setlist – Page 32 – Spinning Platters

Show Review: Pixies with Rain Machine at The Fox Oakland, 11/8/2009

Here Comes Your Men (and Woman!) - The Pixies

It’s been quite some time since the Fox Theater in Oakland had a show that generated such interest that it sold out within a month, and also multiplied itself to take place over an additional two nights. At the time of this writing, the first of those two extra nights is also completely sold out, and the second one is getting pretty close. What sort of band would have the magnitude to sell out the Fox Theater for three nights in a row? In May, the Allman Brothers Band did it; in mid-September it was Further, the new Grateful Dead project, and in a week, it will likely be all three nights of Widespread Panic. So, for this case, it must have been another famous jam band with thousands of followers. Right?

Wrong. Tonight, and for the next two nights, the Fox is owned by four Bostonians who helped write the book on modern alternative music: the Pixies, who are going to spend each night playing their landmark album Doolittle, along with its B-sides and an encore of their own devising.

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Show Review: Vampire Weekend at The Town Hall Theater in Lafayette, 11/7/09

vw-header — Vampire Weekend in a small town theater

When Vampire Weekend announced they were playing an all-California tour, and that tour would include the Town Hall Theater in Lafayette, CA, I immediately went to look up what this theater was. What I found was that it was a 200-seat local theater company’s home venue, and I knew right away that this show would sell out fast. Well thanks to my years of typing practice, I managed to get tickets when they went on sale a couple of months back. (There’s no magical press passes tonight — we had to sweat it out like the rest of you.) Imagine my surprise when we arrived to the theater to find that it was an all-seated show. Sit down for Vampire Weekend? Oh oh. Continue reading “Show Review: Vampire Weekend at The Town Hall Theater in Lafayette, 11/7/09”

Show Review: Dropkick Murphys with Youth Brigade, The Flatliners and The Insurgence at The Fox Oakland, 11/6/2009

Dropkick Murphys and the girls of Oakland, CA

There are 3 prominent bands that exist in the punk rock world today who seek to bend the genres and performance styles of their music by adding instruments or melodies from folk- or worldly-sources to their one-two-three-go raucous sound. One of them is Irish/American collective Flogging Molly, who sings songs of olden times and forgotten friends; another is Gogol Bordello, the Russian/gypsy revivalists infused with New York punk attitude in their songs about revolution, celebration, and wandering the world.

The third band has a simpler message: we were rudely kicked over here, but we brought enough beer and whiskey to keep us entertained, so let’s stir things up a bit! This band, of course, is none other than Massachusetts’ own Dropkick Murphys, who came to stake their claim in this year’s set of magnificent punk rock shows at Oakland’s Fox Theater.
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Show Review: Puscifer with Uncle Scratch’s Gospel Revival at The Fox Oakland, 11/5/2009

Hey! Wait! That title looks awfully familiar. You mean to tell me that those troublemakers in Puscifer, the art/music/performance collective spearheaded by Maynard James Keenan of Tool/A Perfect Circle, were allowed into the Fox Theater for yet another night of mayhem, debauchery and… Wait, what’s that? Country music? No, Puscifer doesn’t play country music, they play industrial-experimental-electronic… What do you mean, the stage is built like the front of a Wild West house, complete with porch armchairs and old-style pop filter microphones?

Yes, Puscifer was back. Yes, they brought Uncle Scratch’s Gospel Revival back with them. But, no, it was not like the first night — as evidenced by the aforementioned set design, Puscifer had come back to play some old-fashioned country westerns. Well, old-fashioned is actually an incorrect term — after all, these were their own songs, although there’s probably some desolate corner of the world where these bastardized country ballads could be considered old-fashioned westerns.

