Show Review: Peter Hook and The Light performing Unknown Pleasures at The Mezzanine, 12/10/2010

Peter Hook of Joy Division/New Order
Peter Hook of Joy Division/New Order

2010 has been a year for a different kind of performance: the full-album gig. While not necessarily filled with the same wonder and anticipation that your more common setlist will contain, a full-album set guarantees the kind of rapt excitement that comes with knowing that your favorite songs from that record will all be played, and the surprises at the end of the set become that much more exciting. There have been a few artists who selected the albums that truly defined their careers — Weezer performed their classics, the Blue Album and Pinkerton, and Roger Waters recreated The Wall with modernized visuals and ideas, capturing much of the same excitement and wonder that had accompanied the album upon its release in 1979. In the case of Peter Hook, co-founder and bass guitarist of the seminal post-punk masters Joy Division and New Order, Friday night’s performance at the Mezzanine was truly the best time and place for a full performance of Unknown Pleasures, the album that began Joy Division’s career, and the only record to be released before the death of their singer, Ian Curtis, in 1980.

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Show Review: Nitzer Ebb with //TENSE// at The Mezzanine, 11/11/2010

Douglas McCarthy of Nitzer Ebb
Douglas McCarthy of Nitzer Ebb

When it comes to the category of music known as “industrial rock”, there are a wide variety of definitions and interpretations. One constant seems to be an influx of heavy analog synth pulses, machine-gun-precise drumbeats, snarled vocals, and a collection of black-clad, morose musicians, often pounding away at keys or writhing to the underworld rhythms. Being that industrial bands often share these similarities, it is reasonable that one could go to an industrial show with little prior knowledge of the main group, and still enjoy themselves as they were mostly certain of what the evening would be like. With the Essex EBM trio of Nitzer Ebb, however, the darkness and somber attitudes are shrugged off, in favor of a minimalist but wildly energetic performance that got even the moodiest rivetheads in the audience up on their feet and defying gravity in favor of the industrial masters’ performance.

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Show Review: Marnie Stern, Grass Widow at The New Parish, 11/4/10

Marnie Stern us the kind of performer that people are desperate to describe in a single sentence. They usually toss together the name of a well known riot grrl band of some sort (Sleater-Kinney, Bikini Kill, etc) with a highly skilled male musician (Eddie Van Halen, Robert Fripp, Les Claypool, etc). Although I understand how quick comparisons like this make it easy to market a musician, I feel that Ms. Stern is much greater than that. Her influences are widely varied, and her skill is incomparable.

The surprisingly small crowd on a surprisingly warm November night that came out to see her last night at The New Parish got to experience an impressive show of musical heroic, but I’m getting ahead of myself.

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Show Review: Two Days with Florence & The Machine

louder than sirens, louder than bells
louder than sirens, louder than bells (photo by Anna Garcia)

In the past two years, a number of new artists have suddenly sprung out of the woodwork of obscurity and made headlines and huge sales numbers with their debut records. The staying power of these acts is often questionable; the general musical mood of the public at large shifts so quickly, so often, that it is even more difficult than ever to ensure that one is not lost in the tide. In the wake of diminishing record sales, a band must tour to really gain their followers, and must, at every single show, captivate and amaze their audience, leaving no doubt of their staying power within their minds.

For someone like Florence Welch, this is absolutely no contest. She has a voice that can move mountains.

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Show Review: Shakira at Oracle Arena, 10/22/10

Shakira first became known to most of the world in the late 90’s as Columbia’s answer to Alanis Morissette. She was young, very pretty, yet very angsty. She even had the same hairdo as Alanis. As time went on, she has managed to move far beyond this, both visually & sonically. She is now one of those rare celebrities is recognizable in nearly every country in the world, and has pulled off what very few people can do: She has managed to become a pop music superstar. And she did it in the last decade, at a time when nobody was breaking out into this kind of territory. Even more impressive is that she’s done it as a musician, not some sort of business person that has musician as one of several hyphenates. It’s been a long time since we’ve gotten a stage show from her, in fact it’s been about 4 years since her last tour, and 7 years since she last graced Oakland with her presence.

