set list – Page 12 – Spinning Platters

Show Review: Andy Grammer with Ryan Star and Rachel Platten at Great American Music Hall, 1/15/2012

Until recently, I barely knew the names Andy Grammer or Ryan Star. Rachel Platten, however, was a name I knew – I’d just seen her open for the musically delicious Keaton Simons back in October. Adorable, charming, and a catchy singer-songwriter, I made a mental note to review her set next time she came to the Bay Area. Which is how I found myself researching the likes of Ryan Star and headliner Andy Grammer last week, in preparation for last night’s show at SF’s Great American Music Hall. I knew a song or two from each guy (“Start a Fire” and “Breathe” from Mr. Star, and last year’s catchy hit “Keep Your Head Up” from Andy), all of which I liked enough to get excited to discover new tunes. As it turned out, the show would exceed my expectations tenfold. Continue reading “Show Review: Andy Grammer with Ryan Star and Rachel Platten at Great American Music Hall, 1/15/2012”

Show Review: Devo with The Punk Group at the Fillmore, 1/14/2012

While there is all manner of serious business involved in a tour, a concert, or even a single small show at a tiny club down the street, there’s no reason to think that the performers involved can’t have a sense of humor about their craft. To enter a career where one spends a great deal of time under a many-headed microscope, subject to all form of criticism and judgment, it’s a stifling gig to churn out a repetitive set, stick to the shadows, and keep your eyes to the floor as if you’re just waiting for the experience to end. It makes far more sense to abandon that sense of self-severity in the name of fun and celebration, to embrace the rock concert as the spectacle it has always been revered as, and to explode with enthusiasm for every minute of the evening. This is a job best suited for seasoned veterans, as well as musical acts that decide to live outside the realms of defined genres and formulaic sounds — and the Akron, Ohio quintet known as Devo proved themselves more than up to the task.

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Show Review: Matthew Sweet at Yoshi’s – SF, 12/27/11

Comedian Greg Behrendt does a bit about the “grown up rock show.” A show where everyone is over 25, the band only plays hits, and the show is over in time for you to get home and watch Law & Order. No openers, no new material. It seems that the trend that’s been brewing for the last 5 years or so of playing a classic album front to back was inspired by this concept. The Matthew Sweet show at Yoshi’s, featuring Girlfriend in it’s entirety, definitely felt like this. There were few people in the crowd under the age of 30. Everyone showed up on time, a show that started at 8 PM on the nose, and ended shortly after 9:30. And it was beautiful.

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Show Review: Live 105’s Not So Silent Night 2011 at Oracle Arena, Friday, 12/9/11

You know what’s great about living on Oakland, CA? You never know when you are going to end up at a Green Day concert. This was the second time that I saw Green Day play without even knowing that they were going to be performing until early evening that day. I highly recommend keeping your ears open fellow bay area folks, because these are their best sets. And, anyone that made it out to Live 105’s Not So Silent Night were treated to the best.

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Show Review: Peter Murphy and She Wants Revenge with Hussle Club and Reckless in Vegas at the Fillmore, 12/4/2011

When one dips into the dark nebula of the world of post-punk, they are likely to find a world that seems to live between a variety of different spaces that make up the more solidly-defined genres of classical music. Songs can shift in intensity unexpectedly, from a thrashing fury that encourages stomping and raised fists, to a slow, steady groove that tempts even the toughest of those aforementioned rockers out onto the dance floor, and often times the two are well intertwined. It is one of the only genres that can be accurately applied to a band and not immediately subject them to a small pigeonhole of a classification, for enough acts have graced the scene throughout the decades that the label “post-punk” is sure to conjure up a plethora of images in one’s mind at first thought. Therefore, as a nod to how wide the span and definition has shifted over the last 30 years, two acts were chosen to kick off December at the Fillmore with an evening of shadowy, danceable mayhem: the Los Angeles duo known as She Wants Revenge, and Peter Murphy, best known as the frontman of Northampton goth rock godfathers Bauhaus.

