fillmore – Page 2 – Spinning Platters

Show Review: Kate Nash, Emmy The Great at The Fillmore 11/22/13

Kate Guitar1.jpg — All Photos by Michelle Viray

Oh great music philosophers, Sorockcrates and Rufus (yes dudes, I went there), I beseech thee. Is there ever a good answer to the following question? Do you want your favorite artists to evolve or stay the same?

Unless you move to a desert island accompanied by your top ten albums of all time, there probably is no good answer. But like anything, we must realize, no matter how much you want your adorable puppy to stay that adorable puppy, it’s going to grow up. Being “excellent to each other” requires room for growth. Without growth, the chance for something even greater might as well be stuck in a phone booth stuck traveling through time. So unless you’re one of those people who go to great lengths to breed puppy versions of dogs (I’m looking at you desert island folk), I implore you to keep an open mind.

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Show Review: Cults at The Fillmore, 11/13/13

Stuck in a Cults-like Trance

Give me the big show. When it comes to a live musical performance, I always want the big show. The greeting. The city salutation. The witty banter. Comments on the venue. The running dialogue. The background on what the song is about. The “we were in L.A. last night and the crowd here tonight is definitely louder than last night” bit. The impromptu jump into the crowd OR the planned jump on to stage-set speakers. The call and response. The encouragement also known as “feel free to sing this song with us if you know the words!” I call it: the big show.

Now, the big show doesn’t have to be all those things. The big show can be subtle, humble, and true to the band. It should serve as a way for the audience to connect to the music through the performers. The big show doesn’t always have to include fancy pyrotechnics or multiple confetti guns, lest you think I bring a Flaming Lips-only / Wayne Coyne-and-thousands of red balloons-on Halloween bias to the table. What I always like about a live performance is the fact that it’s unique. There is something to be said for raw talent but I also believe there is something to be said for engaging a crowd when it comes to a live performance. I believe the big show should match the band and should get the audience closer to the music and to the performers.
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Show Review: Best Coast with Bleached at The Fillmore, 8/16/13

San Francisco has been feuding with Los Angeles for as long as both cities have been in existence. San Franciscans are pretty much disgusted by everything LA has to offer. Somehow, Best Coast have managed to survive that hatred. In fact, Best Coast are huge in the city by the bay. How did they do it? By being really good at what they do. And, last Thursday, they got to play San Francisco’s most revered music venue. The support? Another fine band from Los Angeles: Bleached.

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Show Review: Petty Fest at the Fillmore, 02/27/2013

If you’ve never experienced The Cabin Down Below Band, you quite literally don’t know what you’re missing. My advice? Remedy this error as soon as is possible! This week I got my chance to do just that with a night to remember: Petty Fest’s first ever stop in San Francisco! The evening was hosted by the aforementioned brilliant band, sponsored by the generous Jameson, and boasted a line-up well worth dragging one’s self out on a “school night” for: Boz Scaggs, Nick Valensi of the Strokes, Tom Johnston of the Doobie Brothers, Lucinda Williams, Jon Heder, Aimee Mann, and Matt Sorum, to highlight just a few… Continue reading “Show Review: Petty Fest at the Fillmore, 02/27/2013”

Show Review: Two Gallants with Akron/Family and Future Twin at The Fillmore, 2/2/2013

Adam Stephens and Tyson Vogel of Two Gallants

The formula of reverb-drenched-rock, guitar-drum-vocal, two-man band has proven itself, time and again, to be a successful combination. Acts like the Black Keys and the White Stripes proved that it could be done, and tore their way up the charts while they did so. It is, nevertheless, challenging, blending a careful balance of lo-fi and limited composition with gripping vocals, intricately crafted licks, and thundering percussion, maintaining a smart pop sensibility the entire time. To avoid being pigeonholed, however, as another blues-rock soldier on his quest to the top, it’s important to bend the rules of the genre, throw in some curveballs, and introduce some unique elements to one’s sound, such as the close, soulful cousins that are bluegrass and western folk music. San Francisco duo Two Gallants have done just that, constructing a sonic experience that bears this variety of genres, and yet still stands unique and full of raw passion, which they brought to the Fillmore on Saturday night for their end-of-the-tour hometown show.

