San Francisco Symphony – Page 2

Show Review: A Night at the Oscars with the SF Symphony

A classy evening, complete with film classics.

As God is my witness, I’ll never listen to film score the same way again!

On Saturday, Feb. 15th, just two weeks before the 86th Academy Awards, the San Francisco Symphony hosted a night that celebrated a handful of iconic scenes from some of the very first, and most beloved, best musical score Oscar winners and nominees. Showcasing films as early as The Adventures of Robin Hood (1938) to as late as Ben-Hur (1959), the packed audience at Davies Symphony Hall marveled at fully restored 35 mm prints from six classics of cinema, including Gone with the Wind (1939), Citizen Kane (1941), An American in Paris (1951), and finally, The Wizard of Oz (1939), all the while enjoying the talented San Francisco orchestra drive through the scenes with scores ranging from bombastic to haunting to whimsical.

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Show Review: Hitchcock Week — Greatest Hits

Last night closed the book on Hitchcock Week with the San Francisco Symphony. The talented orchestra players, conducted by Joshua Gersen, performed selections from Hitchcock’s To Catch a Thief, Strangers on a Train, Vertigo, Dial M for Murder, and North by Northwest. Part of the night belonged to the complex scores, at times sweepingly romantic, other times suspenseful and bombastic. The other half belonged to the charming host, Eva Marie Saint (On the Waterfront, North by Northwest). At 89 years old, she still carries a youthful exuberance that would make you question whether she was a day over thirty. Aside from a few film intro slip ups, she held her own, constantly throwing out sharp pokes at herself, hilarious flirtations at Gersen, and telling fascinating anecdotes about her work with Hitchcock.

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Show Review: Hitchcock Week — Psycho

Ree! Ree! Ree! Ree! > — Ree! Ree! Ree! Ree! <<stabbing ensues>>

It’s Hitchcock Week with the San Francisco Symphony and Wednesday night kicked things off with Psycho (1960), Hitchcock’s masterpiece thriller. Why is the SF Symphony playing Psycho? And for what reason are they having a week devoted to Hitchcock, at all? For starters, Hitchcock films feature some of the most memorable scores in film history. Just like John Williams’s scores have enhanced the sense of adventure in countless films directed by Steven Spielberg, the scores in Alfred Hitchcock films have greatly enhanced the chilling suspense, the horrifying thrill, and the bloody payoffs of his stories. These are a few particularly momentous nights at the symphony because the scores have been removed from the film’s print and, instead, filled in by a live orchestra (in Psycho’s case, just the string section…it seemed).

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Spinning Platters Weekly Guide to Bay Area Concerts, 5/16/13-5/22/13

Appearing with the San Francisco Symphony

Sometimes I get exhausted just putting this list together, let alone trying to figure out how I can be in 20 places at once…

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Spinning Platters Weekly Guide to Bay Area Concerts, 11/29/12-12/5/12

Kenny_G-Miracles_The_Holiday_AlbumFrontal — This BAMF is coming to town this week to help kick off the holiday concert season. And that’s pretty much it for big holiday shows this week. (J/k guys, Sufjan is coming too.)

As November rains its way into December, the Bay Area does its part in the War on Christmas with the onset of our annual secular holiday concert season. Relive that scene in My So-Called Life where Rayanne went flyering drunk in the school parking lot when Toad the Wet Sprocket play not one but two full-length album shows. And also: THE BOSS. All this and more after the jump.

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Show Review: An Evening With Wilson Phillips at Davies Symphony Hall, 11/17/12

In the 22 years since the release of Wilson Phillips’ debut single, the still inescapable “Hold On,” the group has never toured. There was never really a reason to- during the height of their popularity, artists made their money from record sales, and they promoted their releases using radio and television. There was never a real need for them to hit the road. It came as a pretty major surprise to see that they actually decided to start touring so many years later. I hadn’t listened to them much since my middle school days, but the whole idea of seeing Wilson Phillips live piqued my curiosity. Would the show be an utter travesty? Can they still sing? Will I be bored listening to a bunch of songs I loved when I was 12? Will my mind be blown? This could have been in many different ways…

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Show Review: Natalie Merchant w/ San Francisco Symphony at Davies Symphony Hall, 6/18/12

6974673049_e75c89e3b8_z — Natalie Merchant at a show in Northampton earlier this year. Thank you, .reid. for sharing!

As a self professed music nerd, it’s almost embarrassing that I don’t go see the San Francisco Symphony more often. We are really lucky to have a world class orchestra in are backyard, playing nearly every night. Davies Symphony Hall is also one of the most perfect rooms to experience live music in, where every seat has an excellent view, and the sound is near perfect. This is my first time here since I took my dad to see PDQ Bach in 2008. And it took a pop musician to bring me there. Natalie Merchant, best known as the lead vocalist for 10,000 Maniacs, isn’t your average pop singer, and the idea of that majestic voice backed by a full orchestra sounded like a perfect combination.

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Spinning Platters Weekly Guide to Bay Area Concerts, 6/14/12-6/20/12

virgin_mary_with_baby_jesus_necklace-p177008393474488639z8n8j_400 — Thursday Night At The Fillmore

There is absolutely no reason for you to ever stay in on any night of the week. Well, except for the night that Nickelback are playing. You can stay in that night.

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