Show Review: King Buzzo and Trevor Dunn w/JD Pinkus and Field at The Lodge Room, 08-06-2024

I’ve been so immersed in the metal world lately that sometimes I forget that I like other music. I especially forget that weird thrill of going mostly blind into a show. Sure, I may not know an opener or two, but it’s pretty rare for me to cover a band I haven’t listened to beforehand. It’s both exciting and nerve-wracking and, let’s face it, no one wants to be disappointed. Luckily for me, I at least knew of the other music projects of the artists on the night’s lineup, but even knowing that, did not prepare me for what I was about to experience.

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Spinning Platters Interview: Eva Hendricks of Charly Bliss

I’ll admit it. I never thought I’d see another Charly Bliss record. When COVID struck, the lead singer, songwriter, and lyricist, Eva Hendricks, had been in Australia and ended up moving there. How does a New York-based band survive when their singer lives on the opposite side of the world at a time when travel was nearly impossible?

Then, one day, after three years of silence, a new song appeared. Then another. Finally, we got the exciting news that a new album and tour were right around the corner. That album, Forever, comes out this Friday, August 16, on the UK-based label Lucky Number. It not only sounds like what we’ve heard before from Charly Bliss, but it is also a step forward in both songwriting and lyricism. 

How did this happen? How did the band keep it all together and get to the point where they were going to keep this band going forever? I hopped on Zoom with Eva, 17 hours ahead on the clock in Australia, to find out! Continue reading “Spinning Platters Interview: Eva Hendricks of Charly Bliss”

Single of the Week: “As Above So Below” by Fievel is Glauque

Nice things can be happy, right? Nice things that take you on a sonic journey are still a joy by the time it’s over, only in a different place? SO GOOD!!! Fievel Is Glauque is a Stereolab-esque fusion of lounge, psych, and pop, with the bonus of live horns that are just plain perfect. “As Above So Below” is a fantastic pop number for a sunny, late Summer weekend. 

“As Above So Below” is the first single from Rong Weicknes, due out on Fat Possum Records on October 25th. Prepare for it’s release accordingly. 

Outside Lands 2024: 21 Instant Gig Reviews

I really love Outside Lands. It’s funny because my heart genuinely lies in the world of Punk, and something this big *shouldn’t* be my thing, but I love being able to disconnect from the outside world and just take in music with strangers and friends, and the best part- strangers that became friends that I only see at this event. And, yes, a fellow writer recently referred to Outside Lands attendees as “norms” (I saw what you did there, Alan!), but, man, I had such a wonderful, blissful time, dancing with strangers, eating amazing food, enjoying nearly perfect weather, and taking in some amazing music. I honestly can’t wait for next year, and hope I’m able to keep coming to the park for many years to come. Continue reading “Outside Lands 2024: 21 Instant Gig Reviews”

Show Review: Alex G at Stern Grove, 8/4/24

Last Sunday, August 4th, 2024, Stern Grove was buzzing with excitement as fans gathered for an unforgettable performance by Alex G. The picturesque setting, surrounded by vibrant nasturtiums, towering eucalyptus, majestic redwoods, and winding sandy embankments, provided a perfect backdrop for the afternoon concert. Continue reading “Show Review: Alex G at Stern Grove, 8/4/24”

Album Review: Foster the People, “Paradise State of Mind”

In the years following Foster the People’s third studio album in 2017, Sacred Heart’s Club, during the height of the COVID pandemic, front man Mark Foster recalls wondering, “How can I make a record that is healing for me, and maybe for people who listen to it, too?” Now, seven years later, Foster the People is releasing its fourth full-length studio album, Paradise State of Mind, a cosmically hopeful and upbeat record heavily influenced by late 70s disco and early 80s New Wave. The album is not without its lyrical meditations on sadness and emotionally dark places, but overall, it’s a joyful blend of varied instrumentation, dance-floor beats, and catchy hooks. It’s all about balance – in life as in music. As Foster sings on the lead single, “Lost in Space,” amidst a double quartet of strings and Giorgio Moroder-inspired synths, “Love when I’m with you / a warm embrace / the more we give ourselves, the more we have to give away.” Continue reading “Album Review: Foster the People, “Paradise State of Mind””

Show Review: Megadeth + Mudvayne at Toyota Pavilion in Concord

Photos and review by: Alan Ralph @AlanHasPicks

San Francisco Bay Area did a good job on this particular weekend keeping everyone segregated to their respective tribes.  Outside Lands Music Festival catered to the norms and the hipsters in the middle of The City in Golden Gate Park, Vice Prez Kamala Harris had a fundraiser for the wealthy 1% at Fairmont Hotel way up on top of Nob Hill, and Megadeth, Mudvayne, and All That Remains brought the metal and goth and punk kids (and adults) all the way out to Concord at Toyota Pavilion, for their Destroy All Enemies tour.

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Single of the Week: “Bright Lights” by The Killers

I am currently in a bit of a frenzy, gathering my things for the day for Outside Lands and realizing that it’s been a whole 16 years since I last saw The Killers live. In that time, they’ve become the legacy act they’ve always aimed to be, bridging together generations and influencing a sea of young acts. I was getting ready for an evening of nostalgia-fueled hits, only to find… A new single? Do I dare listen? What if I hate it? And surprisingly, not only does it not sound like the band that created Hot Fuss, but it’s warm and big, and I kinda love it.

“Bright Lights” is available in all the usual places. Tonight, they are headlining Outside Lands before returning home to Vegas for a monthlong residency at The Colosseum at Caesars Palace. 

Film Review: “Sugarcane”

Sugarcane depicts the importance of breaking a generational cycle of trauma and exposing the truth

If you’re unfamiliar with “Indian residential schools,” which were boarding schools run by the Catholic church for Indigenous children in Canada and the United States, their existence marks a horrific chapter in North American history with repercussions still being felt (and investigated) to this day. Sugarcane is a new documentary by co-directors Emily Kassie and Julian Brave Noisecat that brings us into the emotional fold of these repercussions. Sugarcane shines a specific spotlight on the Canadian residential school system and the traumatic impact they’ve had on generations of Indigenous families. It’s a troubling and devastating documentary, but all the more important viewing for the strength and resilience it represents. Continue reading “Film Review: “Sugarcane””

Interview: Yasuko Onuki & Ichiro Agata of Melt-Banana

Melt-Banana has always been my favorite band from Japan. For over 40 years, they’ve been releasing some of the fastest and most furious guitar-driven music and show no signs of slowing down. In tempo or workload. On August 23rd, they will be releasing their first record in 9 years, “3+5,” which is available to preorder here. Shortly after the release, they will be touring the UK, and hopefully, they will join us back in the States soon. We had the opportunity to chat it Yasuko Onuki and Ichiro Agata during their break between US and UK tours, and I believe I was able to tone down my fanboy instincts to have a coherent chat:  Continue reading “Interview: Yasuko Onuki & Ichiro Agata of Melt-Banana”