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Show Review: Marina & The Diamonds with MS MR at The Fillmore, 7/11/12

Marina-Diamonds-pkp- — All photos by the legendary Paige Parsons

Marina & The Diamonds were supposed to play The Fillmore a year and a half ago. She canceled the show in order to record her new record. I had purchased tickets, and I will admit to being a little bummed about this at the time. But, alas, I let it go. The wait seemed to be a good thing for her, because when she finally rebooked, the show sold out rather quickly. I guess it’s the whole story of “If you love something, set it free, and if it comes back, it’s yours forever.” Because this crowd defintely seemed more in love with Marina than they would have a year and a half ago.

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Show Review: Kurt Vile and The Violators with Black Bananas and True Widow at The Fillmore, 5/30/12

There are so many artists that have been given the role of “New Dylan,” that it’s practically a genre unto itself. Kurt Vile is one of the many who have fallen victim to such a label. He has put out four great solo records, and countless EP’s of great singer/songwriter music, and although there is a bit if a Dylan influence, his sound is much more than that. SpinningPlatters had the pleasure to witness his recent performance at The Fillmore, alongside is fantastic backing band, The Violators.

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Show Review: Spiritualized with Nikki Lane at The Fillmore, 5/23/12

7270616094_a760ab8e86 — All Photos By Kara Murphy

In 1997, Britpop was at an odd sort of crossroads. The Oasis/Blur feud had already sort of fizzled out. Coldplay and Snow Patrol were still trying to figure out their inoffensive brands of soft rock. During that in-between period, we got two of the most fantastic British rock records off all time: Radiohead’s OK Computer and Spiritualized’s Ladies and Gentlemen We Are Floating In Space. These two albums are both dark and intense bodies of work, and, to the surprise of nearly everyone, were both critical and commercial successes. The two bands even hit the road together, playing arenas around America, with their own different brands of apocalyptic, hypnotic, and vaguely psychedelic rock music. Of course, we all knew what happened to Radiohead- the remain one of the biggest bands in the world. However, Spiritualized ended up taking a very different path. Bandleader J Spaceman went through bouts of drug addiction and illness, causing trips to American to be few and far between in the last decade and a half. Thus making their recent trip to The Fillmore very special.

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Show Review: Ingrid Michaelson with Harper Blynn at The Fillmore, 4/25/2012

P1030143 — Ingrid Michaelson and her uke

Prior to this week, I couldn’t have picked Ingrid Michaelson out of a police line-up. I had more than a good handful of her songs on my iPod, and had seen her on at least one TV appearance and multiple album covers, but she appears to be somewhat chameleonic if you judge by those: from the girl with the ponytail and the face paint on the cover of Be OK to the girl-next-door blonde on Everybody to the bundled-up brunette in hipster glasses in last year’s Macy’s Thanksgiving Day parade, I really didn’t know who she was, other than a girl with a voice I really liked. Thankfully, last Wednesday night at the Fillmore, I had the opportunity to find out for myself just what Ingrid Michaelson is all about.

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Show Review: Gang of Four w/ Hollerado at The Fillmore, 2/19/2011

Gang Of Four: A mythical band that spawned many bands that are much more famous than themselves. They invented this so called “disco punk,” and nearly every band of the last decade has considered them to be a major influence. They have been name checked by They Might Be Giants in a song, Flea of Red Hot Chili Peppers admits to ripping them off on many occasions, and their blend of politics, danceable beats, and cold, angular guitar noise can be heard in bands as wide ranging as The Gossip, The Klaxons, and even a little U2. But what do they really mean to the world in 2011? They are back on the road with a new rhythm section, a new record, and are playing nearly everywhere.