David Byrne’s “American Utopia” Coming To Theaters for One Night Only!

I’ll be rather blunt with you- I, personally, am not feeling totally safe with the idea of going to a lively, indoor, open dance floor show. Even though I’m vaccinated and would probably be double-masked, the prevalence of Delta and its intense infectiousness leaves me feeling like, for the good of my community, it’s best to stay away from spaces where we fling spit and sweat at each other. 

BUT- it still feels good to share the experience of music. And this may not be 100% safe; a safer way to enjoy this experience could be in the confines of a movie theater. Specifically heading out this Wednesday, September 15th, to enjoy the Spike Lee-directed presentation of David Byrne’s award-winning American Utopia. For one night only, mask up and take in one of the most cathartic music experiences of a lifetime. Showtimes and locations can be found here! 

Film Feature: Carrie and Chris Pick the 2019 Oscars

Film critics Carrie and Chris on who will – and who should – win the 91st Academy Awards

The 91st Academy Awards air this Sunday, February 24th, on ABC at 5:00 pm PST (with the requisite pre-show fashion assessments starting hours before). As they did last year, Spinning Platters film critics Carrie Kahn and Chris Piper share their predictions – and hopes – for the major categories.  Guild awards – often harbingers of Oscars to come – have been all over the map this year, so there may actually be some genuine surprises. Tune in on Sunday to see how things play out, and to find out if we correctly read the minds of Academy voters.

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Film Review: BlacKkKlansman

Lee’s tonally uneven picture diminishes impact of relevant, astonishing true story  

Colorado Springs detective Ron Stallworth (John David Washington) infiltrates the local chapter of the Ku Klux Klan. 

Released just two days before the one year anniversary of the deadly Charlottesville, VA white nationalist rally and this Sunday’s “Unite the Right” white nationalist DC march, and coming on the heels of the recent Proud Boys/Patriot Prayer “Western chauvinist” gatherings in Portland and Berkeley, director Spike Lee’s polemical new film BlacKkKlansman is both relevant and disheartening in the way it reveals how little has changed in the 40+ years since the based-on-a-true story takes place. That the film’s message remains topical and necessary is indisputable; that it’s executed so poorly, then, is a disappointment.

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