Reviews of albums, films, concerts, and more from the Bay Area Music and Movie Nerds
The 2020 Sundance Film Festival concluded this weekend with Festival jurors bestowing prizes upon 28 of the 128 films shown during the ten-day Fest. All the winners can be found here, but, as I did last year, below I present my own highlights — good and bad — and let you know which films you should SEE or SKIP, should any of these be widely released at some point.
Continue reading “Film Feature: Highs and Lows from the 2020 Sundance Film Festival”
The 91st Academy Awards air this Sunday, February 24th, on ABC at 5:00 pm PST (with the requisite pre-show fashion assessments starting hours before). As they did last year, Spinning Platters film critics Carrie Kahn and Chris Piper share their predictions – and hopes – for the major categories. Guild awards – often harbingers of Oscars to come – have been all over the map this year, so there may actually be some genuine surprises. Tune in on Sunday to see how things play out, and to find out if we correctly read the minds of Academy voters.
Continue reading “Film Feature: Carrie and Chris Pick the 2019 Oscars”
What sacrifices are acceptable for the sake of art? For marriage? Swedish director Björn Runge explores these questions in his new film The Wife, which, if nothing else, may become the film most remembered for netting six-time Academy Award nominee Glenn Close her first Oscar. Close’s performance is the best reason to see the picture, which manages to thoughtfully present serious themes while teetering on the edge of melodrama.
According to writer/director Victor Levin’s new film, a “5 to 7” relationship among the French refers to an extramarital affair, fully sanctioned by all involved parties, that may or may not take place during those appointed hours, but is termed thusly regardless. In Levin’s new film named for that expression, though, the affair that is the film’s subject does indeed mostly take place during those evening hours. The participants are 24-year-old aspiring New York writer Brian (Anton Yelchin, best known as the Star Trek reboot’s young Chekov) and the beautiful, older, married Frenchwoman Arielle (Bérénice Marlohe, Skyfall). At least these two get to have a few hours of fun; the viewers of this hokey mess aren’t quite as lucky.
Glenn Close has long been perceived as an intimidating woman, which likely stems from a number of factors. Maybe it’s because of her unhinged work in the iconic role of Alex Forrest, the psychotically unstable mistress who will not be ignored, in the ’80s landmark Fatal Attraction. It could be due to her impossibly imperious turn as the scheming, vicious Marquise de Merteuil in Stephen Frears’ Dangerous Liaisons. The under-21 set likely grew up cowering from her scenery-chewing Cruella De Vil in the live-action 101 Dalmations. Not even the small screen has been safe from Close’s fire-breathing intensity, whether it be her hugely acclaimed work on The Shield, or her two-time Emmy-winning turn on Damages as Patty Hewes, the ferocious litigator who will stop at nothing — nothing — to win a case. So even though Close is currently promoting what is arguably the least threatening character she has ever played, this does not necessarily make her more comfortable to be around. At least not when she turns the tables during our interview and begins grilling me about my thoughts on her Oscar-nominated new film, Albert Nobbs.
Continue reading “Spinning Platters Interview: Glenn Close on “Albert Nobbs””
The Mill Valley Film Festival, one of the Bay Area’s most esteemed and prestigious film events, is returning for its 34th installment October 6-16. The MVFF has come to represent the first opportunity for Bay Area film buffs to check out festival favorites from the likes of Toronto, Venice, and Telluride before their theatrical releases, not to mention a chance to mingle with the talent; expected guests this year include Glenn Close, Martin Donovan, Luc Besson, Michelle Yeoh, Anton Yelchin, Felicity Jones, Elizabeth Olsen, John Hawkes, and Ezra Miller. Last year’s festival featured the likes of 127 Hours, Blue Valentine, and eventual Best Picture winner The King’s Speech. Look after the jump for the top 12 films to check out this year.
Continue reading “The Spinning Platters Guide to the 34th Mill Valley Film Festival”