Put Your Hands Together turned out to be the perfect start to my 2016 Sketchfest experience. It was a room full of friendly people and a lot of great stand up comedy. I had become a fan of the hosts, Cameron Esposito and Rhea Butcher after seeing them at You Made it Weird with Pete Holmes last year and was excited to get the chance to see them again. Now I am so happy I did.Continue reading “SF Sketchfest Review: Put Your Hands Together at Cobb’s, 1/8/16”
Star Wars! Star Wars! Star Wars! Star Wars! Can you believe it? It’s difficult to believe! But it’s here! This week! B… [cough]… it’s… it’s been… a long time since it was possible to look forward to a Star Wars anything. It’s here! Extraordinary feelings.
We’re less than six weeks away from the Bay Area’s premiere music and tech conference, SF MusicTech Summit. Returning to San Francisco for the seventeenth (!) time, this must-attend gathering attracts top experts, developers, entrepreneurs, investors, and musicians from all around the globe. One year ago, organizers Brian and Shoshana Zisk declared that they would be retiring the event. However, due to popular demand, they’ve brought it back.
There’s never been any debate over the fact that English new-prog, Pink-Floyd-meets-metal band Porcupine Tree is Steven Wilson, in both part and in whole. While comprised of a core set of musicians that have contributed to the writing, recording, and touring of the many records forged over its career, Porcupine Tree started as a project for Wilson alone to craft music; in fact, at its very beginning, it was a made-up legendary rock band with its own fake history and discography that Wilson had penned with a colleague back in the late 1980s. Twenty years later, Wilson has put his primary project on a shelf (Porcupine Tree has been on hiatus since 2010) and shifted the attention to his own “solo work”. Lest the reader shy away from the often-wary prospect of a frontman deciding to carve out his own path, Wilson’s output has been nothing short of spectacular, now spanning the length of four albums which demonstrate a remarkable leap in creativity, songwriting, and production with each successive release. Hot off the heels of his recently-released Hand. Cannot. Erase., Wilson returned to the Bay Area on Sunday night for a live performance with his new touring band, and the result was a gorgeous, stunning display of musicianship and sonic texture that shook the walls of the Warfield for over two hours.
In 2010, Faith No More returned to their hometown of San Francisco to play three ferocious, wildly-anticipatedconcerts that marked their first appearance in the Bay Area since their disbandment in the late 90s. The general reaction, from the most hardcore fans to the relatively casual listeners, was extremely positive, albeit with the lingering curiosity of “…but what’s next?” After a handful of tours, a smattering of festival appearances, and two years of almost total silence — during which the prolific band members worked on some of their other projects, as well — something more official surfaced in the latter half of 2014, in the form of two new songs: the slow-stalking “Motherfucker” and the chugging, anthemic “Superhero”, both of which showed up in their live sets that year. Now, with their seventh album Sol Invictus soon to arrive in record stores, and a mountain of tour dates taking up their schedule this year (paired with everyone from ANTEMASQUE to Refused), it seemed like the perfect time for Faith No More to return to the Warfield — this time with two shows, instead of three — and their transformation in the last five years is not only palpable, but an utter delight to witness.
“If you’re going to San Francisco, be sure to wear some flowers in your hair.” The song that helped launch the infamous Monterey International Pop Music Festival in the ’60s could easily be applied to the crowded show room floor at the Chapel. San Franciscans tend to bemoan bygone eras without realizing that certain acts and underground movements resurrect nostalgia and put their own unique, contemporary twist on it all the time. You just have to know where to find it.
Men with long hair and longer beards accompanied women donning floral wreaths in their tousled hair as they swayed to the psychedelic rock brought by Ultimate Painting and finally, Dutchman Jacco Gardner. The latter, a multi-instrumentalist came on with his backing band at quarter after 11:00 pm and performed most of the hits from his 2013 full-length Cabinet of Curiosities. A soundtrack fit for a Wes Anderson film (meant as the highest compliment), it captivated the audience. “This is the fourth time we’ve been to the Chapel,” Gardner lamented. Certainly, he knows where his fans are located.
Here are some photos of the performance. Enjoy and check out Ultimate Painting and Jacco Gardner if you haven’t yet. Chances are, they’ll be back soon enough.
A multi-instrumentalist, Jacco Gardner was constantly rotating between guitar, keyboards, and even tambourines between songs.