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Show Review: Noah and the Whale with Nikki Lane at Great American Music Hall, 11/21/11

When I walked in to The Great American Music Hall the energy was already strong. It was one of those fanatic crowds where, even though it wasn’t sold out, everyone was pushed up against the front of the stage. I have seen Noah and the Whale twice before, but never had there been people so excited to see then like there was at this show. The energy was immediately infections and I stood impatiently with the rest of the crowd, pressing as close as I could to the stage. Continue reading “Show Review: Noah and the Whale with Nikki Lane at Great American Music Hall, 11/21/11”

Show Review: An Evening with Pink Martini featuring Storm Large at the Paramount Theatre, 11/20/2011

Storm Large fills in brilliantly for China Forbes

It’s very easy to get lost in the concert scene with a want to see the greatest technological innovation in stage design or the wildest antics ever displayed by an up-and-coming act — so much so that the music, quite sadly, sometimes gets lost in the struggle. Venues are built with impressive sound systems that make the foundations shudder and quake, and incredible arrays of lights, lasers and smoke work in tandem to paint a dazzling dreamscape over the faces of the musicians onstage — and that’s not taking into account any props they may, themselves, throw in for an extra layer of excitement. While it’s probably more common to forego a want of musical satisfaction in the face of a bombastic display of utter chaos that takes us to another world, it is important to find those special acts who take the stage with a minimum amount of fancy arrangements and eye candy, instead devoting their attention to their elegant sound that rings gloriously about the ears like a breezy summer susurrus rather than a blistering sirocco. To these expert talents, we look to the Portland collective known as Pink Martini to bring us back to a world of music so often heard in our daily lives that it seems impossible to fully appreciate it on a stage, or in a tremendous theater like the Paramount in Oakland — and they rise to the challenge magnificently, particularly with frontlady Storm Large taking a new place at the helm.

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Show Review: They Might Be Giants with Jonathan Coulton at The Fillmore, 11/12/11

tmbg5 — John Linnell of They Might Be Giants

After an inexplicable ten years without seeing They Might Be Giants, I got to the Fillmore early to get that spot right up front just like I remembered. What I wasn’t sure of was if I would still hear my favorite song and would the two John’s still rock it like crazy. Lucky for me, and hopefully everyone else at the sold out show, everything I hoped for happened, plus even more. Continue reading “Show Review: They Might Be Giants with Jonathan Coulton at The Fillmore, 11/12/11”

Two Evenings with Amanda Palmer and Neil Gaiman: The Brava Theater and the Palace of Fine Arts, 11/2/2011 and 11/4/2011

If there is one subject that art constantly draws its attention to, it is love. It is a beautiful and terrible thing, utterly perplexing and impossible to define or simplify, and poets, painters, writers and musicians the world over have attempted its expression for a long as human history can recall. It is a funny concept, because it often takes the joyful, numbing jitters one feels in moments of tender intimacy, and pairs them up with the glorious, whooping sensation of a fiery passion to run to rooftops and scream your newfound devotion to the world below. Artists who know and have felt these moments of indescribable sense have done their best to bring forth their craft and communicate both sides of that spectrum, and everything in between, in their chosen mediums. It stands to reason, therefore, that two artists, both experts at their craft and both devotedly, passionately in love with another, will craft some of the most fantastic, loud and rambunctious work, while also taking moments of elegant poise, and charmingly stumbling between the two along the way. Such a scene was set and displayed with jubilant wonder by the couple that graced San Francisco with their presence for two separate nights: literary and screen writer Neil Gaiman, author of American Gods, Stardust and Coraline; and his wife, mindbending songmistress Amanda Palmer, the frontwoman of The Dresden Dolls.

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Show Review: Mastodon with The Dillinger Escape Plan and Red Fang at The Warfield, 11/3/2011

With a musical movement like metal, being significant, staying relevant, and still having room to experiment while perfecting your craft is always a difficult combination of skills to possess. The genre calls for solid commitment to unyielding volume, viciously downtuned notes and hellish distortion, with vocals that span from the powerful to the deranged, and lyrics that cross a general spectrum of darkness, mayhem, and more-than-mild discontent. To introduce any additional elements into this equation makes a solution extremely difficult to arrive at, but for the Atlanta metal masterminds of Mastodon, experimentation is simply the bolt of lightning that breathes life into their compositions, which have not at all dwindled in their ferocity from album to album.

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