Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
Warning! This article has unsponsored, unfiltered tales from the Photo Pit. I’m excited to share highlights of Mosswood Meltdown, an absolute pinnacle event. I’m ever grateful for its return each year and its host, John Waters. Continue reading “Mosswood Meltdown — An Epic Punk Rock Festival”
It is apparent as we arrive that The Lost Boys is a seminal coming-of-age film to more goths and their familiars than those —ahem — of a certain age. Though not sold out, The Great American is full of stylish vampires of all ages, my partner and myself included. The 1987 Schumacher Peter Pan/Anne Rice mashup maintains a certain cultural currency as evinced by a thirty year reunion back in 2019 featuring the full living cast.
Tonight features a more modest guest list — a fit Alex Winter and a near manic Timmy Capello, second-string vampire and scene-stealing shirtless saxman — the Red Room Orchestra lineup is fire. This is a blessing because when we dust off the Lost Boys Soundtrack CD, we find an abbreviated list of ten tracks representing not a post-punk goth masterpiece but a schizophrenic mash-up of late eighties pop distractions, from INXS regrettably twice-dipping into Aussie pub-rock, to late-career solo forays by Foreigner’s Lou Grahm and the Who’s Roger Daltrey, to the residual 50’s rock n’ roll hangover that plagued that decade. The unauthorized list containing all the film’s tracks is just as bewildering, including the Run DMC/Aerosmith hip-hop crossover, “Walk This Way.” We rightly remember the high points: Echo and the Bunnymen covering “People Are Strange,” Gerard McMann’s standout “Cry Little Sister,” and, of course, Tim Capello’s sweaty and inexplicable cover of Christian rock band The Fall’s “I Still Believe.” Continue reading “SF Sketchfest Review: Red Room Orchestra plays The Lost Boys at Great American Music Hall, 1/19/24”
At one point in time, Natasha Lyonne was a cult icon that did quirky, low budget indie films. Then, something strange happened. A little TV show about life in a women’s prison became one of the most popular shows on TV, bringing Lyonne up from cult icon to bonafide star. Sketchfest, by some force of magic, was able to get this big star to come to SF and slum it with us for an evening, discussing a film that’s nearly 20 years old.
The week is going to be a glorious week of rock n roll madness.
Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 7/11/13-7/17/13”
This year’s edition of the San Francisco International Film Festival will transpire in theaters around the city from April 19 to May 3. Last year’s SFIFF marked the Bay Area premieres of such critically acclaimed hits as Beginners, Another Earth, and The Future. This year’s reliably diverse lineup looks just as promising, featuring new work from actors like Shirley MacLaine, Jack Black, Diane Kruger, Maggie Gyllenhaal, Greta Gerwig, John Krasinski, Freida Pinto, Emily Blunt, Val Kilmer, Lili Taylor, James Franco, Susan Sarandon, and Common, filmmakers like Richard Linklater, Michael Winterbottom, Lynn Shelton, Andrea Arnold, Lena Dunham, and little-known local winemaker Francis Ford Coppola, and documentaries on subjects ranging from Diana Vreeland and Marina Abramovic to ACT UP and the epidemic of sexual violence against women in the military. The festival will also feature several events, notably tributes to Kenneth Branagh and Judy Davis (both of whom will attend), a Midnight Mass tribute to the late Ken Russell featuring a Peaches Christ-hosted screening of Tommy, and perhaps most awesomely, a program of Buster Keaton short films with live musical accompaniment by Merrill Garbus and her tUnE-yArDs crew.
After the jump, we break down the 20 films we’re most excited to see this year into three categories: World Cinema, New Directors, and Documentaries. All film descriptions are courtesy of the San Francisco Film Society.
Continue reading “The Spinning Platters Guide to the San Francisco International Film Festival 2012”
“80. Fuckin’ 80.”
These were the first words that the legendary Cloris Leachman, who will actually be turning 85 in two months, said into her microphone at Idol Worship: An Evening with Cloris Leachman on Saturday, the main attraction of the 10th annual SF Sketchfest’s closing night, co-presented with Midnight Mass and hosted by “the very, very nervous” Peaches Christ. And Peaches had every right to be nervous: Ms. Leachman was as delightfully batty and unpredictable as the audience could have dared to hope.
Continue reading “Sketchfest Review: An Evening with Cloris Leachman at the Castro Theatre, 2/5/11”
One of my favorite pastimes is looking up whatever happened to some of my favorite 90’s icons. I mean, almost everyone knows what happened to some of the lesser known folks in 90’s TV programs. Like Six from Blossom is apparently a struggling country singer, and Rayanne from My So Called Life is married to a lord. But, my absolute favorite show from the 90’s was The State. It was simply the only TV program of it’s time that I felt emulated my brain functions. With the program now streaming on Netflix, I was reminded of two of my favorite sketches: the mailman that only delivered tacos and the Jew, the Italian, and the Red-Headed Gay. Hence me feeling the need to learn about Kevin Allison, one of the “forgotten” members of The State. Much to my surprise, he has a genius podcast called Risk!, where famous people talk about embarrassing situations they’ve been in. And it’s pretty awesome to say the least. Even better was getting to see it done live at the legendary Purple Onion as part of Sketchfest this year!
Continue reading “Sketchfest Review: Risk! with Kevin Allison at The Purple Onion, 1/28/11”
To the uninitiated, San Francisco’s Sketchfest is probably the most overwhelming 2 1/2 weeks out of the entire year, in terms of live entertainment booking. Its closest cousin is probably Austin’s SXSW festival, where you have a wide array of up-and-coming talent mixed with veterans, all playing some very intimate spots.
As a person that considers himself to be an expert of sorts on taste, I am going to sift through this year’s line-up, and let you know what you should be going to at this year’s Sketchfest. I will guide you through which Emmy winners or CSI corpses (both of which are well represented by this event), in my humble opinion, is most worthy of your hard earned dollar.
Continue reading “A Music Nerd’s Guide To SF Sketchfest 2011″
