Show Review: Cattle Decapitation, Immolation, Sanguisugabogg, and Castrator at The Belasco Theatre, 12/15/2023

The Terrasitic Infestation of Los Angeles

Heavy music has been making a pretty big comeback into the public eye lately. My theory is that when the world around us seems intent on reminding us that we are a species that is hardly worth the time and effort it takes to survive, we gravitate toward music that shares that outlook. No band embodies this thesis wholeheartedly as much as San Diego’s Cattle Decapitation, so it should be no surprise that I’m a pretty big fan. That aside, it was one hell of a night for death metal at The Belasco.

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Film Feature: Chad’s Top 20 Films of 2023

Film Feature: Chad’s Top 20 Films of 2023

It’s been a great year for movies. All the hubbub about the ‘worst films of the year’ list that Variety put out is making a lot of noise, so I’d like to fire back with a Top 20 of the year list. There are so many to choose from, just look at the thirty movie posters above, all of which I’d consider very good films, great films, and even a few masterpieces. This is not a year to point out the worst, but rather one in which we should highlight the surplus of quality films released. Without further ado, here’s my ranked top twenty of 2023:

  1. Fancy Dance

A criminally underseen indie film in which Lily Gladstone gives another memorable performance playing a resident of the Seneca–Cayuga Nation Reservation searching for her missing sister.

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Film Review: “Wonka”

Chalamet charms as young Willy Wonka

Amiable Willy Wonka (Timothée Chalamet) dreams of opening his own chocolate shop.

In 2018, writer/director Paul King’s Paddington 2 earned the coveted number one spot on my Top 10 list. After a few years working in television, King has returned to the big screen with his Paddington 2 co-writer Simon Farnaby to bring us Wonka. The picture is a similarly delightful and warmhearted holiday treat.

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Film Review: “The Zone of Interest”

Glazer’s newest masterpiece is a terrifying reflection on complicity

The hesitation that I had, and I imagine many people will have, about seeing The Zone of Interest was the fear of having more Holocaust imagery seared into my memory. There have been many Holocaust films made, all difficult to watch, and almost all important to see. It’s necessary that films, books, and oral testimonials accurately depict Nazi atrocities, so that they are never forgotten. That being said, it’s hard to be “in the mood” for a Holocaust film. Shortly into watching The Zone of Interest, I understood that the film’s intentions were not the same as previous Holocaust films. The Zone of Interest is as much about what you do see as what you don’t see, which is just as harrowing, if not more so. The film depicts the banality of evil, showing us a story of chilling complacency.

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Film Review: “American Fiction”

American Fiction is a blisteringly humorous and observant debut

Cord Jefferson has been a writer on a few of the most celebrated television shows of the last six years, including Master of None, The Good Place, Watchmen, and Station Eleven. Transitioning to films, he makes his writing and directing debut with American Fiction. Jefferson focuses all his storytelling wit on creating a prescient satire, and as a result, American Fiction becomes not only a powerful introductory statement for the filmmaker but also one of the year’s finest cinematic works.

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Show Review: Dresden Dolls at the Belasco Theatre (Los Angeles), 12/08/2024

“You don’t wanna hear about my Good Day”

In 2008, the Dresden Dolls would play Los Angeles for, seemingly, the last time. In 2008, I was 23 years old, still in college in the rural North of California, fairly isolated from the meccas of civilization and regular concerts of better-known bands. I missed it. After moving to Los Angeles the following year to attempt and fail at breaking into the film industry, I had all but lost hope of ever seeing the Dresden Dolls perform.

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Single of the Week: “Push” by Naomi Sharon ft Omah Lay

Afrobeat is having a serious, significant renaissance right now. So much good stuff coming out of the genre, and “Push” by Naomi Sharon is a track that has definitely been pumping the serotonin for me this week. It’s a simple, sexy, easygoing groove that feels utterly relaxed and somehow, well, “hot” at the same time. I love it. 

“Push” comes from Sharon’s debut album, Obsidian. You can find it at your favorite DSP! 

Film Review: “Poor Things”

Poor Things dives headfirst into a strange, beautiful, and horny world

Greek director Yorgos Lanthimos has divided audiences as long as he’s been making movies. To help you resurface some opinionated rage and confusion, or delight,  his films include Dogtooth, The Lobster, The Killing of a Sacred Deer, and The Favourite. His films bend surrealism together with absurdism, glittered with idiosyncratic dialogue and characters. They also don’t shy away from weirdness and sex, or weird sex, even. Lanthimos implores you to face brutal honesty and vulnerability, and Poor Things is no different. Cradled within a vibrantly designed world in which to explore themes of sexual freedom and liberation, Poor Things is a masterpiece of creative ambitions.

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Single of the Week: “Misty Rose” by Sandra Kluge

I’ll be frank- I miss Tilly & The Wall. There is nothing more pleasing to me than taking the art of tap dance and using it as the primary percussion instrument in pop music. Sandra Kluge is the tap dancer/vocalist that’s filling the void right now. Although Tilly gave us indie and folk rock accompanied by tap, Kluge is squarely rooted in the jazz tradition, creating a sound that may be a bit more pure but still very inventive. “Misty Rose” is a great song, with layers of beauty propelled by the tap rhythms. 

Misty Rose” can be found in all the usual places. I can’t wait for more from Sandra Kluge! 

Show Review: Ellie Goulding with SF Symphony at Davies Symphony Hall, 11.20.23

12 years ago, while wandering around Outside Lands, looking for something to enjoy, I was drawn in by a captivating Brit that I’d never heard of before that moment. Her name was Ellie Goulding, and I was mesmerized by her entire set. I’ve been wanting to recapture that joy, but also have been worried that it wouldn’t quite be the same. However, when it was announced that she would be doing a short stretch of shows backed by symphony orchestras, I decided that I needed to make this one happen. 

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