Show Review: Them Crooked Vultures with Mini Mansions at The Fox Oakland

Them Crooked Vultures @ The Fox
Them Crooked Vultures @ The Fox

There have been a few “supergroups” that came and went in the last few years, many formed from the remnants of the grunge generation looking to try out new sounds, such as Army Of Anyone (the members of Stone Temple Pilots headed by  Richard Patrick of Filter), Audioslave (the members of Rage Against The Machine headed by Chris Cornell of Soundgarden), or Velvet Revolver (Scott Weiland of the aforementioned STP fronting the remaining members of Guns N’ Roses). While all of the records are excellent in theory, in execution they don’t always live up to the names of the musicians writing the music on the records. The kind of supergroup that is likely to TRULY break the mold is one spanning multiple generations of music. In the case of Them Crooked Vultures, it’s three generations: the stoner-groove-rock of the 2000’s, the solid, angry blues-grunge of the 90’s, and the arena-level rock-n’-roll of the ’70s. Of course, these three genres would make sense, given that Them Crooked Vultures is composed of Josh Homme (Queens of the Stone Age / Kyuss), Dave Grohl (Foo Fighters / Nirvana), and John Paul Jones (Led Zeppelin).

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Show Review: Fuck Buttons with Growing and Chen Santa Maria at Bottom Of The Hill, 11/13/09

fuck_buttons
... and the horse they rode in on.

A noise-rock show is a different sort of animal than most musical performances that one usually attends: it’s mostly improvisational, there usually isn’t a wild light show, the performers hardly ever (if ever) look at the audience, and it’s about ten times louder than the last Muse concert you went to, even when you stood next to the P.A. and forgot your earplugs. It’s also likely that you will not be able to predict the level of fanaticism that will be inspired by even the slightest change in the steamroller of sound that is the band’s performance; the crowd could just as easily metamorphose into a frenzied circle pit as it could remain stock-still in silent contemplation of the wall of noise barreling through them. For Fuck Buttons, it ran the full gamut: loud, soft, crazed and quiet, and it was beautiful and destructive chaos all at once. Continue reading “Show Review: Fuck Buttons with Growing and Chen Santa Maria at Bottom Of The Hill, 11/13/09”

Photo Gallery: Paramore, Paper Route, The Swellers at The Warfield, 11/10/09

paramore

I usually never drink at shows. On occasion I might be up for a whiskey on the rocks, but rarely do I ever booze it up a show that I’m really into. I can’t tell you exactly why I decided to drink at this particular show; it could be because I was one of the handful of people over 21, or because I have the day off tomorrow (today) or whatever. The $7 it cost for a Red Stripe didn’t even deter me. It just felt like the right night to indulge, so I did. 2 beers, a whiskey on the rocks, and a shared Sex on the Beach with my companion later, I was thoroughly rocking out at the Paramore show.

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Show Review: Pixies with Rain Machine at The Fox Oakland, 11/8/2009

Here Comes Your Men (and Woman!) - The Pixies
Here Comes Your Men (and Woman!) - The Pixies

It’s been quite some time since the Fox Theater in Oakland had a show that generated such interest that it sold out within a month, and also multiplied itself to take place over an additional two nights. At the time of this writing, the first of those two extra nights is also completely sold out, and the second one is getting pretty close. What sort of band would have the magnitude to sell out the Fox Theater for three nights in a row? In May, the Allman Brothers Band did it; in mid-September it was Further, the new Grateful Dead project, and in a week, it will likely be all three nights of Widespread Panic. So, for this case, it must have been another famous jam band with thousands of followers. Right?

Wrong. Tonight, and for the next two nights, the Fox is owned by four Bostonians who helped write the book on modern alternative music: the Pixies, who are going to spend each night playing their landmark album Doolittle, along with its B-sides and an encore of their own devising.

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Show Review: Planet Booty at the Blue Macaw, 11/4/09

okay, so I was too busy dancing to take a good picture...
okay, so I was too busy dancing to take a good picture...

