Tag: Tiffany Haddish

Film Review: “The Unbearable Weight of Massive Talent”

Basking in the total Nick Cageness of Nick Cage

He's reached total Cage
He’s reached total Cage.

If you live in California, Nicolas Cage is a Prius. If you live in Alabama, Nicolas Cage is an F-150. If you live in Colorado, Nicolas Cage is a Subaru. Ubiquitous, omnipresent, universal don’t begin to describe his career. Simple descriptors, most adjectives, even words themselves, fail to cover the sheer, gargantuan, remark-ability of the man’s effect on our collective souls. Continue reading “Film Review: “The Unbearable Weight of Massive Talent””

Film Review: “The Card Counter”

The closer we get, the farther away we slip

La Linda (Tiffany Haddish) tries to connect with Bill (Oscar Isaac).

In Paul Schrader’s new offering The Card Counter, the venerable writer/director proves that exploring the question of why humans can never quite find real connection will always make for worthwhile, if somewhat challenging viewing. Continue reading “Film Review: “The Card Counter””

Film Review: “Here Today”

Crystal, Haddish can’t save strained so-called ‘comedy’ 

Emma (Tiffany Haddish) and Charlie (Billy Crystal) become good friends.

Back in 1989, Nora Ephron, in her film When Harry Met Sally, posed the age-old question: Can men and women ever really be friends? Now, thirty-two years later, Billy Crystal, who played the titular Harry, returns in Here Today to tell us that not only can men and women be friends, but that their friendship can yield an uninteresting, unfunny movie. Call this one When Charlie Met Snooze

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Film Review: The Oath

Happy Thanksgiving? Not this year

Chris Powell (Ike Barinholtz, center) and his wife Kai (Tiffany Haddish, top r.) preside over a very tense family Thanksgiving.

Comedian Ike Barinholtz (best known as Nurse Morgan on The Mindy Project) makes his big screen writing and directing debut with The Oath, a very timely, very funny, yet very dark comedy in which he also stars. A razor sharp take on today’s charged political climate, Barinholtz’s pointed comedy resembles Jordan Peele’s (a producer here) Get Out in terms of its satiric edge. While some viewers may find the satire a little too grim, Barinholtz has definitely made a think piece worth talking about, and for that reason, his film is worth a look. Continue reading “Film Review: The Oath“