Noise Pop Show Review: Zee Avi, The Hot Toddies, Leslie & the Badgers, Tiny Television at The Rickshaw Stop 2/25/10

Aw shucks, she makes Joel want a nicer car.

It was a revisit to the scene of the crime, a reunion with my new favorite band, and an attempt to pay attention after a double mocha and six donuts from All Star Donuts, the only place at 9 p.m. that’s still open in Hayes Valley when you need to work.

I’d been to a Rickshaw Stop show a few times before, most recently while raising the ire of the bouncer because, God forbid, I walked outside with a cup of water. Continue reading “Noise Pop Show Review: Zee Avi, The Hot Toddies, Leslie & the Badgers, Tiny Television at The Rickshaw Stop 2/25/10”

Noise Pop Show Review: Foreign Born, The Fresh and Onlys and Free Energy at The Rickshaw Stop 2/24/10

foreign_born1
One Serious Dancing Band

My night ended on a couch in the city followed by 4 hours of sleep and a massive hangover. How was I supposed to know I was going to have so much fun on a Wednesday?

My day started off like any other. I worked, exercised, and went to The Rickshaw Stop. Doing these things took time and various levels of prep. What I neglected to do was include dinner. I thought, “No worries, you’re not actually hungry AND you’ll get drunk quicker.” I was definitely right about that last part. Continue reading “Noise Pop Show Review: Foreign Born, The Fresh and Onlys and Free Energy at The Rickshaw Stop 2/24/10”

Concert Review: The Kronos Quartet – Music From 4 Fences at Z Space @ Artaud, 2/24/10

The Kronos Quartet isn’t really the type of show we normally review.  There are no earplugs required, you’re sitting in seats and most of the audience is over 35.  In fact, it’s not even really a show, it’s more of a concert.  But Spinning Platters wanted to cover what they are doing this Noise Pop week; a West Coast premier of Jon Rose’s Music From 4 Fences along with music written by various musicians more well known in popular culture.  I especially couldn’t miss tonight’s offering: music composed by Damon Albarn of Blur and Gorillaz fame (the other artists showcased this week are listed here).  There were many things I expected from The Kronos Quartet, like professionalism and amazing talent and skill, but it was the surprises that make it an experience I highly recommend. Continue reading “Concert Review: The Kronos Quartet — Music From 4 Fences at Z Space @ Artaud, 2/24/10”

Noise Pop Show Review: Rogue Wave at Bottom of the Hill, 2/24/10

Ain't no party like a Rogue Wave party!

When a Rogue Wave show ends with a couple dozen people dancing on the Bottom of the Hill stage, you know a sea change has happened in the band. The press materials for the new album Permalight go into a lot of detail about this, but nothing in the press materials could prepare you for the new sounds coming out of the band: a little bit of dance (backing tracks?), a lot more volume, and some spirited takes on some old friends. Continue reading “Noise Pop Show Review: Rogue Wave at Bottom of the Hill, 2/24/10”

Noise Pop Show Review: Yoko Ono Plastic Ono Band with Deerhoof at The Fox Oakland, 2/23/10

I have spent a lot of time defending different artists in my day. Usually this is because, well, my tastes are difficult to define, to say the least. (Case in point: two of my early reviews, which happened one right after the other were this and this) But, the one single artist that I come to the defense of more than any other is Yoko Ono. Everyone has an opinion about her, and generally speaking, this opinion is pretty negative. The primary cause of this is most likely either a.) they blame her for the break up of The Beatles (I still think that this was Linda’s fault) or b.) they blame her for the widespread acceptance of the avant garde. I personally don’t hold her responsible for either of these things. I also think people either don’t take her seriously enough, or take her far too seriously.

I must give a respectful shout-out to the good people of Noise Pop for making this show happen. They took a chance at booking such a divisive figure for their opening night show, and it paid off pretty nicely.

Continue reading “Noise Pop Show Review: Yoko Ono Plastic Ono Band with Deerhoof at The Fox Oakland, 2/23/10”

Show Review: Fanfarlo at Great American Music Hall, 2/22/10

Fanfarlo entertaining a loving crowd.

Fanfarlo wants you to know that they are not nerds.  I‘m sitting with them in their supremely messy dressing room after their show to a packed audience at the Great American Music Hall while they go through press clippings from the local weekly papers.  “It’s all because Justin used to work at a bookstore and all he’d talk about was books,” Cathy the mandolin/violin player announces.  “We’re really not that bookish.”  When the cooler of drinks is empty, we migrate to the Hemlock before they have to wake up early to fly to Portland. Continue reading “Show Review: Fanfarlo at Great American Music Hall, 2/22/10”

Show Review: Vitalic at The Mezzanine, 2/20/10

Friday night I had my housewarming party. It was filled with Scotch and dalliances; to say the next day was rough would be an understatement. I had to use a strength rivaled only by Conan the Barbarian to get out of my bed. That morning also happened to be the day Vitalic was in town. Continue reading “Show Review: Vitalic at The Mezzanine, 2/20/10”

Show Review: Mavis Staples at Yoshi’s Oakland, 2/13/10

Mavis Staples testifying at Hardly Strictly Bluegrass in October 2009 (photo by Debra Amerson)

There was nothing conventionally romantic about soul legend/civil rights icon Mavis Staples’ Valentine’s Day weekend shows at Yoshi’s Oakland. But while the fleeting whimsies of romance may have been absent, they were replaced by something much more substantive: the fiercely passionate love, devotion, and commitment with which Ms. Staples, 70, has tackled her stirring, liberating material ever since she first began recording with her family band, The Staples Singers, sixty years ago.

Continue reading “Show Review: Mavis Staples at Yoshi’s Oakland, 2/13/10”

Show Review: Mumford & Sons at 330 Ritch (Popscene), 2/11/10

Here's Mumford, in a childless photo.

Popscene is known for getting its share of buzz bands on the way up. Marcus Mumford, lead singer of Mumford & Sons, the newest such band to grace the Popscene stage, commented on this as well.

“There’s a wall of fame downstairs, and it’s a bit intimidating.”

Will Mumford & Sons follow in the footsteps of such past performers like Muse, Bloc Party, Amy Winehouse, The Killers, and countless others? I’m guessing yes. I’m also guessing it’s not going to be cool to like this band in a few years. I should explain. Continue reading “Show Review: Mumford & Sons at 330 Ritch (Popscene), 2/11/10”

Show Review: Wild Beasts at The Independent, 2/11/10

I want to start this off by saying Wild Beasts were really appreciative of the sold out crowd at The Independent. They seem like really nice guys but man did I dislike that show last night.

The show started with a narration over some sort of noise that indicated an epicness was about to occur. The band had yet to take the stage and as this English narrator talked of nature and such, the band finally took the stage.

I wrote down in my notes, “I can already tell this is going to be a good show.” Continue reading “Show Review: Wild Beasts at The Independent, 2/11/10”