Cracker is a good band. They have nice fun upbeat songs, all the musicians are more than capable, their songs don’t all sound the same, and there is decent stage banter. The music is pretty straight forward likable rock. Much the same could be said about Cracker’s counterpart Camper Van Beethoven, especially since they basically have the same band members (take Camper Van Beethoven, subtract a violinist/guitarist and add a female back up singer to get Cracker). There really is no logical reason not to enjoy their live show, yet somehow, I spent the entire evening vaguely wanting to die. Why? Continue reading “Show Review: Cracker & Camper Van Beethoven at The Independent, 12/28/09”
Tag: set list
Show Review: Brian Setzer Orchestra with Lavay Smith at The Warfield, 12/20/09
I emailed a friend talking about how I was about to see Brian Setzer, and she responded, “is he still around?” Well, thank goodness he is, because last week he collapsed on stage, making me wonder if the tour would go on. It got me looking him up on Wikipedia to see that he’s 50 years old, and that it was 15 years ago that he put out the first Brian Setzer Orchestra CD. He’s had a long and varied career, and he’s definitely still around. So how’s he holding up? Continue reading “Show Review: Brian Setzer Orchestra with Lavay Smith at The Warfield, 12/20/09”
Show Review: Rickie Lee Jones at The Fillmore, 12/19/09
“Does she still look like Janice from The Muppets?” asked a friend when I mentioned I was seeing Rickie Lee Jones at The Fillmore last night. There’s certainly a resemblance, that’s for sure. It’s been 30 years since her chart-topping debut single, “Chuck E’s In Love,” but Jones, 55, is still very much the picture of laid-back, blonde, heavy-lidded California cool. And if she feels slowed down by age, she certainly didn’t show it during her marathon two-and-a-half-hour set.
Continue reading “Show Review: Rickie Lee Jones at The Fillmore, 12/19/09”
Show Review: Lady GaGa, Kid Cudi, and Semi Precious Weapons at The Bill Graham Civic, 12/14/09
So, this Lady GaGa thing is kind of crazy isn’t it? I mean, this record came out Summer 2008, but it wasn’t until a year later when it seemed that she was everywhere. In a world where there really isn’t any such thing as “mainstream” anymore, there is a possibility that she might be the last big pop star. This was supposed to be a tour where she was playing second fiddle to Kanye West, but for one reason or another (I’d like to think that it’s God’s will) Kanye opted not to travel, giving Lady GaGa the chance at a victory lap.
Show Review: Carla Bozulich’s Evangelista with Late Young at Hemlock Tavern, 12/12/09
Evangelista is the latest (and longest) incarnation of the restless musical mind of Carla Bozulich, the extraordinary, genre-busting singer/songwriter whose career dates back over two decades. She was a member of the seminal industrial band Ethyl Meatplow before forming The Geraldine Fibbers, whose tragically brief output consisted of two of the most magnificent albums of the ’90s, Lost Somewhere Between the Earth and My Home (1995) and Butch (1997), before disbanding. It was at this point that Bozulich began veering in a more “experimental” direction, in which she continues to create strange and harrowing new sounds.
There’s just one problem: I’m a die-hard Fibbers fan with no tolerance for so-called “experimental” music. Granted, this is my problem, not hers. But whenever I’ve listened to her post-Fibbers output, whether it be Scarnella, Evangelista, or her full-length reinterpretation of Willie Nelson’s Red Headed Stranger, I’ve longed for even a hint of the torch-twang-punk brilliance of the Fibbers. And so, I walked into her show at the Hemlock last night with resigned pessimism. I was thrilled to finally witness Carla singing live, but was bracing for an hour of free-form noise and distortion. Oh, how I hate being wrong.
Live 105’s Not So Silent Night: Muse, AFI, 30 Seconds To Mars, Vampire Weekend, Metric, Scene Of Action at Oracle Arena, 12/11/09
Radio-sponsored concerts exist for multiple reasons. The first reason is, well, to make money. Since Nielsen-based ratings aren’t the most precise way to go, often times the best way to prove to advertisers your worth is to put on a big show that’s promoted by the station, and use those numbers to bring in big money for the commercials. The other, more dignified reason, is as a thank you for the listeners. It gives them a more hands on experience with the music they’ve grown to love by supporting their local radio station. I’ve been to many of these kinds of shows in my life, and I generally think that they are a pretty good time. Sometimes, though, they can be a bit too erratic to truly enjoy, much like most commercial radio. If there was any problem with this year’s show, it’s that the music was, stylistically, a little too varied for a common night. When the two bands that share the most similar influences are Vampire Weekend and AFI, you know it’s going to be a strange night.
Show Review: The Gossip with Passion Pit & Hey Champ at The Mezzanine, 12/10/09
When it’s a dual-headlining show I never know what to expect. Despite the great line-up, this one had two strikes against it to start: being at the Mezzanine and being sponsored by Live105. Not that I hate either of those things in and of themselves, but both tend to bring out people I am not so fond of. That was definitely true again, as a member of the Spinning Platters senior staff was accosted by a drunk concert-goer, making the evening seem unsuccessful and awful. But everything that went wrong in the Passion Pit portion of the evening (drunk bitches included), all became better in The Gossip portion. Passion Pit should take notes. Continue reading “Show Review: The Gossip with Passion Pit & Hey Champ at The Mezzanine, 12/10/09”
Show Review: Arctic Monkeys with Screaming Females at Terminal 5, 12/10/09
I’m in New York this week for some family stuff, and dinner went too late on Thursday night to try to pay over $100 for some Broadway tickets, so while looking for something to do, I came across the Arctic Monkeys show happening across town. A friend of mine had flown out from San Francisco solely to see their two shows in town, and I asked her what the scene was like, and she made it sound like a good idea. So my first full Arctic Monkeys set was going to be a spur of the moment thing. Continue reading “Show Review: Arctic Monkeys with Screaming Females at Terminal 5, 12/10/09”
Show Review: Marié Digby with Alpha Rev at The Hotel Utah, 12/9/09
The Hotel Utah may very well have been an early stop on a train just beginning its journey. One might have considered Marié Digby’s cover of Rihanna’s “Umbrella” in 2007, which is now up to almost fifteen million views on YouTube, a sort of one destination train. Yes I did say fifteen million. A gold record is five hundred thousand units sold, and platinum is one million. Granted these were one time views and not purchases, but if I owned a record label, those are numbers I simply could not ignore. Since 2007, Marié Digby has been busy releasing two albums, one in Japanese, to some fanfare. While her new record, Breathing Underwater might eventually garner up enough interest to fill up a train station, it was enough to completely stuff a venue up so much so, that you could not even get into the room she was performing in. Continue reading “Show Review: Marié Digby with Alpha Rev at The Hotel Utah, 12/9/09”
Show Review: Morrissey at The Paramount Theater, 12/02/2009
Alternate titles for this post are:
What, no shirt?
and
The View From the Back of the Balcony
So, tonight I saw Morrissey for somewhere between the 15th and the 20th time. I lost count during the 2007 tour when I followed him around California and saw almost all the shows he played there, plus two in Reno. Continue reading “Show Review: Morrissey at The Paramount Theater, 12/02/2009”