Show Review: 311 at The Fox Oakland, 2/25/10

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He's letting you know that person is you.

The first time I saw 311 was at the tender age of 18. I stood staring in awe outside at the Justin Herman Plaza at a band I had only ever seen on a TV screen back when MTV still called themselves “Music” Television. My first live show, for free, and they played for at least two hours. It was a show totally worth skipping my early morning chemistry lab for. I walked away with each band member’s autograph written in black Sharpie on my arms. I felt so cool at the time.

Seven years later I find that 311 can still rock my world. Continue reading “Show Review: 311 at The Fox Oakland, 2/25/10”

Noise Pop Show Review: Rogue Wave at Bottom of the Hill, 2/24/10

Ain't no party like a Rogue Wave party!

When a Rogue Wave show ends with a couple dozen people dancing on the Bottom of the Hill stage, you know a sea change has happened in the band. The press materials for the new album Permalight go into a lot of detail about this, but nothing in the press materials could prepare you for the new sounds coming out of the band: a little bit of dance (backing tracks?), a lot more volume, and some spirited takes on some old friends. Continue reading “Noise Pop Show Review: Rogue Wave at Bottom of the Hill, 2/24/10”

Noise Pop Show Review: Yoko Ono Plastic Ono Band with Deerhoof at The Fox Oakland, 2/23/10

I have spent a lot of time defending different artists in my day. Usually this is because, well, my tastes are difficult to define, to say the least. (Case in point: two of my early reviews, which happened one right after the other were this and this) But, the one single artist that I come to the defense of more than any other is Yoko Ono. Everyone has an opinion about her, and generally speaking, this opinion is pretty negative. The primary cause of this is most likely either a.) they blame her for the break up of The Beatles (I still think that this was Linda’s fault) or b.) they blame her for the widespread acceptance of the avant garde. I personally don’t hold her responsible for either of these things. I also think people either don’t take her seriously enough, or take her far too seriously.

I must give a respectful shout-out to the good people of Noise Pop for making this show happen. They took a chance at booking such a divisive figure for their opening night show, and it paid off pretty nicely.

Continue reading “Noise Pop Show Review: Yoko Ono Plastic Ono Band with Deerhoof at The Fox Oakland, 2/23/10”

Show Review: Mavis Staples at Yoshi’s Oakland, 2/13/10

Mavis Staples testifying at Hardly Strictly Bluegrass in October 2009 (photo by Debra Amerson)

There was nothing conventionally romantic about soul legend/civil rights icon Mavis Staples’ Valentine’s Day weekend shows at Yoshi’s Oakland. But while the fleeting whimsies of romance may have been absent, they were replaced by something much more substantive: the fiercely passionate love, devotion, and commitment with which Ms. Staples, 70, has tackled her stirring, liberating material ever since she first began recording with her family band, The Staples Singers, sixty years ago.

Continue reading “Show Review: Mavis Staples at Yoshi’s Oakland, 2/13/10”

Show Review: Mumford & Sons at 330 Ritch (Popscene), 2/11/10

Here's Mumford, in a childless photo.

Popscene is known for getting its share of buzz bands on the way up. Marcus Mumford, lead singer of Mumford & Sons, the newest such band to grace the Popscene stage, commented on this as well.

“There’s a wall of fame downstairs, and it’s a bit intimidating.”

Will Mumford & Sons follow in the footsteps of such past performers like Muse, Bloc Party, Amy Winehouse, The Killers, and countless others? I’m guessing yes. I’m also guessing it’s not going to be cool to like this band in a few years. I should explain. Continue reading “Show Review: Mumford & Sons at 330 Ritch (Popscene), 2/11/10”

Show Review: Alice In Chains and Creature with the Atom Brain at The Fox Oakland, 2/11/2010

Alice In Chains from the balcony of the Fox Theater
Alice In Chains from the balcony of the Fox Theater

When last we left Oakland’s gorgeous Fox Theater, it was at the close of Wolfmother’s final screaming shreds. Two Disney concerts, two Norman Buffalo tribute shows, and one Temptations concert later, the Fox Theater needed to start its new year (having been open since February ’09) off with a bang. It therefore comes as little surprise that the grunge monsters of Alice In Chains were selected as just the right band for the task. Continue reading “Show Review: Alice In Chains and Creature with the Atom Brain at The Fox Oakland, 2/11/2010”

Show Review: Styx at the Regency Ballroom, 1/17/10

Up close and personal with the legends.

Styx gets a bad rap. They’re one of those punch-line bands that people claim to like ironically. This is both unfair and stupid. There’s a subset of great classic rock bands that are being kept out of the Rock & Roll Hall of Fame for having the gall to be too popular. Along with Journey, Kiss, Rush, Boston and Chicago, it seems that success and longevity have worked against them. No matter, though, because an evening with Styx is what rock n’ roll is really all about. Continue reading “Show Review: Styx at the Regency Ballroom, 1/17/10”

Show Review: Cracker & Camper Van Beethoven at The Independent, 12/28/09

I got there too late to really see the band...

Cracker is a good band.  They have nice fun upbeat songs, all the musicians are more than capable, their songs don’t all sound the same, and there is decent stage banter.  The music is pretty straight forward likable rock.  Much the same could be said about Cracker’s counterpart Camper Van Beethoven, especially since they basically have the same band members (take Camper Van Beethoven, subtract a violinist/guitarist and add a female back up singer to get Cracker).  There really is no logical reason not to enjoy their live show, yet somehow, I spent the entire evening vaguely wanting to die.  Why? Continue reading “Show Review: Cracker & Camper Van Beethoven at The Independent, 12/28/09”

Show Review: Brian Setzer Orchestra with Lavay Smith at The Warfield, 12/20/09

This cat brings his "vixens" out to play.

I emailed a friend talking about how I was about to see Brian Setzer, and she responded, “is he still around?” Well, thank goodness he is, because last week he collapsed on stage, making me wonder if the tour would go on. It got me looking him up on Wikipedia to see that he’s 50 years old, and that it was 15 years ago that he put out the first Brian Setzer Orchestra CD. He’s had a long and varied career, and he’s definitely still around. So how’s he holding up? Continue reading “Show Review: Brian Setzer Orchestra with Lavay Smith at The Warfield, 12/20/09”

Show Review: Rickie Lee Jones at The Fillmore, 12/19/09

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Rickie Lee Jones at the piano a few weeks ago

“Does she still look like Janice from The Muppets?” asked a friend when I mentioned I was seeing Rickie Lee Jones at The Fillmore last night. There’s certainly a resemblance, that’s for sure. It’s been 30 years since her chart-topping debut single, “Chuck E’s In Love,” but Jones, 55, is still very much the picture of laid-back, blonde, heavy-lidded California cool. And if she feels slowed down by age, she certainly didn’t show it during her marathon two-and-a-half-hour set.

Continue reading “Show Review: Rickie Lee Jones at The Fillmore, 12/19/09”