Film Feature: SFFILM 2018 Festival Spotlights #4

Wrap up: 2018 San Francisco International Film Festival 

The 61st San Francisco International Film Festival ended last Tuesday, but many of its offerings will find their way to your neighborhood cinema in the near future. We conclude our coverage of this year’s Fest by taking a look at four of the Fest’s films that you may want to keep your eye out for in the coming months (our previous coverage posts can be found here, here, and here). And if you’re curious to see which Fest films took home awards this year, you can see all the winners here. In the meantime, we’ll see you next year for SFFILM #62! 

1.) Sorry to Bother You  (USA 2018, 107 min. Centerpiece)

Detroit (Tessa Thompson) and Cassius (Lakeith Stanfield) join with striking workers at their telemarketing firm in Oakland.

Oakland rapper and artist Boots Riley got the hometown reception from the Festival this year, as his debut feature film was given a first-of-its kind, dual-venue Bay Area premiere at two of the Bay Area’s most iconic and beloved theaters: Oakland’s Grand Lake Theater and San Francisco’s Castro Theater. The movie had previously premiered at Sundance, where it garnered a Grand Jury prize nomination, but its Bay Area premiere definitely felt more special. Riley’s film centers on Cassius (Lakeith Stanfield, Get Out), a new employee at a telemarketing company in downtown Oakland (exteriors were shot around Kaiser’s Franklin Street building) whose rise up the corporate ladder doesn’t come without cost, to himself, his girlfriend (Tessa Thompson), and his friends, colleagues, and community. While inarguably entertaining, Riley’s film has a definite first attempt feel: elements of political satire, social criticism, surrealist comedy, outrageous sci-fi, and sweet romance often overlap to an extreme, coming dangerously close to burying the picture beneath its own everything-but-the kitchen-sink weight. Comedically deft performances from Stanfield and Armie Hammer, as a villainous corporate head, though, are appealing enough to make the flaws of Riley’s jam-packed screenplay forgivable.

Sorry to Bother You will open in the Bay Area on Friday, July 6th.

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Spinning Platters Weekly Guide to Bay Area Concerts, 7/11/13-7/17/13

Wednesday Night at The Fillmore
Wednesday Night at The Fillmore

The week is going to be a glorious week of rock n roll madness.

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Spinning Platters Weekly Guide to Bay Area Concerts, 2/21/13-2/27/13

 

Headlining the Take Action Tour at The Fillmore on Tuesday
Headlining the Take Action Tour at The Fillmore on Tuesday

It’s the week before Noise Pop, so you might think “lemme get some rest,” but no! The world of live music in the Bay Area will never let you rest. Get out there and see some shows, because the band that wrote the best song ever is playing this week, and local heroes are all over town, playing farewell shows, covering classic artists, and generally being amazing. Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 2/21/13-2/27/13”

Show Review: Amon Tobin’s ISAM Live 2.0 with Kronos Quartet at the Greek Theatre, 10/5/2012

The massive ISAM sculpture seen from afar
The massive ISAM sculpture seen from afar

It is impossible to go and see an electronic music concert without being exposed to a phenomenal light shot and staggeringly complex visual performance, with dancing projections and rapidly-pulsing animations taking center stage for its entire span. As a result, electronic musicians are in a constant race to push the envelope of their live productions further than they have ever been pushed before, in an effort to bring a continuously relevant and engaging visual accompaniment to their own ever-evolving musical set. When Brazilian virtuoso Amon Tobin began work on the live version of his 2011 opus ISAM, the focus on organic sounds paired with pummeling synthesizers led to the creation of a new type of visual spectacle. Developed by production company V Squared Labs, ISAM Live takes the form of a gigantic white sculpture, comprised of several stacks of cubes at differing angles, onto which a set of sequences are projected, and mapped to compensate for the 3-dimensionality of the sculpture. The unorthodox screen comes to life in a dizzying display of pulsing lights, zigzagging lasers, ever-shifting patterns and creeping shadows; with the magic of surface-mapping, the structure appears to break apart, reform, and undulate like a living creature. After a worldwide club tour that experienced a ton of sold-out shows and highly-favorable reviews, Tobin and V Squared have reworked their performance and rebuilt the ISAM surface for an even larger and more dazzling show, which found its way to the Greek Theatre in Berkeley on a chilly autumn night.

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Spinning Platters Weekly Guide to Bay Area Concerts, 2/24/10-3/2/10

Four nights of four fences with the Kronos Quartet
Four Nights, Four Fences, One Quartet. Nice.

There’s more to life than Noise Pop. Not much more, so these week’s list is going to be a bit shorter than usual, but there is still plenty to do that isn’t with the masses.

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