Show Review: Metalliance Tour featuring Helmet, Saint Vitus, Crowbar, Kylesa, Red Fang, Howl, and Atlas Moth at The Mezzanine, 4/3/2011

Page Hamilton, frontman of Helmet, the headliners of the Metalliance Tour
Page Hamilton, frontman of Helmet, the headliners of the Metalliance Tour

October 22nd, 2006. That was the final day for a San Francisco club known as The Pound, a smallish, low building stranded out in the middle of the dreary reaches of Pier 96 near Heron’s Head Park. For true metalheads of the Bay Area, it was a dark day in history, for no venue besides the Pound was better known for providing a consistent schedule of hardcore punk, furious grindcore, and every genre of metal under the sun (which, considering metal, is quite a lot). While larger clubs like Slim’s and the Regency Ballroom have stepped up to the plate to try and appease the hundreds of roaring voices that bellow out for the return of a good metal venue, they have been hard pressed to draw the same underground caliber that the Pound was able to pull in night after night. If the Mezzanine continues to host shows like Sunday night’s Metalliance Tour, however, then we may once again have a contender that fares well in the ring.

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Show Review: My Chemical Romance with Neon Trees and Architects at The Fox Oakland, 3/31/11

Fists in the air for My Chemical Romance

MCR!!!!  That’s all my fangirl heart was screaming while walking towards The Fox and the hoards of people, clad mostly in black, slowly making their way in to the theater.  Of course, I didn’t have a ticket, just a photo pass, but trivial details will not keep me from a show!  After a brief panic the ticket was procured and I made my way in and was amazed by the crowd already formed on the floor. By the excitement radiating through the room I could tell that this, the fourth time I’ve seen My Chemical Romance, was going to be the best. Continue reading “Show Review: My Chemical Romance with Neon Trees and Architects at The Fox Oakland, 3/31/11”

Show Review: Revolver with Hey Rosetta! and 7 Orange ABC at Rickshaw Stop, 3/11/11

Revolver giving us their sweet harmonies

Sometimes I like to know as little as possible when I go to shows, all I need is a recommendation from a friend of good taste and I’m off!  Seeing a great show from a band you know is fun, but even better is seeing a band you know nothing about and being blown away.  This show was one of those.

Show Review: The Dillinger Escape Plan in Yerba Buena Gardens at GDC, 3/2/2011

Oh, yes! 

Original Dillinger member Ben Weinman exhorts the crowd onward. Guitar above head in the middle of a song? Yes.

“Sometimes words just can’t express exactly how we feel. The deep complexity of our emotions is something I’ve always felt was better conveyed in song. Sometimes we are put into a situation that we don’t always know how to deal with quite right. Here’s my attempt at letting you know how I feel. All I can offer is my deepest thanks to everyone who sent a card, everyone who wrote about the situation in a zine, did a show, donated money at a show, or offered their sympathy to what amounts to be a stranger. You always put a smile on this cynical asshole’s face and helped me get through the hardest year of my life. I hope I’ll be seeing all of you soon.”

– From the liner notes of the Dillinger Escape Plan’s album Calculating Infinity by former bassist Adam Doll.

As Doll said, some emotions can’t be summed up neat and tidy through words. Sometimes what we feel can only be expressed through sound.

This is where the Dillinger Escape Plan excels. Continue reading “Show Review: The Dillinger Escape Plan in Yerba Buena Gardens at GDC, 3/2/2011”

Show Review: Stryper with Cry Wolf, Skinner and Radio Friendly at Avalon Night Club, 3/5/2011

Photos and review by: Alan Ralph @ConcertGoingPro

777 Lawrence Expressway in Santa Clara looks like any other nondescript building in any other shopping plaza.  Tonight however, there is a tour bus parked in plain view in front, and upon further inspection of the parking lot, there is a sign (from God?): “3-5 Stryper”.  Although the number “777” is not actually referenced by the Bible, the number “7” is traditionally associated with divine perfection.  So it is with little surprise that Stryper’s return to the Bay Area would be to the hallowed grounds known as the Avalon Night Club. Continue reading “Show Review: Stryper with Cry Wolf, Skinner and Radio Friendly at Avalon Night Club, 3/5/2011”

