono as one of my top 3 albums of 2023, she not only made the final top ten (as voted by all of us), but she won the whole damn thing! Despite all of this, I had only seen her perform twice: once opening for Imagine Dragons and once at a LoveLoud festival in Salt Lake City. So when I saw that she was going to be playing back-to-back shows at a tiny SF venue, I jumped at the chance to finally see K. Flay headline a show! Continue reading “Show Review: K.Flay with Cam Kahin at The Independent, 3/27/24”

Spinning Platters presents “How Did I Get Here?” Episode 9 with Lani Torres of Ivy Room

Spinning Platters presents “How Did I Get Here?” is available most everywhere you enjoy podcasts. You can find us and subscribe here!

 Our guest this week is Lani Torres, co-owner of Ivy Room, a great 200 cap room in Albany, CA. We talked about her first show, how she fell into working in live music, we waxed nostalgic about the Bay Area show scene, and talked a bit about running a music venue. 

Ivy Room is located at 860 San Pablo Ave. Sadly, they aren’t doing live music right now due to COVID, but they are open for take out cocktails and food from 4-8 Thurs-Sat and 2-6 on Sundays. If you want to support the venue while it’s shuttered, they have a GoFundMe and some lovely merch for sale. They also have BITCH from Bitch and Animal and the legendary Detroit Cobras booked for shows next September, and you’ll probably see me at one or both of these. You can pick tickets up for those here

If you have any feedback about this episode, feel free to email me at dakin@spinningplatters.com. If you like what you heard and want to help support this thing, feel free to Venmo me whatever tip you feel is adequate @Dakin-Hardwick.  And, most importantly, please go to SaveOurStages.com to find out what you can do to help independent promoters and venues weather this COVID crisis so we have shows to go back to when this pandemic is over. Thanks for listening!

Show Review: Cornelius, DJ Roscoe 2000 at The Independent, 3/16/18

All photos by Natalia Perez.

Walking into The Independent on Friday night, I was greeted by a huge white screen stretching from ceiling to floor, effectively and purposefully blocking the entire stage. As DJ Roscoe 2000 set the mood with tunes blending seamlessly into one another, a long white strip of tape on the ground politely requested we stand behind it, helpful arrows drawn to indicate the direction. The screen held a projected animation of a large white circle on a black background. As I watched, parts of the circle’s lines began to glow brighter, light expanding and pushing the boundaries of the circle until particles of light began to escape their linear confines. More and more areas started to glow, particles of the light escaping faster and in greater numbers, swirling outward, creating their own patterns, connections, and collective energy, until eventually returning to the circle, only to start the entire process again. As the lights started to dim, the DJ’s set faded to an end, and the projection began to alter its loop. Continue reading “Show Review: Cornelius, DJ Roscoe 2000 at The Independent, 3/16/18”

Show Review: Andrew W.K. at The Independent, 9.27.17

This show had all of the essentials needed for a great metal show. Andrew WK, the patron saint of partying, leading his six piece backup band of very loud and technically adept musicians. Two members of his backup band were women, which made the party even better, as did the pizza guitar he played mid-set. AWK is a live wire with big, metal voice, but at the show, he seemed a little dampened. It happens – a lot of us have had the crud, and if he did I hope he feels better. This didn’t lower show’s wattage though, or cause anyone to party any less hard. A great metal show also has a fist pumping crowd in the back,  and mosh pit up by the stage. Here, at an AWK show, all of these are accounted for. AWK writes great hooks that keep you moving and joyful, and his touring band brings them to a higher level of musicianship than the original recorded version. Continue reading “Show Review: Andrew W.K. at The Independent, 9.27.17”

Noise Pop Show Review: Cloud Nothings w/Itasca, Never Young, Kid Trails at The Independent, 2/20/2017