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Show Review: Puscifer with Uncle Scratch’s Gospel Revival at The Fox Oakland, 11/4/2009

Puscifer02

Forget any expectations you have for the evening at hand. Leave them at the door, which, in the case of tonight’s show, is beset with a flock of confused, wary patrons, eyeing a man in an off-tan suit and taped-together sunglasses, who is armed with a megaphone. The man is Brother Ed of Uncle Scratch’s Gospel Revival, and he is begging, PLEADING for the patrons to not enter the Fox Theater tonight, to not forsake their own souls as the cost of attending this show which, according to him, can only be the work of the Devil himself.

Brother Ed should be scared. His rants, while facetious at their core, are somewhat justified. He and his band will be opening, tonight, for Puscifer.

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Show Review: Art Brut with Princeton at Cafe Du Nord, 10/30/09 (Late Show)

When Art Brut comes to town, I get excited. Not only do I love the band, I also see them as the kind of band that tends to quit on the U.S. They blast onto the scene with the exceptional album Bang Bang Rock & Roll, and I saw them touring to promote that album four or five times. Their second album, It’s a Bit Complicated, was a relative disappointment. I’ve seen this happen with other British bands: their second album doesn’t perform well over here, and then I only get to hear about UK and European tours, sadly waiting for the one day they might return to our shores. Instead, Art Brut teamed up with producer Frank Black for the phenomenal Art Brut vs. Satan, and they have continued their attack on America. Continue reading “Show Review: Art Brut with Princeton at Cafe Du Nord, 10/30/09 (Late Show)”

Show Review: Melt-Banana with All Leather and We Be the Echo at Slim’s, 10/30/2009

ichirou — Ichirou Agata, guitarist of Melt-Banana

There were a great deal of shows to visit this All Hallows’ Eve’s Eve, ranging from electronica in arenas to punk rock in bars; despite the drastic number of shows involving bands that I’d seen on one-to-a-few occasions, it was Melt-Banana that I ended up seeing. It seemed rather appropriate; on the eve of the holiday most responsible for darkness, chaos and the warding off of evil spirits, what better occasion to see a trio of Japanese noise-punk musicians with their own sets of sonic banshee howls and thundering rhythms? Being an avid fan of experimental music and Japanese power noise, I had a feeling that this was going to be a rather exciting show; I was not prepared, however, for how wild it got inside.

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Show Review: Regina Spektor at The Fox Oakland, 10/30/2009

Sadly, the best picture I could get from the back of the room

For some reason I always forget how good Regina Spektor is, but when the lights went down in The Fox Theater and the crowd went insane I felt a surge of pure joy and anticipation just like a die-hard fan. Then when Regina, beaming at the crowd’s welcome, started into “The Calculation” I started to feel tears well up. I may be over emotional this week, but still, it was one of those perfect moments that you just knew everything was going to be wonderful, at least for the next hour and a half. Continue reading “Show Review: Regina Spektor at The Fox Oakland, 10/30/2009”

Show Review: Amy Millan and Bahamas at Cafe Du Nord, 10/28/09

Amy

When Amy Millan steps away from one of her band projects (Stars, Broken Social Scene), she morphs from indie chanteuse into a roadhouse country singer. There’s plenty of lyrics about drinking, loneliness and hitting the road. I knew right away that this would be a pretty mellow show, and I was definitely proven right by the end of the night. Continue reading “Show Review: Amy Millan and Bahamas at Cafe Du Nord, 10/28/09”

Show Review: Dead Man’s Bones at Bimbo’s 365 Club, 10/27/2009

Ryan Gosling directing the choir in front of the beautiful backdrop

Dead Man’s Bones is an interesting musical project brought to you by actor Ryan Gosling, of Mickey Mouse Club/Young Hercules/Lars and the Real Girl fame (what? The Notebook? What’s that?), and friend Zach Shields. It is dark gothic music accompanied by a children’s choir. It may sound kitschy and weird, which it is, but it is also wonderful and skillfully arranged. Underneath all the macabre cheese is a strong beating heart that keeps the project as more than a throw away joke. This show would silence any doubters. Dead Man’s Bones is a real, and excellent, band. Continue reading “Show Review: Dead Man’s Bones at Bimbo’s 365 Club, 10/27/2009”