I love San Francisco.  I love the weather, I love the variety and I love that sometimes you can just go hang out with friends at a bar and see a really good show.  Not that I stumbled upon this show, I planned on going to see a friend perform, but I was very surprised with the overall quality of the performance.  And I love the idea that I could have just happened to walk into this bar and ended up sweating the night away watching the amazing dance party that is the band Planet Booty. Continue reading “Show Review: Planet Booty at the Blue Macaw, 11/4/09”

Show Review: Dropkick Murphys with Youth Brigade, The Flatliners and The Insurgence at The Fox Oakland, 11/6/2009

Dropkick Murphys and the girls of Oakland, CA
Dropkick Murphys and the girls of Oakland, CA

There are 3 prominent bands that exist in the punk rock world today who seek to bend the genres and performance styles of their music by adding instruments or melodies from folk- or worldly-sources to their one-two-three-go raucous sound. One of them is Irish/American collective Flogging Molly, who sings songs of olden times and forgotten friends; another is Gogol Bordello, the Russian/gypsy revivalists infused with New York punk attitude in their songs about revolution, celebration, and wandering the world.

The third band has a simpler message: we were rudely kicked over here, but we brought enough beer and whiskey to keep us entertained, so let’s stir things up a bit! This band, of course, is none other than Massachusetts’ own Dropkick Murphys, who came to stake their claim in this year’s set of magnificent punk rock shows at Oakland’s Fox Theater.
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Show Review: Puscifer with Uncle Scratch’s Gospel Revival at The Fox Oakland, 11/5/2009

Puscifer

Hey! Wait! That title looks awfully familiar. You mean to tell me that those troublemakers in Puscifer, the art/music/performance collective spearheaded by Maynard James Keenan of Tool/A Perfect Circle, were allowed into the Fox Theater for yet another night of mayhem, debauchery and… Wait, what’s that? Country music? No, Puscifer doesn’t play country music, they play industrial-experimental-electronic… What do you mean, the stage is built like the front of a Wild West house, complete with porch armchairs and old-style pop filter microphones?

Yes, Puscifer was back. Yes, they brought Uncle Scratch’s Gospel Revival back with them. But, no, it was not like the first night — as evidenced by the aforementioned set design, Puscifer had come back to play some old-fashioned country westerns. Well, old-fashioned is actually an incorrect term — after all, these were their own songs, although there’s probably some desolate corner of the world where these bastardized country ballads could be considered old-fashioned westerns.

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Show Review: Puscifer with Uncle Scratch’s Gospel Revival at The Fox Oakland, 11/4/2009

Puscifer02

Forget any expectations you have for the evening at hand. Leave them at the door, which, in the case of tonight’s show, is beset with a flock of confused, wary patrons, eyeing a man in an off-tan suit and taped-together sunglasses, who is armed with a megaphone. The man is Brother Ed of Uncle Scratch’s Gospel Revival, and he is begging, PLEADING for the patrons to not enter the Fox Theater tonight, to not forsake their own souls as the cost of attending this show which, according to him, can only be the work of the Devil himself.

Brother Ed should be scared. His rants, while facetious at their core, are somewhat justified. He and his band will be opening, tonight, for Puscifer.

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Show Review: Regina Spektor at The Fox Oakland, 10/30/2009

Sadly, the best picture I could get from the back of the room
Sadly, the best picture I could get from the back of the room

For some reason I always forget how good Regina Spektor is, but when the lights went down in The Fox Theater and the crowd went insane I felt a surge of pure joy and anticipation just like a die-hard fan.  Then when Regina, beaming at the crowd’s welcome, started into “The Calculation” I started to feel tears well up.  I may be over emotional this week, but still, it was one of those perfect moments that you just knew everything was going to be wonderful, at least for the next hour and a half. Continue reading “Show Review: Regina Spektor at The Fox Oakland, 10/30/2009”

Show Review: Noah and the Whale at Swedish American Music Hall, 10/22/2009

Should sell t-shirts that say sweater vests are sexy
Should sell t-shirts that say sweater vests are sexy

I decided to go to the Noah and the Whale show on a whim.  I have random hodge-podge of songs on my iPod, but I never listen to them.  But lately I had been hearing their name about, and English indie folk rock isn’t a risky genre for my entertainment.  So, I blew off my normal Thursday night choices (dinner with a friend and Project Runway) and headed out to the Castro for some music. Continue reading “Show Review: Noah and the Whale at Swedish American Music Hall, 10/22/2009”