Energetic, potent set slightly marred by confusing opener pairing

Dylan Baldi of Cloud Nothings
Dylan Baldi of Cloud Nothings

It’s been a few years since we’ve crossed paths with Dylan Baldi and his chaotic music assemblage, Cloud Nothings, but their recorded output has confirmed that they have been taking some excellent time to polish and tighten up their sound. While absent of gigantic, sprawling bruisers like “Wasted Days” (the 8-minute magnum opus from Attack On Memory), their new record Life Without Sound continues to sport excellent 90s grunge/alternative staples along with a modern sense of punkish attitudes and new-school production, and the resultant collection of songs is delightful to listen to. Their Noise Pop show was one of the more popular gigs — badge-toting friends of mine claimed they couldn’t make it into the sold-out show even before the openers had finished — but while the Cleveland foursome brought the noise and the bouncy response to the show, it was at the end of a strange rollercoaster of genres that, if nothing else, made the audience even more hungry for the headliners to appear.

Continue reading “Noise Pop Show Review: Cloud Nothings w/Itasca, Never Young, Kid Trails at The Independent, 2/20/2017”

Spinning Platters Weekly Guide to Bay Area Concerts: 2016-05-23 – 2016-05-29

Grateful Dead
Appearing for another farewell bow at The Fillmore this week.

This week in The Bay Area we have refusals, memoirs, and those who wear purple. We have clowns, the dead, and war. Should be a pretty good time.

Now, let’s get to the previews. Preview time now. Let’s preview and then we’ll be ready for the week. Previews, starting now. Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts: 2016-05-23 – 2016-05-29”

Spinning Platters Weekly Guide to Bay Area Concerts: 2016-03-17 – 2016-03-23

Conan, by Frazetta
Appearing Monday, March 21 at The Metro in Oakland
St. Patrick’s Day. Irishness! Excellent.

To go with this week in the Bay Area we also have metal, self-described “country-fed punkabilly,” and the Melvins. Also! Bilingual punk rock with horns as well as bilingual Rickenbacker-wielding one-woman guitar rock. And Conan. Conan!

Let’s preview. Faugh A Ballagh! Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts: 2016-03-17 — 2016-03-23”

Noise Pop Show Review: Kneedelus and Kamasi Washington: Two Nights of Jazz in San Francisco

Kneedelus / Kamasi Washington
Kneedelus / Kamasi Washington

San Francisco’s Noise Pop Festival has been well known for packing hordes of genres and artists into their lineup, but rarely have they picked a collection of artists that are so solidly categorized as jazz musicians before anything else. True to the latter half of its name, the festival tends to want to pick acts that have those hooks and rhythms which you want to sing or dance along to with a common familiarity, or even are comfortable with hearing on the radio. There are, of course, certain acts (like seminal hardcore favorites Drive Like Jehu this year, or Yoko Ono a few years back) that defy such conventions, but you can generally bet on finding the bands to be less on the blatantly esoteric side of things. Thus, it was a bit of a risk throwing some jazz artists into the mix; however, it absolutely paid off, as all four shows (spread across two nights, two artists, and two venues) sold out, weeks in advance, and the two performers — elecronic-wizard-plus-jazz-quartet Kneedelus, and newly-Grammy’d tenor sax master Kamasi Washington — definitely did not disappoint.

Continue reading “Noise Pop Show Review: Kneedelus and Kamasi Washington: Two Nights of Jazz in San Francisco”

Spinning Platters Weekly Guide to Bay Area Concerts: 12/18/15-12/24/15

We love you still, Ralph McQuarrie.
We love you still, Ralph McQuarrie.

Star Wars! Star Wars! Star Wars! Star Wars! Can you believe it? It’s difficult to believe! But it’s here! This week! B… [cough]… it’s… it’s been… a long time since it was possible to look forward to a Star Wars anything. It’s here! Extraordinary feelings.

Now, let’s talk about what’s coming up this week. Let’s preview. Hyperdrive go! Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts: 12/18/15-12/24/15”