It’s fairly easy to forget that one of the most important factors of a live performance that distinguishes it from a record is the sheer loudness of the music being played. Concertgoers far and wide are usually pretty good about remembering earplugs, as a result of this fact, and those that don’t can usually protect themselves with handy booths located within the walls of whatever theater they’re ready to get sonically disintegrated within. Generally, though, one can take a blast of churning riffs and thundering beats to the face for a few hours over the course of one evening, and come out relatively unscathed, albeit with their ears possibly ringing for a day or two afterwards. Thus, there lies an entire world of experimentation in the form of performing music at tremendously high levels of volume — although the songs can become almost painful in their intensity. Channel that sound into baleful, fearsome riffs, add a rhythm section that seeks to destroy bricks with its ferocity, and back it up with ludicrously powerful bass and howling, hellish vocals, and you’ll begin to glimpse what a set by the San Jose doom metal trio known as Sleep is like.
Tag: Oakland
Show Review: Tenacious D with The Sights at Fox Theater, 5/24/2012
If you search my iTunes account for “Jack Black,” you’ll find results in two separate areas: comedy films like School of Rock, and hidden in the music of a band known as Tenacious D. Their music has the distinction of being the only band on my entire iPod listed with the genre I call “comedy rock.” But the truth is, I never paid the band much mind. See, I love Mr. Black’s movies, and frankly I quite like everything I’ve seen of him as well. I’ve noticed over the years that he’s got a pretty great voice, too, which is how I came to acquire these Tenacious D albums. But the truth is, I’ve never really listened to them. I’m not sure why, but there’s the truth. So when I noticed they were headed my way (The Fox Theater in Oakland, to be exact) this week (Thursday night) promoting their newest album, Rize of the Fenix, I couldn’t pass up the chance to finally check out this band loud and live, the way I suspected they’re best experienced. Continue reading “Show Review: Tenacious D with The Sights at Fox Theater, 5/24/2012”
Show Review: St. Vincent and tUnE-yArDs with Kapowski at The Fox Oakland, 4/24/2012
If you asked someone what their favorite record by a female singer in 2011 was, odds are you would have gotten a reply that fit one of two options: 21 by Adele, or Ceremonials by Florence and the Machine. Both topped charts, and the former swept the Grammys, taking home the coveted Album Of The Year award, among others. Sadly, out of the spotlight (and off the radar for many a casual music fan) were a pair of records that rounded out Spinning Platters’ 2nd and 3rd place winners for our Album Picks of 2011, both by extraordinary women who have been captivating audiences all over the country, perhaps even the world, with their otherworldly but gorgeously eclectic brand of experimental indie rock. To pair the two together is a feat in and of itself, as the two have very different backgrounds — both in their own respective songwriting and in their own performing history — but it was, no doubt, an effective combination, as evidenced by the near sold-out crowd that arrived at Oakland’s Fox Theater on Tuesday night. The pair had skipped briefly across the country, even between two weekends at Coachella, and now were coming to the end of their trip: the Oklahoma-born, Manhattan-based Annie Clark, better known by her stage name St. Vincent, and Oakland’s own Merrill Garbus, more well known under the zanily-punctuated pseudonym of tUnE-yArDs.
Show Review: Justice with The Rapture at The Fox Oakland, 4/17/2012
2012 has already begun as the Year of the Dance Music Show, with electronic acts dominating some of the most popular venues worldwide and music festivals across the country. The Ultra Music Festival brought in 60,000 attendees per day this year; I Love This City, coming Memorial Day Weekend, plans to overflow AT&T Park with fans and over 40 huge acts of the dance music world. It’s no surprise, therefore, that the hot ticket to catch is on the club circuit: any highly-successful electronic act that packs their titanic stage show into an under-5000-people theater to shake the walls with earth-shattering bass and wild dancing. Though you’d normally be hard-pressed to find anything that isn’t pulsing house or swaying dubstep to pack a venue with concertgoers aplenty, the Fox Theater played their cards right in welcoming French dancemasters Justice to Oakland between their Coachella weekend visits, and the duo delivered brilliantly with precision, style, and a dizzying array of lights and sound.
