The Holdovers is a comical, instantly rewatchable holiday treat
Filmmakers who take big swings deserve appreciation for taking the risk, even if the swing results in a miss. Director Alexander Payne (Nebraska) took such a swing six years ago with Downsizing, a polarizing if not much-maligned film. Thus, it was refreshing to hear the promising news that Payne was reuniting with his Sideways star, Paul Giamatti, for a new dramedy. The Holdovers is as sad, clever, and intelligent as the best of Payne’s work, but with a surprising lighthearted touch that places it firmly amidst some of the most classic holiday films, and amongst the filmmaker’s best work. Continue reading “Film Review: “The Holdovers””