Show Review: An Evening with Pink Martini featuring Storm Large at the Paramount Theatre, 11/20/2011

Storm Large fills in brilliantly for China Forbes
Storm Large fills in brilliantly for China Forbes

It’s very easy to get lost in the concert scene with a want to see the greatest technological innovation in stage design or the wildest antics ever displayed by an up-and-coming act — so much so that the music, quite sadly, sometimes gets lost in the struggle. Venues are built with impressive sound systems that make the foundations shudder and quake, and incredible arrays of lights, lasers and smoke work in tandem to paint a dazzling dreamscape over the faces of the musicians onstage — and that’s not taking into account any props they may, themselves, throw in for an extra layer of excitement. While it’s probably more common to forego a want of musical satisfaction in the face of a bombastic display of utter chaos that takes us to another world, it is important to find those special acts who take the stage with a minimum amount of fancy arrangements and eye candy, instead devoting their attention to their elegant sound that rings gloriously about the ears like a breezy summer susurrus rather than a blistering sirocco. To these expert talents, we look to the Portland collective known as Pink Martini to bring us back to a world of music so often heard in our daily lives that it seems impossible to fully appreciate it on a stage, or in a tremendous theater like the Paramount in Oakland — and they rise to the challenge magnificently, particularly with frontlady Storm Large taking a new place at the helm.

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Show Review: Shpongle Live Halloween Ball at the Fox Oakland, 10/29/2011

We can take this huge universe and put it inside a very tiny head
Simon Posford and his band of psychedelic freaks and phantasms

October 29th, 2011. Possibly one of the biggest party nights of the year, thanks to the world-recognized holiday celebrating the bizarre, the underworldly, and the otherwordly, just around its corner. We’re speaking, of course, of Halloween, and in addition to being a fantastic occasion for costumes, candy, and chaotic parties, it’s also one of the best opportunities for live shows, allowing artists to come out in a blaze of style and passion with something unique and special for the night when spirits walk and demons dance. The Fox Theater in Oakland is no stranger to guests of many colors, persuasions, and strangeness, and with stiff competition to draw in concertgoers tonight — with deadmau5 taking residence at the Bill Graham Civic Auditorium in San Francisco, Primus rocking the streets of Berkeley at the Greek Theater, and the Damned keeping the San Francisco punks packed to the gills in Slim’s — it seemed only fitting for them to play host to one of the most anticipated acts of the entire year: Shpongle Live, the full-band-plus-dancers-and-more ensemble to masterfully color the otherworldly psybient music of UK psytrance masters Simon Posford and Raja Ram.

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Show Review: Thievery Corporation w/ AM & Shawn Lee at The Fox Theater – Oakland, 9/16/2011

Clavier striking a pose, Myers looking cool on the sitar, and Rob Garza on keys, one of the masterminds behind all of this

One of my favorite experiments is to go see a band that I know nothing about. Usually this tends to be a low key affair, in a small venue somewhere. It’s rare for a band to play a venue in the 3,000+ capacity range that I’ve managed to miss. Although it can easily be a gamble, the pay off can be great. On the warm Indian Summer night, I took the new band challenge.

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Show Review: Bettye LaVette at Yoshi’s Oakland, 7/21/2011

Bettye LaVette performing earlier this month. Photo by Nancy Rae Gilliland.

Bettye LaVette, the 65-year-old soul phenom who toiled in relative obscurity for over 40 years before exploding onto the buzz meters with her 2005 collection of female singer/songwriter covers, I’ve Got My Own Hell to Raise, played to a overflowing, standing-room-only crowd at Yoshi’s in Oakland on Thursday evening. LaVette has a special attachment to the Bay Area, as her self-proclaimed “return from the crypt” was largely triggered when she was signed to the SF-based Rosebud Agency. And that gratitude was lovingly incorporated into her stunning 90-minute set of one explosive show-stopper after another.

