At first glance, he might just be a very large, very bald man with a tiny guitar and a voice that mesmerizes. Upon closer inspection, though, Tyrone Wells is just tall, talented, and playing a ukulele. Well, at least until he starts yodeling, anyway…if it’s all a bit to take in for the first time, I understand. It’s a unique (and thoroughly enjoyable) experience, and I can still remember the first time I witnessed it myself, several years ago. Since then, I’ve fallen for albums like Remain and EP Metal & Wood, as well as the brand new release, Where We Meet, which brought him to The Independent this Thursday, alongside local opening act Mike Annuzzi and English singer/songwriter Joe Brooks.
Many of you aren’t going to believe me when I say this, but that won’t stop it from being true: the New Kids on the Block just keep getting better with age. Here’s how I know this: I’ve been a fan since I was a first grader. Back then, for me, it was definitely more about cute boys and catchy music than whether or not someone had any actual talent. Happily, though, by the time that ceased to be true, the vocal and musical talents of the group’s main singers had begun to impress me more than I ever dreamed they would. And even if you don’t believe me enough to give them a listen, the photos speak for themselves: these guys are making forty-something look unbelievable. But perhaps I digress a bit…
The Fray's Ben (drums) and Isaac (atop the piano, singing his ass off)
The Fox Theater. Scars on 45. The Fray, live. A crowd that actually applauds with their hands more than with their voices. These are things that, until Monday night, I’d never before experienced. And all were, as it turned out, the beginning of a wonderful cure for a stereotypical “case of the Mondays.” Though I’ve been listening to The Fray for several years, this was my first chance to catch a show, and until last week, I’d never even heard of English opening band Scars on 45. They did, however, come highly recommended by a friend, and so I couldn’t wait for the show to start. Lucky for me, the lights went down promptly at 8:01 pm. Continue reading “Show Review: The Fray with Scars on 45 at The Fox Theater, 2/20/2012”
Why the world still has yet to catch on to what they’ve been missing all these years in Nikka Costa is a mystery to me, and frankly has been for more than a decade now. That said, though I wish her all the success in the world, I don’t really mind that she has a small-but-dedicated cult following rather than fans to fill arenas, because it allows me opportunities to see her in small venues like the Roxy in LA, the Independent here in SF, and this past weekend, the absolutely tiny Red Devil Lounge. Better still, I’m finally learning that if Ms. Costa is going to have an opening act, it’ll likely be a musician or band she’s chosen herself, as was the case with last night’s opener, Terraplane Sun.Continue reading “Show Review: Nikka Costa with Terraplane Sun at Red Devil Lounge, 2/12/2012”
When we started Spinning Platters back in 2009, we really weren’t thinking about the fact that our name could remind people of two ground breaking, classic R&B groups. We were really trying to get at a pun on records, CD’s, and hard drives. I’m not sure where the trigger came from reminding us of The Platters and The Spinners, but I decided that we needed to be there the next time either act played. Due to legal reasons, it seems that the likelihood of a Platters show is slim, but when Yoshi’s announced a three night stint with The Spinners, well, I had to seize this moment.
Until recently, I barely knew the names Andy Grammer or Ryan Star. Rachel Platten, however, was a name I knew – I’d just seen her open for the musically delicious Keaton Simons back in October. Adorable, charming, and a catchy singer-songwriter, I made a mental note to review her set next time she came to the Bay Area. Which is how I found myself researching the likes of Ryan Star and headliner Andy Grammer last week, in preparation for last night’s show at SF’s Great American Music Hall. I knew a song or two from each guy (“Start a Fire” and “Breathe” from Mr. Star, and last year’s catchy hit “Keep Your Head Up” from Andy), all of which I liked enough to get excited to discover new tunes. As it turned out, the show would exceed my expectations tenfold. Continue reading “Show Review: Andy Grammer with Ryan Star and Rachel Platten at Great American Music Hall, 1/15/2012”
Up until last week, it would have shocked me to learn how few people in my life have heard of the young blues guitar genius Jonny Lang. Because I’ve witnessed Jonny’s musical evolution (from 15-year-old phenom to critical darling to gospel musician) since the late 90s, it seems absurd to me that there would be anyone that’s not yet heard of this man. Alas, it’s true: we Jonny Lang fans seem to be much more of a minority than I knew. Happily, this weekend found me among nearly a thousand like-minded individuals at Friday night’s performance at downtown Napa’s tiny Uptown Theatre. Continue reading “Show Review: Jonny Lang with the Michael Williams Band at the Uptown Theatre Napa, 10/28/2011”
Historically speaking, the vast majority of popular music consumed in the world is in English. In countries where they don’t speak English, they still primarily listen to music with English language vocals. I believe that the majority of this has to do with America’s overwhelming cultural influence on the world, so maybe it’s time for the United States to start embracing musicians that perform in a language that they don’t speak in. The Fox Theater in Oakland hosted an evening with two artists from Mexico City, who largely perform in their native tongue.
It’s been almost ten years since I was first introduced to the music of Switchfoot. At the time, I was living in San Diego and they were a local band on the brink of making it. Somewhere between frontman Jon Foreman’s distinctive voice and lyrics that inspired me to live fully, (“this is your life – is it everything you dreamed that it would be when the world was younger and you had everything to lose?”) I had found a band whose music I could never play too much. Sure enough, nearly a decade later, I continue to love each album as much (or more!) than the one that preceded it. Somehow, life has managed to keep me from ever seeing this band live…until last night. Finally, finally, finally, my time had come: Switchfoot and co-headliners Anberlin graced the stage at the Warfield in San Francisco with openers Atomic Tom, and what better way to spend a beautifully rainy Monday night than warm and cozy inside with a fantastic band? Continue reading “Show Review: Switchfoot with Anberlin and Atomic Tom at the Warfield, 10/10/2011”
Taylor, Isaac, and Zac Hanson...in an 'mmmbop' they're grown
To most of the world, Hanson were three little boys who sang ridiculously catchy songs like “I Will Come to You,” “Weird,” and “Where’s the Love,” had millions of little girls screaming and crying, but “in an mmmbop” were gone. What most don’t know is that the brothers Hanson have never stopped making music. Since that first album that created hysteria among pre-pubescent girls, Middle of Nowhere, Hanson has released four more studio albums (2000’s This Time Around, Underneath in 2004, The Walk in 2007, and last year’s Shout it Out), the three most recent three of which have been under their own label, 3CG Records. Because Hanson made their debut in a moment of bubble gum pop insanity alongside the Backstreet Boys, ‘NSync, and countless other fluffy prefab acts, they were too easily written off with the rest as having had little to no talent. What many didn’t (or still don’t) know was that the boys had been writing their own lyrics and music all along, and now almost fifteen years later, continue to do so, rewarding loyal fans with some great pop rock tunes. Last night their “Musical Ride Tour” stopped at the Regency Ballroom, and I was lucky enough to be there to spend another memorable evening with a band I love to change people’s minds about. Continue reading “Show Review: Hanson with Meiko at Regency Ballroom, 9/8/2011”