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Show Review: Jónsi with Mountain Man at The Fox Oakland, 10/19/2010


Go scream, do shout // Make an earthquake
Go scream, do shout // Make an earthquake (photo by Paige K. Parsons)

The Icelandic quartet known as Sigur Rós has offered its fans, and concertgoers everywhere, some of the most emotionally-gripping, beautifully destructive, and downright astonishing shows that they will ever experience in their lives. I personally cannot think of a single show that I have seen that came close to the breath-catching feet-out-from-under-me sensation that overwhelmed me the first time I watched the band perform, at a 2,000-seat theater in Marin — possibly the most intimate setting they have allowed themselves to be contained within on this side of the Atlantic. It is only natural, therefore, to expect a show of similar caliber from the solo career of Jón “Jónsi” Þór Birgisson, the ethereal and mesmerizing vocalist of Sigur Rós.

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Show Review: Biffy Clyro with Picture Atlantic and New Diplomat at Rickshaw Stop, 9/28/2010

Shirtless Muppets? Scotish rock band? You make the call!

Put a giant band in a small club in a faraway land, and you never know what you’re going to get, or who’s going to show up. I was surprised when I walked into the Rickshaw Stop to see the sort of people I wouldn’t expect at a hard rock show. In SF parlance, we call them “Marina types,” where I had thought the place to be filled with anglophiles and socially awkward rocker types. By the end of the night, all would become clear. There aren’t a lot of Biffy Clyro fans in San Francisco, and this show won’t go too far for upping that count. Continue reading “Show Review: Biffy Clyro with Picture Atlantic and New Diplomat at Rickshaw Stop, 9/28/2010”

Show Review: The Flaming Lips with Ariel Pink and Thee Oh Sees at The Fox Oakland, 10/1/2010

Everything's exploding!
Everything's exploding!

By this point in time, the average music fan who knows about The Flaming Lips and their colossal live shows has probably heard absolutely everything. This is not simply referring to the vast amount of positive-sounding adjectives and awestruck expressions on the faces of fans, but, moreso, the absolute hugeness of their performances. It seems only appropriate to give them as great a berth as possible, in order to have some hope of maintaining the glorious, wonderful chaos that is a Flaming Lips concert; thus, it was bizarre but also incredibly exciting to the Bay Area when the band announced that they would be playing in Oakland’s majestic Fox Theater. Demand was so high that tonight’s show sold out within days; this prompted a second date to be added, with a new set of opening acts. Frontman Wayne Coyne, in his pre-show address, commented that the theater was gorgeous, and that for their next tour, they would attempt to play on the ceiling itself.

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Show Review: X Japan with Vampires Everywhere! at The Fox Oakland, 9/28/2010

Toshi (vocals), Sugizo (guitar) and Yoshiki (drums) of X Japan
Toshi (vocals), Sugizo (guitar) and Yoshiki (drums) of X Japan

While there are many international artists who have made their way, as the expression goes, “across the pond” and have done well in America, most of them do so by bringing a similar formula of what is popular in today’s music and blending in before anyone realizes that they’re “not from ’round here.” The artists who stick to their own form of a creative mold and are unique and unchanging in their ways can either make or break their careers when they land on U.S. soil; some of them, indeed, will stay on the other side of the world for their entire career, despite the cult following that might have simmered into existence on this side of the States. Tonight, however, one of these artists not only came to this country for their first stateside tour, but it was on the tails of an incredible reunion tour after almost twelve years of absence from the musical world. For the first time in their career, X Japan, arguably one of the biggest acts in the country’s history, has come to the U.S. to tour — and boy, were we ready for them!

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Show Review: Vampire Weekend with Beach House and The Very Best at The Greek Theater, 9/25/10

The audience does the official "Mansard Roof" dance

It was a beautiful night at the Greek Theater, warm and clear, something that hardly ever happens in my experience.  For my fourth time seeing Vampire Weekend this year, it was yet to be seen if this show would be something different, or more of the same.  Either way I was sure to not be disappointed. Continue reading “Show Review: Vampire Weekend with Beach House and The Very Best at The Greek Theater, 9/25/10”