Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
As we all know, this weekend is the Treasure Island Music Festival. It’s always a really good weekend, and the night shows are pretty awesome this year, too! I will be there, and you should, too! But, just in case you have a deep phobia of pirates and buried treasure, we’ve got a few more ideas for you:
Continue reading “Spinning Platters Weekly Guide To Bay Area Concerts: October 13th-October 19th”
Any trip to the Divisadero corridor always deserves a stop at one of the many excellent and inexpensive restaurant choices available. On this trip, the choice was half an order of BBQ chicken, mac ‘n cheese, and corn. I was still picking kernels out of my teeth when we walked in midway through the set of Damon and Naomi, the openers for the evening. The music was melancholy and wistful, with intertwining vocals from both musicians, Damon on acoustic guitar and Naomi on keyboards. I wasn’t too disappointed, but their brand of self-proclaimed “dream pop” wasn’t doing anything to help out my impending food coma. It was a surprise to learn that the duo did a stint on Sub Pop back in the mid-to-late 90’s. However, I wasn’t much into indie rock back then; rather, mainstream alternative, but that’s beside the point. The set ended a little after 10:00pm, and on to the waiting game. Continue reading “Show Review: A Hawk and a Hacksaw at The Independent, 10/9/09”
This event was billed as “An Evening with Fran Healy and Andy Dunlop from Travis: A Chronological Acoustic Journey Through the Travis Back Catalogue- Laugh Out Loud Stories, Scottish Accents, Handsome Scottish Men, Naked Torsos.” Although one of these things didn’t occur (the naked torsos) I’m not sure I can do a better job describing the show then they did, but here goes.
The Swedish American Hall was host tonight to an experiment in both performance and audience, as Andrew W.K. brought Calder Quartet with him on a small tour to promote an album of piano improvisations called Cadillac 55. Standing outside the hall waiting on some friends, I watched the crowd go in. First, I saw some former meatheads who made up much of Andrew W.K.’s audience during his major label days. Then I saw a large group of senior citizens go in, having come to see the Calder Quartet, who are a reknowned classical group. And of course, there was a large music nerd contingent. So how would all of this mix? Continue reading “Show Review: Andrew W.K. & Calder Quartet at Swedish American Hall, 10/7/09”
I had only a passing familiarity with School of Seven Bells before it was suggested I would like them. I believe I was told, “If you like Murder By Death, you should check out School of Seven Bells.” That’s a poor “RIYL,” but it turned out fine in the end. Still, this is a band that needs my help to take their show to the next level. I hope they’re listening. Continue reading “Show Review: School of Seven Bells, Warpaint and Phantogram at Slim’s 10/6/09”
A friend of mine and I were having a discussion about what makes a show a “good” show, or a “great” show, and what makes for an “incredible” show. We came to the following consensus: a “good” or “great” show is one you go to because you know and love the band, and you will be there to sing every note of their songs until your throat is hoarse. An “incredible” show may include elements of a “great” show, but more often than not, it will be more than 50% surprise and unexpectedness; it’s even more incredible when it is able to knock even the casual listener off their feet.
So, to preface this review: Fever Ray gave an incredible performance. Continue reading “Show Review: Fever Ray at The Regency Center”
Kylie Minogue. The sound of her name conjures images of bubbly goodness. As my memory serves, I celebrated my 9th birthday at Round Table Pizza, and insisted that we put “The Locomotion” on the jukebox. It’s the song with the dance in the lyrics that I have always wanted to see performed. I kept waiting for her to play a concert. This was 1988.
In 1998, I decided to look up Kylie Minogue. Since I am an American, she hadn’t had a song on the radio in a decade. That’s when I learned that she plays stadiums in the rest of the world, and is a huge star still. I also learned that she was in “Bio-Dome”. So I watched it and pretended that I’m nine again. In 2002, she has some hits in America. I decide that I’m going to see Kylie when she comes around. Doesn’t happen. Rumors of American tours pop up on the Internet for the bulk of the decade. And finally, in 2009, it happens. I finally see Kylie Minogue. I buy a ticket right away, only not fast enough. I miss the first show in America. I bought a ticket for the second. Tonight, I finally learn how to do The Locomotion.
Continue reading “Show Review: Kylie Minogue at The Fox Oakland, 10/01/09”
First off, a spoiler warning. Although usually seen in movie reviews, I think one applies here. If you don’t want to know what songs she played, how many costume changes there were, and how she reworked some of her classic songs, then read no further. If, on the other hand, you want to know what’s coming soon, or you aren’t going to have a chance to see for yourself, jump on board, take a ride, yeah. Continue reading “Show Review: Kylie Minogue at The Fox Oakland, 9/30/09”
It will be a bit surprising to regular readers of this site that last night was my first ever visit to Hotel Utah, but I finally made it over there to see The Postmarks and Brookville for an early Tuesday night show. When I arrived, a sign announced that Brookville’s lead singer had a family emergency, and instead, the other members of the band would be performing as Saturday Club. Having never heard Brookville before, I found myself unable to be too disappointed, although I had been hoping to check them out as well. Continue reading “Show Review: The Postmarks and Saturday Club at Hotel Utah, 9/29/09”
When TV On The Radio announced that they were going to “take a break for a year or so,” every music critic on earth wept. Mostly because we are going to go through 2009 and 2010 without a bona-fide record of the year. Yes, TVotR released the best records of 2004, 2006, and 2008. (All apologies to 2002’s OK Calculator- you were still finding your footing.) But I believe that after all that hard work and genius deserves a vacation. I’d rather the band take a break now than break up completely later.
It seems that these guys don’t take vacationing very well. David Sitek has been taking on many extra production assignments, and vocalist Tunde Adebimpe is working on a record with Mike Patton. Despite all this, the prize for the quickest end to the vacation goes to guitarist/harmony vocalist Kyp Malone. Merely five weeks after the announcement of the break, Malone released a solo album called Rain Machine and quickly assembled a four-piece backup band to take it on the road. This show at The Independent marks the fourth performance of this band with an audience.
Continue reading “Show Review: Rain Machine, Diane Cluck at The Independent, 9/28/09”