Single of the Week: “Epilogue” by Cat Ridgeway

This is the last Single Of The Week of the year. The “Epilogue,” if you will, of a year of singles of the weeks. (Singles of the week? Single of the weeks? HELP ME GRAMMARLY!!!!) ANYWAYS! This song is so bloody good. Remember that whole banjo rock movement of the 2010s and how awful it was? This is what it should have been like. Ferocious punk rock with a banjo played fierce and fast, with some Billy Zoom punkabilly riffage mixed in. This is my introduction to Cat Ridgeway, and I can’t wait for more. 

“Epilogue” is out now on all the DSPs. New material, including an album, is coming in 2025! Keep an eye out on the socials!

Sweet Relief presents A Night Honoring Joan Baez

I’ve gotta say… I get really jealous when I see these press releases for big events honoring an important songwriter, where that songwriter performs with a significant acts that were influenced by them. Patti Smith had one in NYC earlier this year, and they are always in New York or LA. NEVER in SF. 

UNTIL NOW! Sweet Relief is paying tribute to local legend Joan Baez, the charity set up to ensure musicians have the money they need when medical issues arise (Y’know, an American issue). And the arena-level acts along for the ride? None other than Bonnie Raitt, Hozier, and Rage Against The Machine lead shredder Tom Morello! Other legends on stage include Emmylou Harris, Ramblin’ Jack Elliott, Roseanne Cash, Margo Price, Taj Mahal, Joe Henry, and others that aren’t yet announced.  

The event happens on February 8th at The Masonic in SF. Tickets are on sale Friday, December 20th at 10 am here. GOOD LUCK!

How Did Zoe Ko Get Here?

Zoe Ko is a pop/rock songwriter who has gifted the world some great, highly infectious singles and an EP in 2023. 2024 has been incredibly productive for her, and we had a great chat about nurturing your career, finding your people and your sound, and a lot about her future, including touring and what we should expect in the studio.

Zoe Ko’s latest single, “Lucky,” can be found here. Her website is here, but her Instagram is the best place for new news as it drops!

Film Review: “Mufasa: The Lion King”

Mufasa is a princely improvement, but still no match for the original King

The 2019 photorealistic remake of the 1994 classic The Lion King was a global box office sensation, but lacked the joy, energy, and instantly-memorable character portrayals of the original. When Oscar winner Barry Jenkins (Moonlight) announced he’d be directing a follow-up to the 2019 film, the choice seemed a peculiar one for the accomplished filmmaker. Upon watching Mufasa: The Lion King, however, we can clearly see (and feel) that Jenkins cared passionately about the thematic elements of the proposed prequel. Combined with original songs by Lin-Manuel Miranda and improved character designs, Mufasa: The Lion King is a superior follow-up to the 2019 film, even if it still fails to break new ground in any meaningful way. Continue reading “Film Review: “Mufasa: The Lion King””

Film Review: “The Brutalist”

The Brutalist is a towering achievement in epic visual storytelling

Ten thousand words could be written about the surreal, dizzying shot of an upside-down Statue of Liberty in The Brutalist, Brady Corbet’s epic tale of a Hungarian immigrant’s experience in America. The Statue of Liberty sequence lasts no more than twenty seconds, yet a skewed opinion of a burgeoning nation’s dreams, hopes, and promises lie within its symbolism. The Brutalist is filled with amazing imagery like the Statue of Liberty shot, and monumental performances to match them. With The Brutalist, from its musical score to its costuming, Corbet has assembled a modern masterpiece, a staggering filmmaking achievement that weaves together the majesty and tragedy of the American Dream into a captivating and intimate story. Continue reading “Film Review: “The Brutalist””

Single of the Week: “So Long, Farewell” by Riki Lindhome

The return of Riki Lindhome as a comedy musician is making me ever so happy… Her latest single, “So Long, Farewell,” is the perfect Christmas drop because, well, it’s not a Christmas song but references the most non-Christmas musical Sound Of Music, and “My Favorite Things,” one of the most depressing songs in history to be recast as a song about getting presents. Was that verbal nonsense? Yes, it was. But, also, I never knew I’d fall in love with a song from the perspective of Baroness Elsa Schraeder, who could do better than Georg von Trapp and his 800 singing children. 

Anyways, Riki Lindhome’s debut solo full-length, No Worries if Not, is coming to your friendly neighborhood DSP on March 14th. (Pi Day!) She’s also bringing her one-woman musical, Dead Inside, to SF Sketchfest! Catch her at Club Fugazi on January 18th. I’ll be there! 

Show Review: The Dandy Warhols’ 30th Anniversary Show at Bimbo’s 365 Club, 12/6/24

It’s insane to me that The Dandy Warhols have been doing their thing for 30 years now. Even crazier is the realization that I’ve been along for the ride (pun intended) for roughly 27 of those years, first seeing them at The Fillmore opening for The Charlatans UK and coming back with zero memory of the headliner. That night, while my friend was desperately trying to stalk Courtney Taylor-Taylor (with limited success), I tripped over Zia McCabe, and she signed the back of my poster. Why not the front? Because I’m an idiot. But she was incredibly kind and remains probably the nicest person in rock. Continue reading “Show Review: The Dandy Warhols’ 30th Anniversary Show at Bimbo’s 365 Club, 12/6/24”

Single Of The Week: Doechii’s Tiny Desk Concert

Is this cheating? 23 minutes of the most ecstatic MC work I’ve ever heard as a “single” of the week? Yeah. It is cheating. But I’m the Music Editor, and I make the rules, so I’m stretching it because this is SO FREAKING GOOD. She burns through 7 songs in a tight 15 minutes and then lets the final number, “Black Girl Memoir,” breathe, allowing the whole band to show off their chops. 

Doechii’s debut album, Alligator Bites Never Heal, is available in stores both virtual and physical now. I hope to see more of her in the coming year because this is AMAZING. 

New Sketchfest Events! ALBERT F’ING BROOKS!!!!!!

Defending Your Life was one of the cornerstone films of my childhood. It wasn’t a kid’s movie, but I was such a nerd and an armchair philosopher that I was obsessed with this film. Albert Brooks became my hero. Of course, as I got older, Meryl Streep ALSO became my hero. But the guy also hasn’t done a lot of public appearances in recent years, so it’s super exciting that SF Sketchfest has managed to snag the dude to talk about his career as a a filmmaker, an actor, and, hopefully even his stand up days! Continue reading “New Sketchfest Events! ALBERT F’ING BROOKS!!!!!!”

Film Review: “Nightbitch”

Nightbitch is a reductive maternal fable stretched thin

Being a mother is difficult. While I can’t personally attest to the difficulties of motherhood, I understand that to be objectively true. I’ve also seen many films across multiple genres that tackle the hardships of motherhood, from Freaky Friday to The Babadook. Many of these films depict how maternal hardships can be understood on deeper levels, or seen from a previously unexplored perspective. Facing the demands of motherhood, and depending on the genre, protagonists go on a journey of self-discovery through side-splitting humor, terrorizing horror, or tear-jerking drama. Nightbitch is a dark comedy that focuses so resolutely on the most fundamental difficulties of being a parent – losing sleep, social and professional sacrifices, too much to do and not enough time to do it – that the film’s creative supporting elements fail to make an impact. Continue reading “Film Review: “Nightbitch””