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Show Review: Rodrigo y Gabriela and C.U.B.A. at The Fox Oakland, 4/5/2012
Transitioning from being a solo artist (or in this case, a minimalistic acoustic duo) to having a full band behind you is a great risk, no matter what type of musician chooses to take it. Your songs transform, in scope and shape, in feel and form, and the result can either pull in a larger audience than ever before, or cause even the most adoring critics to suddenly turn their noses up at you. Such a dramatic shift in the mood and presentation of your art requires a great deal of work and dedication to perfecting your craft, and it may even require you to explore new methods of songwriting and arrangement that you had never approached within your career. When Mexican thrash-flamenco maestros Rodrigo y Gabriela traveled to Havana and recorded their new album, Area 52, with a host of 13 Cuban musicians (tonight appearing in the form of musical ensemble C.U.B.A.), fans and critics alike paled at the thought of the super-concentrated thrill of the pair’s frenetic guitar mastery drowning in a sea of lush but overwhelming sound. On their 2012 tour, the two have set out to prove that none of the magic that they’ve amazed audiences the world over with has disappeared; indeed, new life has been breathed into it, as it scales into a higher, deeper, and even more magnificent form.
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Show Review: The Magnetic Fields with Bachelorette at The Fox Oakland, 3/24/2012
Two years ago, New England musical mastermind Stephin Merritt graced us with two Magnetic Fields shows during the Bay Area’s 18th annual Noise Pop Festival. Spinning Platters was on hand for both performances, and two years later, Merritt and his quintet have returned, with a new opus in tow, to the Fox Theater in Oakland for a new round of orchestral whimsy and symphonic folk-pop playfulness. As the musical tide has turned for the mood and feel of the band’s newest release, Love At The Bottom Of The Sea, so too, apparently, has their attitude to live performances. Rather than occupy the resonant wooden floors and still-somewhat-fresh carpet of the theater with chairs for a quiet, introspective performance, the audience was given free reign in a regular general-admission get-as-close-as-you-like setting. There was a loud and upbeat performer opening the show. The band even responded to whoops, cheers, and catcalls. What a change is here! For even the most stoic Magnetic Fields fan, however, the change of mood was a rather uplifting one, and a general camaraderie was established between both the boisterous and the simply bemused for this acoustic exploration of the band’s charming new work.
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Show Review: The Fray with Scars on 45 at The Fox Theater, 2/20/2012
The Fox Theater. Scars on 45. The Fray, live. A crowd that actually applauds with their hands more than with their voices. These are things that, until Monday night, I’d never before experienced. And all were, as it turned out, the beginning of a wonderful cure for a stereotypical “case of the Mondays.” Though I’ve been listening to The Fray for several years, this was my first chance to catch a show, and until last week, I’d never even heard of English opening band Scars on 45. They did, however, come highly recommended by a friend, and so I couldn’t wait for the show to start. Lucky for me, the lights went down promptly at 8:01 pm. Continue reading “Show Review: The Fray with Scars on 45 at The Fox Theater, 2/20/2012”
Show Review: The Spinners at Yoshi’s – Jack London Square, 2/3/12
When we started Spinning Platters back in 2009, we really weren’t thinking about the fact that our name could remind people of two ground breaking, classic R&B groups. We were really trying to get at a pun on records, CD’s, and hard drives. I’m not sure where the trigger came from reminding us of The Platters and The Spinners, but I decided that we needed to be there the next time either act played. Due to legal reasons, it seems that the likelihood of a Platters show is slim, but when Yoshi’s announced a three night stint with The Spinners, well, I had to seize this moment.
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Sketchfest Review: Reggidency: A Reggie Watts Series
Comedy, as a method of entertainment, works best when we can relate to the entertainer, and the exaggeratedly hilarious (yet quite often true) stories that they tell. Most standup artists use this science as the core of their act, pointing out the sometimes terribly obvious, but far more often insignificant, details that we all have experienced, barely speak about, and yet go through on a regular basis. That excess blast of thought over such inane minutiae succeeds at hitting our funny bones hard, not only because of the presentation, but because we can, in fact, relate. If this is a regular formula for comedic success, then anyone willing to break the mold and give those common trivialities a winning partner with absurdity, disconnection, and whimsical rambling has the potential to turn heads, and in the case of Reggie Watts, he succeeds spectacularly, and leaves you wondering what the hell just bowled you over with laughter.
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Show Review: Wilco, White Denim at The Fox Theater – Oakland, 1/31/12
The success of Chicago experimental-alt.country-indie rock combo Wilco really defies the conventions of a successful rock band. Where most bands become as big as they will get within about 5 years of performing, these guys seem to get bigger and bigger every year. At nearly 20 years into their career, they are doing a “small venue” tour of 3,000 seat theaters, and each date on this tour seemingly sold out in minutes. SpinningPlatters were lucky enough to check them out on the third night of a mini Bay Area tour, where the hit San Jose and San Francisco on Saturday and Sunday respectively.
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