Show Review: Stone Temple Pilots at The Fox Oakland, 10/20/09

Watch the time go by ...
Watch the time go by ...

Stone Temple Pilots were considered a derivative band by people who never really spent much time listening to them. I know them to be a creative band with a distinctive sound, yet a rocky history.  Back in their heyday, you never knew what you were going to get.  Would Scott Weiland make it on stage?  Would he hit the notes?  Would the show be canceled?  Now, he appears to be straight as an arrow, and although I’m extremely happy he’s made it through to today, he’s lost a bit of his fire, as has the band as a whole. What’s it like when one of your old-time favorites cashes a paycheck in your presence? Continue reading “Show Review: Stone Temple Pilots at The Fox Oakland, 10/20/09”

Show Review: Moby and Kelli Scarr at The Warfield, 10/15/09

Oh no, I'm shredding again! Out of the doorway, like bullets on tin!
Oh no, I'm shredding again! Out of the doorway, like bullets on tin!

I first listened to Moby’s most recent record back in July. It’s an album called Wait For Me, and it’s a very calm album. I listened to it once straight through, and I was very disappointed. I thought it was kind of boring, and determined that I would probably never listen to it again. I didn’t think much about this fact until he announced tour dates, which was a surprise, since he didn’t play live to promote Last Night, which was a good, high energy dance record. I listened to it again, and concluded that I didn’t think that this was going to be a particularly good show if this was the material he was going to be focused on. Then, he pulled a fine rock star move. Continue reading “Show Review: Moby and Kelli Scarr at The Warfield, 10/15/09”

Show Review: Gogol Bordello at The Fox Oakland, 10/15/09

Between the pit and the constant movement on stage, photo opportunities were few and far between.
Between the pit and the constant movement on stage, photo opportunities were few and far between.

I was standing by the door into the floor last night when someone walked by, looked inside the floor section of the Fox Theater, and said, “Oh good, it’s a small venue.” I had the opposite reaction when I heard Gogol Bordello was playing the Fox, as it’s a big venue for them, and specifically for our time together.  Though I missed the Bottom of the Hill days, I did spend a few evenings with them at Slim’s, throwing back vodka shots and carrying Eugene Hutz around over my head.  How would the insanity of a Gogol Bordello show translate to this classic theater? Continue reading “Show Review: Gogol Bordello at The Fox Oakland, 10/15/09”

Show Review: A Hawk and a Hacksaw at The Independent, 10/9/09

Accordian solos don't get any cooler than this.
Accordion solos don't get any cooler than this.

Any trip to the Divisadero corridor always deserves a stop at one of the many excellent and inexpensive restaurant choices available. On this trip, the choice was half an order of BBQ chicken, mac ‘n cheese, and corn. I was still picking kernels out of my teeth when we walked in midway through the set of Damon and Naomi, the openers for the evening. The music was melancholy and wistful, with intertwining vocals from both musicians, Damon on acoustic guitar and Naomi on keyboards. I wasn’t too disappointed, but their brand of self-proclaimed “dream pop” wasn’t doing anything to help out my impending food coma. It was a surprise to learn that the duo did a stint on Sub Pop back in the mid-to-late 90’s. However, I wasn’t much into indie rock back then; rather, mainstream alternative, but that’s beside the point. The set ended a little after 10:00pm, and on to the waiting game. Continue reading “Show Review: A Hawk and a Hacksaw at The Independent, 10/9/09”

Show Review: Fran Healy & Andy Dunlop from Travis at The Swedish American Hall, 10/8/09

This photo speaks for itself
This photo speaks for itself

This event was billed as “An Evening with Fran Healy and Andy Dunlop from Travis: A Chronological Acoustic Journey Through the Travis Back Catalogue- Laugh Out Loud Stories, Scottish Accents, Handsome Scottish Men, Naked Torsos.” Although one of these things didn’t occur (the naked torsos) I’m not sure I can do a better job describing the show then they did, but here goes.