Noise Pop Show Review: Ben Gibbard at Great American Music Hall, 2/27/11

Ben Gibbard is called out by Bob Mould at Noise Pop

Closing the Noise Pop festival with solo acoustic shows from Ben Gibbard and Zach Rogue was the right choice. People flew in from Europe, skipped the Oscars, even skipped church for an a relaxing evening at San Francisco’s Great American Music Hall. The young crowd was a mix of experienced Noise Pop festival attendees and those that made last night’s show their select choice. Continue reading “Noise Pop Show Review: Ben Gibbard at Great American Music Hall, 2/27/11”

Noise Pop Show Review: Yo La Tengo with The Urinals at The Fox Oakland, 2/22/2011

Spin the Yo La Tengo Freewheel and decide the first set!
Spin the Yo La Tengo Freewheel and decide the first set!

Nearly a year ago to the day, the Fox Theater played host to the first big act of the 2010 Noise Pop Festival, which arrived in the form of Yoko Ono and the Plastic Ono Band. The group’s first arrival to the Bay Area was met with wild enthusiasm, and the set itself was a scene of sonic mass hysteria, with the warbles and shrieks of Yoko accompanying the wild swing and over-the-top rock of her backing band. It seems only fitting, therefore, that the following year needed to be kicked off in a similar manner — a night of balls-out rock, groovy jams, and snarling static chaos — which is probably the main reason why the New Jersey indie rock trio Yo La Tengo was invited to the Fox Theater for the first night of the 2011 Noise Pop Festival.

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Show Review: Gang of Four w/ Hollerado at The Fillmore, 2/19/2011

Gang Of Four: A mythical band that spawned many bands that are much more famous than themselves. They invented this so called “disco punk,” and nearly every band of the last decade has considered them to be a major influence. They have been name checked by They Might Be Giants in a song, Flea of Red Hot Chili Peppers admits to ripping them off on many occasions, and their blend of politics, danceable beats, and cold, angular guitar noise can be heard in bands as wide ranging as The Gossip, The Klaxons, and even a little U2. But what do they really mean to the world in 2011? They are back on the road with a new rhythm section, a new record, and are playing nearly everywhere.

Show Review: Three Nights with Godspeed You! Black Emperor

One of the few "official" photos of the Montreal collective
One of the few "official" photos of the Montreal collective

The weather on Saturday night in San Francisco was leaning on the side of foreboding by the late afternoon hours, with dark clouds ahead, scattered moments of showers and mist, and a vastly cold wind that was a stark contrast to the bright crispy winter days that the Bay Area had seen recently. By the time the sun dipped beneath the horizon on Saturday night, the cold and wet had amplified themselves and were coming to rest on a long line of people huddled together outside of the Warfield Theater. A large group of these people would brave the dry yet even colder evenings that followed at the Great American Music Hall. The weather was most appropriate for the mood and occasion, and for the band that was finally returning to San Francisco for the first time in over seven years: the Canadian post-rock octet known as Godspeed You! Black Emperor. Here were not the sunny glories of Sigur Rós, nor the numbing white noise of Mogwai; this was an experience that foretold the end of the world, the beginning of life, and everything in between, with eight musicians sounding like a symphony from worlds beyond.

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Show Review: Nicole Atkins, Cotton Jones, That Ghost at Cafe du Nord, 2/16/11

The beautiful Nicole Atkins and her much more beautiful hat.

Earlier that day, not knowing who Nicole Atkins was, I listened to two songs on YouTube.  On record, she has a strong, beautiful, and towering voice.  I would probably like it to Stacy Dupree, the lead singer of Eisley, every bit as pretty and powerful, but just a tad lower and a little more soulful.  It was enough for me to decide to check out the show that night.  I walked in expecting a well-defined showcase for that wonderful voice and a fairly relaxed atmosphere.  I’m not sure I received any of it,  but that isn’t necessarily a bad thing.

There’s always a war within a smaller venue show for an artist with a great voice.  Do you soften up everything else and let the voice shine, or do you just say forget it, and rock out?  I’ve seen both sides of the equation many times and have been disappointed by both.  Most often, I tend to side with the showcase of the voice.  When a voice is gorgeous, it almost feels  like a waste for it to be muddled by guitar, bass, and drums that are turned up too loud.  But tonight was a night for rocking, and that is, exactly what happened.

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