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Show Review: Rammstein with Combichrist at the Oracle Arena, 5/18/2011

God knows they don't want to be angels
God knows they don't want to be angels

There has been a recent trend of fantastic bands, both old and new, being prevented from making their way to this side of the Atlantic due to all manner of circumstances. Most often, it’s an inability to acquire visas by an international deadline, but in the case of more controversial and explosive acts, their arrival has often been deterred by high tensions overseas — acts of terrorism and war, both abroad and at home — which put a damper on the transport of any act, musical or otherwise, that is loud, aggressive, and armed to the teeth with fire, smoke and dynamite. Last night, the biggest name on this list — the German industrial metal collective known as Rammstein — finally made their way back to the Bay Area for their first show in 10 years, and brought their full cataclysmic performance with them, offering one of the biggest, loudest, and hottest shows ever seen within the walls of the Oracle Arena.

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Show Review: Railroad Revival Tour (Mumford & Sons) at Oakland Middle Shoreline Park, 4/21/2011

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Not technically the headliners, but you could've fooled me

The Railroad Revival Tour is a concept tour package where one of the main conceits is that all the bands have equal billing and play equal set lengths. That’s a nice thing to say, but the tickets sold lightning quick due to the recent boom of success of Mumford & Sons. While they weren’t officially the headliner, the singing along told another story. But by the end of the show, they convinced me that this was, indeed, a true group package. Seeing all three bands was a bit of a challenge, but worth it. Continue reading “Show Review: Railroad Revival Tour (Mumford & Sons) at Oakland Middle Shoreline Park, 4/21/2011”

Show Review: Bright Eyes with Farmer Dave Scher at The Fox Theater, 4/12/11

In sharp contrast to the last show I went to at Oakland’s beloved Fox Theater, the crowd was overwhelmingly mellow, especially considering this could be the last time Bright Eyes plays the Bay Area.  Luckily this ended up being more telling about Bright Eyes’ fans maturity than their level of worship.  Just like every other time I’ve seen Conor Oberst, Mike Mogis and their team of talented musicians (this was number nine if anyone’s counting), the audience still fell into a hush while a sense of quiet worship filled the room as the band took the stage.  And they held that stage for over two hours of intensity. Continue reading “Show Review: Bright Eyes with Farmer Dave Scher at The Fox Theater, 4/12/11”

Show Review: My Chemical Romance with Neon Trees and Architects at The Fox Oakland, 3/31/11

Fists in the air for My Chemical Romance

MCR!!!!  That’s all my fangirl heart was screaming while walking towards The Fox and the hoards of people, clad mostly in black, slowly making their way in to the theater.  Of course, I didn’t have a ticket, just a photo pass, but trivial details will not keep me from a show!  After a brief panic the ticket was procured and I made my way in and was amazed by the crowd already formed on the floor. By the excitement radiating through the room I could tell that this, the fourth time I’ve seen My Chemical Romance, was going to be the best. Continue reading “Show Review: My Chemical Romance with Neon Trees and Architects at The Fox Oakland, 3/31/11”

Noise Pop Show Review: Yo La Tengo with The Urinals at The Fox Oakland, 2/22/2011

Spin the Yo La Tengo Freewheel and decide the first set!
Spin the Yo La Tengo Freewheel and decide the first set!

Nearly a year ago to the day, the Fox Theater played host to the first big act of the 2010 Noise Pop Festival, which arrived in the form of Yoko Ono and the Plastic Ono Band. The group’s first arrival to the Bay Area was met with wild enthusiasm, and the set itself was a scene of sonic mass hysteria, with the warbles and shrieks of Yoko accompanying the wild swing and over-the-top rock of her backing band. It seems only fitting, therefore, that the following year needed to be kicked off in a similar manner — a night of balls-out rock, groovy jams, and snarling static chaos — which is probably the main reason why the New Jersey indie rock trio Yo La Tengo was invited to the Fox Theater for the first night of the 2011 Noise Pop Festival.

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Spinning Platters Interview: MC Zumbi of Zion I

Fresh off the huge success of their most recent release, Atomic Clock, local hip-hop legends Zion I play to a hometown crowd at The New Parish in Oakland this Friday night.  Spinning Platters caught up with a busy MC Zumbi for a couple of questions…

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