SF Sketchfest Review: Wife Material with Sydney Kane at Eclectic Box, 1/25/26

Photos by Gabrielle f. Korein

Eclectic Box SF is the kind of small Mission venue where nothing is hidden, and everything lands a little harder, making it an ideal setting for Wife Material. The show arrived wrapped in an I Love Lucy-adjacent aesthetic, all bubblegum pink and tongue-in-cheek humor, but quickly revealed something far more anxious and intimate underneath. Kane entered in full Britney pink, with a headset mic, sorority curls pulled into a half-wedding updo, and towering six-inch square platform heels, immediately establishing both control and exposure. From the start, she blurred the line between performer and audience, pulling a small cluster of front-row participants into a scripted interaction that cracked the fourth wall and set the tone for the vulnerability to come. Behind her sat two nonchalant, middle-aged indie rock types on drums and keys, steady and almost indifferent, which only heightened the emotional contrast onstage.
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Film Review: “Shelter”

Another winter, another Statham action film

Michael Mason (Jason Statham) and Jesse (Bodhi Rae Breathnach) on the dance floor in ‘Shelter.’

Over the last few years, Jason Statham has become the patron saint of early-year action escapism: The Beekeeper (January 2024), The Working Man (March 2025), and now Shelter (January 2026). The Beekeeper 2 is also reportedly set for a January 2027 release. There’s just something about Statham’s no-nonsense handling of baddies within simple (yet silly) plots that seems to resonate with audiences as a way to kick-off a new year. Shelter is better than it needed to be, but worse than it could’ve been. Exciting but iterative, yet elevated by the strength of Ric Roman Waugh’s direction and Statham’s charisma, Shelter provides just enough emotion and action to withstand its shortcomings. Continue reading “Film Review: “Shelter””

SF Sketchfest Review: Smoke Show with Sweetin at BATS Improv Theater, 1/24/26

Photo by Tommy Lau

Dave Coulier is forever marked as the guy who enjoyed his time in the theater a little too much. Lori Loughlin is permanently associated with the worst college admissions scandal of all time. Candace Cameron is an outspoken Trump supporter. John Stamos has never heard Papa Roach. Being a Full House alumnus is a hard job.

But you know who has stayed under the radar as the coolest from the show? Jodie Fucking Sweetin. We interviewed her a few years ago, and it was really fun. In the last decade, she’s managed to endear herself to the LA stand-up and improv scene and done something that few people have succeeded at- she’s progressed from child stardom to a truly respected and admired artist. It takes a lot to get me out to a 10:30 PM show. But, yeah. I need to see Sweetin do her thing. 

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SF Sketchfest Review: Chaos: Natasha Leggero + Chelsea Peretti + Sabrina Jalees at Marines’ Memorial Theater, 1/25/26

Photo by Tommy Lau

Saturday was a weird day for me. Weird, because my day job had me working at an art festival in the city, and it was a really busy workday with only enough downtime to drink water and use the bathroom occasionally. I was oblivious to any news that came down the pipeline. As soon as we were done, I chugged a Red Bull and ran as fast as I could to the theater so I didn’t miss the show. Continue reading “SF Sketchfest Review: Chaos: Natasha Leggero + Chelsea Peretti + Sabrina Jalees at Marines’ Memorial Theater, 1/25/26”

Show Review: Cattle Decapitation, Aborted, Frozen Soul, Tribal Gaze at The Belasco, 12-20-2025

“Every Body a Host, Every Body Infected”

If there is one Death Metal band that seems to consistently captivate me and grab my attention, it is Cattle Decapitation. Having grown up in a rural area with a progressive background, I couldn’t help but develop a strong sense of respect for environmental ecology. I went to clear cut protests in high school, I’ve been a supporter of indigenous tribal water rights and the movement to remove the Klamath Dam (which thankfully came through a few years ago and has already seen a healthy increase in Klamath Salmon numbers now that their run has been restored), and I’ve been staggeringly aware of man’s effects on our home. So when I wandered by the local record store one day and saw the promotional art for Cattle’s death grind album Humanure, let’s just say I knew I was going to be on board with their mission statement: Earth First, Humans Last.

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Show Review: Boris, Lack of Interest at The Belasco, 11-22-2025

Boris obliterates a sold out Belasco

I first saw Boris performing Pink in San Francisco before the pandemic forever changed life as we know it. To say that it was incredible is an understatement, as I became not only a fan, but utterly obsessed with the band, having covered them numerous times for this publication as evidence. Of course, when this tour was announced, I had to jump at the chance to cover them again.

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Single Of The Week: “Funny Music” by Gelli Haha

An odd thing about getting older- I used to be heavily averse to electronic music. However, in the last few months, I have kept hearing electronic music with a solid amount of humanity, and I LOVE IT. This Gelli Haha track snuck out last year, and I totally missed it. This song is really making my week, and energizing me in all the right ways. I also get the feeling that this one is gonna be a really fun live show. 

“Funny Music” is off Gelli Haha’s latest record, Switcheroo, which is available to bring joy to your eardrums AND your booty  NOW. The band is also hitting the road for their first ever headlining tour, and tickets JUST WENT ON SALE TODAY! 

Film Review: “H is for Hawk”

Foy is strong in this undemanding tale of nature and grief

Helen (Claire Foy) and Mabel (hawk) look for a good place to hunt in ‘H is for Hawk.’

Like many stories about how an animal changes a grieving character’s life, even as recently as last year’s The Friend, H is for Hawk pointedly hits the expected emotional beats. Unlike these stories, however, H is for Hawk lacks the playful human and animal opposition-turned-camaraderie dynamic that pushes similar narratives forward. A solid but slightly exoteric drama with beautiful photography and strong performances, H is for Hawk still struggles to lift off from its slow pacing.  Continue reading “Film Review: “H is for Hawk””

How Did Sydney Kane Get Here?

How Did I Get Here? is back for its first episode of 2026. And my chat was with the amazing musical comedian Sydney Kane ahead of her bringing her one-woman show, Wife Material, on a West Coast tour! We talked about, well, a bunch of the usual tangential silliness, all while learning about how she found her voice and her way into comedy.

Sydney Kane is bringing Wife Material to SF for SF Sketchfest at Eclectic Box on Sunday, January 25th (Tix Here) and to LA at Hudson Backstage Theater on February 16th (Tix Here). Follow her on Instagram for more everything. And, if you really want to learn about all things Bay Area Burrito, here is such a bonkers and well-researched guide that I will still argue is wrong at times. 

Side Note: We discuss how amazing Jenny Slate is, and I realized she is ALSO playing SF Sketchfest. Catch her with Max Silvestri and Gabe Liederman at the Sydney Goldstein Theater on February 1st (Tix Here)! 

Single of the Week: “Ultivatum Cultivation” by plantoid

So, I have no idea what’s going on with that song title. I googled “Ultivatum” and can only find, um, this song. That being said, the pretentious, overtly prog-rock song title is hiding what can only be said is a glorious psych-pop song. Somewhere, swimming in the LSD-infused lake alongside The Flaming Lips and Spacemoth (the latter I’m 90% sure has never touched a drug in her life) is plantoid, and their latest single, “Ultivatum Cultivation,” is giving me the energy to make it through a mad, busy mid-January. 

“Ultivatum Cultivation” comes from plantoid’s upcoming LP, Flare, due out January 30th. Preorders are ongoing!