Ten tracks. Less than 23 minutes. Three women. Oh, it’s that kind of album. Actually, not so much. This band got tired of waiting for Heavenly/Marine Research/Talulah Gosh to get back together (fundamentally impossible, I know — the new Tender Trap will be out soon, so hang in there) and decided to make their own music. Then, they’d get about two minutes into a song and realize, “Wow, this is harder than we thought. On to the next track!” Continue reading “Album Review: Brilliant Colors – Introducing”
Show Review: Puscifer with Uncle Scratch’s Gospel Revival at The Fox Oakland, 11/5/2009
Hey! Wait! That title looks awfully familiar. You mean to tell me that those troublemakers in Puscifer, the art/music/performance collective spearheaded by Maynard James Keenan of Tool/A Perfect Circle, were allowed into the Fox Theater for yet another night of mayhem, debauchery and… Wait, what’s that? Country music? No, Puscifer doesn’t play country music, they play industrial-experimental-electronic… What do you mean, the stage is built like the front of a Wild West house, complete with porch armchairs and old-style pop filter microphones?
Yes, Puscifer was back. Yes, they brought Uncle Scratch’s Gospel Revival back with them. But, no, it was not like the first night — as evidenced by the aforementioned set design, Puscifer had come back to play some old-fashioned country westerns. Well, old-fashioned is actually an incorrect term — after all, these were their own songs, although there’s probably some desolate corner of the world where these bastardized country ballads could be considered old-fashioned westerns.
Show Review: Puscifer with Uncle Scratch’s Gospel Revival at The Fox Oakland, 11/4/2009
Forget any expectations you have for the evening at hand. Leave them at the door, which, in the case of tonight’s show, is beset with a flock of confused, wary patrons, eyeing a man in an off-tan suit and taped-together sunglasses, who is armed with a megaphone. The man is Brother Ed of Uncle Scratch’s Gospel Revival, and he is begging, PLEADING for the patrons to not enter the Fox Theater tonight, to not forsake their own souls as the cost of attending this show which, according to him, can only be the work of the Devil himself.
Brother Ed should be scared. His rants, while facetious at their core, are somewhat justified. He and his band will be opening, tonight, for Puscifer.
Spinning Platters Weekly Guide To Bay Area Concerts: November 4th-November 10th
I have returned from Florida, and I am back to control your life… Here are a few suggestions:
Continue reading “Spinning Platters Weekly Guide To Bay Area Concerts: November 4th-November 10th”
New Release Round Up, 11/3/09 – 38 Instant Album Reviews
Pouria is in Korea for the next couple of weeks. He’s been studying the Pimsleur Korean tapes to prepare himself for this trip, so when I asked him if he was going to have time to do his new release column before he left, he muttered something in Korean that I’m assuming was a polite no. As a reaction, I decided to write the longest New Release Round Up yet! And glad I did, because buried near the bottom is my favorite album of the week. Continue reading “New Release Round Up, 11/3/09 — 38 Instant Album Reviews”
Album Review: Wallpaper – DooDoo Face
Wallpaper’s debut album “DooDoo Face” thinks it’s from the 70’s but really it’s not. They didn’t have Auto-Tune way back then, I mean c’mon they didn’t even have computers back then. DooDoo face thinks that it’s from the 70’s with it’s horns and funky beat. Shaft would be proud at this funky dinosaur of a record. Wallpaper is basically Eric “Ricky Reed” Frederick. I think it’s still classified as a side project, and as a huge Facing New York fan I am going to try really hard not to talk about how I think Wallpaper/ Taking Back Sunday/ UC Berkeley killed Facing New York. Continue reading “Album Review: Wallpaper — DooDoo Face”
Show Review: Art Brut with Princeton at Cafe Du Nord, 10/30/09 (Late Show)
When Art Brut comes to town, I get excited. Not only do I love the band, I also see them as the kind of band that tends to quit on the U.S. They blast onto the scene with the exceptional album Bang Bang Rock & Roll, and I saw them touring to promote that album four or five times. Their second album, It’s a Bit Complicated, was a relative disappointment. I’ve seen this happen with other British bands: their second album doesn’t perform well over here, and then I only get to hear about UK and European tours, sadly waiting for the one day they might return to our shores. Instead, Art Brut teamed up with producer Frank Black for the phenomenal Art Brut vs. Satan, and they have continued their attack on America. Continue reading “Show Review: Art Brut with Princeton at Cafe Du Nord, 10/30/09 (Late Show)”
Show Review: Melt-Banana with All Leather and We Be the Echo at Slim’s, 10/30/2009
There were a great deal of shows to visit this All Hallows’ Eve’s Eve, ranging from electronica in arenas to punk rock in bars; despite the drastic number of shows involving bands that I’d seen on one-to-a-few occasions, it was Melt-Banana that I ended up seeing. It seemed rather appropriate; on the eve of the holiday most responsible for darkness, chaos and the warding off of evil spirits, what better occasion to see a trio of Japanese noise-punk musicians with their own sets of sonic banshee howls and thundering rhythms? Being an avid fan of experimental music and Japanese power noise, I had a feeling that this was going to be a rather exciting show; I was not prepared, however, for how wild it got inside.
Show Review: Regina Spektor at The Fox Oakland, 10/30/2009
For some reason I always forget how good Regina Spektor is, but when the lights went down in The Fox Theater and the crowd went insane I felt a surge of pure joy and anticipation just like a die-hard fan. Then when Regina, beaming at the crowd’s welcome, started into “The Calculation” I started to feel tears well up. I may be over emotional this week, but still, it was one of those perfect moments that you just knew everything was going to be wonderful, at least for the next hour and a half. Continue reading “Show Review: Regina Spektor at The Fox Oakland, 10/30/2009”
Show Review: The Dodos with Ruby Suns at Bimbo’s 365 Club, 10/29/09
The Dodos are a band that seem on the cusp of something big right now. Getting Phil Ek, my favorite indie rock producer of all time, on board for their newest record is a sign of big things to come. That record, Time to Die, is heavily focused on soothing vocals melodies and crazy guitar playing from Meric Long, accompanied by strong rhythms from drummer Logan Kroeber. What could this sound like in a live setting? Continue reading “Show Review: The Dodos with Ruby Suns at Bimbo’s 365 Club, 10/29/09”