Single of the Week: “Queen Of Ears” by Quasi

Since Sleater-Kinney released an album of other artists covering Dig Me Out, it only seems right to spotlight this new Quasi single. Janet Weiss sounds like her car accident never happend. Her drumming is as forceful and melodic as ever. Sam Coomes’ keyboard playing is consderably more ferocious that in the past. This song is a gem. It really is a good time to jump back on the Quasi train. Assuming you ever got off.

“Queen Of Ears” is the lead single from Breaking The Balls Of History, due out on SubPop on Febuary 10th. Pre-Everythinging can be done here. Of course, you should also give this 2020 track that I missed a listen, too. 

Noise Pop Phase 1 Line Up Announced / Tickets On Sale TODAY at 10am!!

I always think of Noise Pop 2020 as the “last” festival… They managed to finish up just *barely* before the pandemic began to take a grip on society and pretty much end fun as we know it. So, seeing them announce their return today left me feeling a little bit of… Dare I say hope? Ages 5-11 are now able to get vaccinated. California is still doing fantastic at keeping both infections and hospitalizations down. I’ve spoken to a few venue managers in the Bay, and people are surprised by how few infections seem to be happening in the live events community, at least locally. So maybe, just maybe, Noise Pop 2022 (running Feb 21-27) *might* end up being our first time to safely and collectively “let loose” in two whole years. 

And there is SO MUCH HOPE in this line-up! The first thing that caught my eye was noticing Quasi is back! This would be drum master Janet Weiss’ first Bay Area performance since her near-fatal car accident in 2019, as well as her first visit since leaving Sleater-Kinney. There are also comeback sets by Spinning Platters’ favorites Papercuts, The Drums (performing Portamento), and The Microphones. We also have a performance by Faith No More keyboardist Roddy Bottum’s quarantine protect Man On Man. Yes, I’m old, but I like new things, too. And I’m particularly stoked to see Hunny, King Princess, Hand Habits, and Ian Sweet all on the bill. AND THIS IS ONLY THE FIRST WAVE!!! I’m already exhausted trying to figure out what I’m going to go to.  Schedule and tickets for individual shows can be found here. Don’t like making decisions in advance? There are still a few badges available at Phase 1 prices! $159 for “all you can eat” live music for a whole week? You can’t beat that! 

Album Review: Sleater-Kinney – The Center Won’t Hold

The Center Won’t Hold is possibly the most divisive record of 2019. Months before even a single note was heard outside of the recording studio, when the photo of the band recording with Annie Clark of St. Vincent fame was released, many folks already had their minds made up. I heard declarations from folks that “Annie is going to replace Janet Weiss with a drum machine” and that “it’s just going to be a Carrie solo record.” Other fans were excited about the possible new direction, but those folks seemed to be muted by the naysayers, worried that an outside entity was going to destroy their favorite band. Continue reading “Album Review: Sleater-Kinney — The Center Won’t Hold

Spinning Platters Picks Six: Greatest Janet Weiss Moments in Sleater-Kinney

https://www.youtube.com/watch?v=6xrSuIqrhRU

I woke up this morning to the saddest music news… Sleater-Kinney‘s powerhouse drummer, Janet Weiss, has officially left the band, citing that “the band has moved in a different direction, and it’s time for me to move on.” The news makes her recent performance with Sleater-Kinney on The Tonight Show the final public performance of the classic line-up of this band, which feels as good a time as any to look back on 22 years of some of the most impressive drumming in rock ‘n’ roll music. I’m sad to see her go, but excited to see what both Weiss and the rest of the greatest power trio in rock do from here on out.

Continue reading “Spinning Platters Picks Six: Greatest Janet Weiss Moments in Sleater-Kinney”

Show Review: Two Nights with Sleater-Kinney at The Masonic, 5/2/15-5/3/15

Sleater-Kinney
Sleater-Kinney

The last time Sleater-Kinney played a show in San Francisco, it was a two-night stand at the Great American Music Hall that ran May 2nd and 3rd, 2006. Exactly nine years to the day, they returned to San Francisco, only instead of returning to that intimate, 600-seat club, they played nine blocks away at the newly-restored Masonic Theater. The fact that they put so much care and thought into the tour routing meant that this was going to be a special event; the fact that these shows both sold out in milliseconds proved that San Francisco cared just as much about their return as the band does.

Continue reading “Show Review: Two Nights with Sleater-Kinney at The Masonic, 5/2/15-5/3/15”

Album Review: The Corin Tucker Band – 1,000 Years

The Corin Tucker Band – 1,000 Years.

Corin Tucker was one-third of one of the greatest bands the world has ever known.

In Sleater-Kinney, she made powerful, personal music strong enough to restore a person’s conviction in themselves or rock-and-roll or both. Her voice arced through speakers and rock clubs like the weapon in a video game that could cut through all the enemies in one stupendous blast and keep going to and through the edge of the screen.

Then, in 2006 Sleater-Kinney went on hiatus.

Now what? Continue reading “Album Review: The Corin Tucker Band — 1,000 Years”