Show Review: Carole King & James Taylor: The Troubadour Reunion at Oracle Arena, 7/19/2010

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The two stars of a giant family reunion

Pollstar is a magazine that keeps track of concert tours, and around July of every year, they release their mid-year list of highest grossing tours. Usually it’s not a huge surprise. Generally speaking, it’s tried and true dinosaur rock, mixed in with a few “flavors of the year” pop artists. This time, however, the we got a bit of a surprise. Number one was Bon Jovi, which wasn’t actually a surprise. The number two really got me, though: James Taylor & Carole King. Neither of these artists have had any recent output that had much of an effect of the pop charts, and both artists have toured in recent years on their own without much fanfare. I needed to know why, in 2010, are people spending their hard-earned, recession-era dollars on this pairing, instead of on The Eagles or Christina Aguilera. So, I did what any good reporter would do in this scenario. I went to the show. And I brought my Dad, because it wouldn’t be right any other way.

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Artist Interview – Crystal Monee Hall

With Broadway experience as well as session work along side musical greats such as Elton John already on her resume, the soulful Crystal Monee Hall arrives the Bay Area with a lot on her mind, a lot to sing about, and a readiness to achieve her musical independence…

How much of a role does your musical and cultural background growing up play in your new album?

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Show Review: An Evening with Primus at the Great American Music Hall, 7/18/2010

those damn blue-collar tweekers.
those damn blue-collar tweekers. (photo by Sassy Monkey Media)

In today’s concerting world, most shows are focused more firmly on spectacle than on musicianship. We expect the bands to be at the top of their game, of course, but in case they aren’t, we’ve got pretty lights, soaring lasers, mystifying fog, and, sometimes, hurricanes of confetti to wow us and give us something to rave to our friends about. While the spectacle can be rather fantastic from time to time, it’s always refreshing to see the band pack up their light show, deflate the floating spacemen, and dismantle the fog machines, in favor of a rock-solid performance that focuses on what a concert is, truly, about: the music. The bands that are able to take all of these steps, cast off the grandeur, pack themselves — and several hundred feral fans — into a club, and rock the foundations as hard as they would in an arena, are truly wonderful to behold, and tonight’s performance by Bay Area native titans Primus was certainly no exception.

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Show Review: Built To Spill at Slim’s, 7/15/2010

Frontguy and basketball enthusiast Doug Martsch at work.

Had Built To Spill been resting on their laurels?

The two previous albums before the current There Is No Enemy LP displayed what could be construed as the gentle complacency of an aging NBA star on a team going into the rebuilding process: a few gems here-and-there to remind us what they were capable of, but a general sense of the motivation just not being there.

Doug Martsch‘s band had released several albums and tracks widely regarded as classics: the Perfect From Now On LP; songs like “Car,” “You Were Right,” and the gorgeous, haunting “Randy Described Eternity.” He’d spearheaded and mastered his own brand of good-natured wide-striding heavily-layered swirling guitar-heroics-based indie rock. Now what?

What would it look like if Boise’s second-favorite export had something to prove?

San Francisco got the answer when Built To Spill took the stage at Slim’s.

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Show Review: Wakey!Wakey! with Wave Array and Doom Bird at Hotel Utah, 7/14/2010

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This is how we do it!

My favorite Billboard chat was always the Heatseekers Chart. Defined generally as the best selling new artists, it was always the place to go if you wanted to hear someone before everyone else heard them. Blogs such as this one have pretty much destroyed the value of this chart, as now to hear someone first, you need to be the first person to Tweet about them. Well, I still enjoy this chart, and tonight, it led me to Wakey!Wakey!, a Brooklyn band that recently held down the #1 slot with their album, Almost Everything I Wish I’d Said the Last Time I Saw You …, as they played their first ever show in San Francisco. Continue reading “Show Review: Wakey!Wakey! with Wave Array and Doom Bird at Hotel Utah, 7/14/2010”

Spinning Platters Weekly Guide to Bay Area Concerts, 7/15/10-7/21/10

In honor of their stint opening for The New Pornographers, here are naked pictures of The Dodos.

Today is too hot for me to come up with something witty to say… Go see some shows!

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Show Review: Tool with Jello Biafra And The Guantanamo School Of Medicine at Bill Graham Civic Auditorium, 7/12/2010

no one is innocent (photo by Shannon Hazelip)
no one is innocent (photo by Shannon Hazelip)

I will preface this review by stating a fact which, while well known to my friends and colleagues, is not widely expressed within my concert reviews, given their number and the scale of the bands that I go to see. This fact is a simple one: I loathe arena shows. I’m more specifically referring to any venue that seats over 10,000 people, although 7,000 — the capacity of the Bill Graham Civic Auditorium — is pushing my limit to a mild degree. The fact of the matter is, however, that there will always be certain bands that are far, far too big to play in small clubs, large theaters, or even modest amphitheaters, and these bands will be reason enough for me to go, no matter the size of the venue. These bands will be the driving force behind the show that they put on; this is no festival with twenty acts, nor a set of competing giants wrestling for the title of “biggest rock god ever”. This is a band that has been around for nigh-on twenty years; in fact, the singer was heard tonight saying, “Pop quiz: how many of you are under 21? Really? Well, you weren’t even alive when this song was written.”

Who would this be? Tool, of course.

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Show Review: Marina & The Diamonds at Popscene, 330 Ritch, 7/8/10

Marina & the Diamonds - Stripped down

Four songs into the set, Marina Diamandis, the songstress that is Marina & the Diamonds (the Diamonds being you, the fans, duh!) announces boldly that this is “the last chance you’ll get to see me like this.”  Whether or not this is true, at this moment in time, Marina & the Diamonds is bigger than the packed dance floor of Popscene at 330 Ritch.  Of course, Popscene is notorious for giving you the opportunity to say “I saw them when” but could Marina really back up her claim that she will be one of the greats, or will she just fade out once popular culture is done with her? Continue reading “Show Review: Marina & The Diamonds at Popscene, 330 Ritch, 7/8/10”

Spinning Platters Weekly Guide to Bay Area Concerts, 7/8/10-7/14/10

This is what my street looks like today. Waiting on the results of the Mehserle trial. A little scared.

Well, I’m sitting in my apartment in downtown Oakland, looking outside, waiting for all hell to break loose. And, if the entire city doesn’t burn to a crisp tonight, I’m going to check out some of these shows!

Continue reading “Spinning Platters Weekly Guide to Bay Area Concerts, 7/8/10-7/14/10”

Show Review: Lilith at Shoreline Amphitheater, 7/5/10

There has been a lot of controversy over the resurrected Lilith tour, including complaints of mis-marketing, poor ticket sales, and a general lack of consistency in the line ups. When it comes down to it, though, none of this matters when it comes to the actual event. I was there to account these events first hand, and I honestly felt that the show I went to was quite successful. It was actually refreshing to attend a festival that was so well organized, as well as such a well behaved audience.

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