Continue reading “Show Review: Fran Healy & Andy Dunlop from Travis at The Swedish American Hall, 10/8/09”

Show Review: Andrew W.K. & Calder Quartet at Swedish American Hall, 10/7/09

Andrew W.K.'s back (in San Francisco)
Andrew W.K.'s back (in San Francisco)

The Swedish American Hall was host tonight to an experiment in both performance and audience, as Andrew W.K. brought Calder Quartet with him on a small tour to promote an album of piano improvisations called Cadillac 55. Standing outside the hall waiting on some friends, I watched the crowd go in. First, I saw some former meatheads who made up much of Andrew W.K.’s audience during his major label days. Then I saw a large group of senior citizens go in, having come to see the Calder Quartet, who are a reknowned classical group. And of course, there was a large music nerd contingent. So how would all of this mix? Continue reading “Show Review: Andrew W.K. & Calder Quartet at Swedish American Hall, 10/7/09”

Show Review: Fever Ray at The Regency Center

Fever Ray

A friend of mine and I were having a discussion about what makes a show a “good” show, or a “great” show, and what makes for an “incredible” show. We came to the following consensus: a “good” or “great” show is one you go to because you know and love the band, and you will be there to sing every note of their songs until your throat is hoarse. An “incredible” show may include elements of a “great” show, but more often than not, it will be more than 50% surprise and unexpectedness; it’s even more incredible when it is able to knock even the casual listener off their feet.

So, to preface this review: Fever Ray gave an incredible performance. Continue reading “Show Review: Fever Ray at The Regency Center”

Show Review: Kylie Minogue at The Fox Oakland, 9/30/09

The stage was hardly big enough to contain Kylie's show.
The stage was hardly big enough to contain Kylie's show.

First off, a spoiler warning.  Although usually seen in movie reviews, I think one applies here.  If you don’t want to know what songs she played, how many costume changes there were, and how she reworked some of her classic songs, then read no further.  If, on the other hand, you want to know what’s coming soon, or you aren’t going to have a chance to see for yourself, jump on board, take a ride, yeah. Continue reading “Show Review: Kylie Minogue at The Fox Oakland, 9/30/09”

Show Review: The Postmarks and Saturday Club at Hotel Utah, 9/29/09

Swirling lights kept the lead singer in the comfortable darkness.
Swirling lights kept the lead singer in the comfortable darkness.

It will be a bit surprising to regular readers of this site that last night was my first ever visit to Hotel Utah, but I finally made it over there to see The Postmarks and Brookville for an early Tuesday night show. When I arrived, a sign announced that Brookville’s lead singer had a family emergency, and instead, the other members of the band would be performing as Saturday Club.  Having never heard Brookville before, I found myself unable to be too disappointed, although I had been hoping to check them out as well. Continue reading “Show Review: The Postmarks and Saturday Club at Hotel Utah, 9/29/09”

Show Review: Rain Machine, Diane Cluck at The Independent, 9/28/09

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When TV On The Radio announced that they were going to “take a break for a year or so,” every music critic on earth wept. Mostly because we are going to go through 2009 and 2010 without a bona-fide record of the year. Yes, TVotR released the best records of 2004, 2006, and 2008. (All apologies to 2002’s OK Calculator- you were still finding your footing.) But I believe that after all that hard work and genius deserves a vacation. I’d rather the band take a break now than break up completely later.

It seems that these guys don’t take vacationing very well. David Sitek has been taking on many extra production assignments, and vocalist Tunde Adebimpe is working on a record with Mike Patton. Despite all this, the prize for the quickest end to the vacation goes to guitarist/harmony vocalist Kyp Malone. Merely five weeks after the announcement of the break, Malone released a solo album called Rain Machine and quickly assembled a four-piece backup band to take it on the road. This show at The Independent marks the fourth performance of this band with an audience.

Continue reading “Show Review: Rain Machine, Diane Cluck at The Independent, 9/28/09”