Farewell tours are a strange business. How does a band perform with sincerity and a sense of purpose that feels genuine without the trappings of a cash-grab mentality that us cynical fans have come to expect? I’ve personally never been to a farewell show outside of bands in the local music scene where I grew up, so I wasn’t very sure what to expect aside from what I was seeing on social media. A 40-year-old punk band going on with an absolute bang at each and every show, celebrating not only their longevity but celebrating the music scene that they came up in. What better place than San Francisco, the second home to one of the most iconic bands to come out of the 80s hardcore punk scene in Los Angeles, to wave goodbye to an incredible career?
Continue reading “Show Review: NOFX Final Tour, Punk in Drublic @ The Cow Palace 09-16-2023”
Anyone following Steven Wilson’s career, either via his work with Porcupine Tree or solo, has at least a tertiary understanding of his work as a remixer. He has done remixes of back catalogs for absolute legends like King Crimson, YES, XTC, ELP, and Jethro Tull, not to mention one-offs of bands like Black Sabbath, Opeth, Caravan, Chicago; the list goes on. He has spoken in interviews stressing the difference between a remix and a remaster and how much more work goes into remixing. Surround sound is nothing exactly new in this day and age. Still, technology has advanced over the years since 5.1 gave way to 7.1, which gave way to Dolby Atmos – the current standard for theatrical surround sound – allowing for all sorts of experimentation as home sound systems have been catching up.
